The source forecast that, by the end of 2022, the annual revenue of the global film production and distribution industry would amount to **** billion U.S. dollars. As of mid-2022, the sector employed almost *** thousand people in a little more than ** thousand businesses worldwide. China, the North American market (a term that includes the United States and Canada and excludes Mexico), and Japan were the world's leading box office markets by revenue in 2021.

The summary statistics by North American Industry Classification System (NAICS) which include: operating revenue (dollars x 1,000,000), operating expenses (dollars x 1,000,000), salaries wages and benefits (dollars x 1,000,000), and operating profit margin (by percent), of motion picture and video production (NAICS 512110), annual, for five years of data.

The film production industry is volatile, as it relies on investments in the production of feature films, particularly from the US. This means external factors significantly sway the industry's success, like the USD-GBP exchange rate, film tax incentives and credit availability. Advances in film production and creative developments worldwide also affect the industry. The global film market has been curbed by the weak performance of cinemas since the pandemic, with UK attendance struggling at 68% of 2019 levels, according to the UK Cinema Association. However, the growth of streaming platforms has provided studios with new revenue sources. Major platforms like Netflix and Disney+ have surged in subscriber numbers and are bringing in significant funding for filmmaking. The industry is projected to accelerate at a compound annual rate of 7.6% over the five years through 2025-26 to £8.1 billion. The UK Film Tax Relief programme has appealed to film producers and contributed to the expansion of UK studio capacity thanks to its 40% tax relief incentive, particularly with leading producers who provide inward investment. This has aided profit, particularly for blockbuster productions. In recent years, an expanding number of high-budget films have been produced in the UK thanks to its tax programme and high investments in improving studio facilities. Writer and actor strikes hampered production in 2023-24, leading to a temporary drop in revenue over the year as productions ground to a halt. Industry revenue is forecast to climb at a compound annual rate of 7.9% over the five years through 2030-31, reaching £11.8 billion. Recently agreed co-production treaties are likely to support the industry soon, allowing easier labour movement and movie distribution. The UK-EU trade deal can also aid inward investment and export sales to the bloc. The government's Global Screen Fund will support the industry as it partially offsets funding lost from Creative Europe. Long-term investments from major US studios have secured the UK as a hub for global blockbuster productions. Studios have also invested heavily in expanding their UK studio spaces and filming capacities, promoting high-scale motion picture production.

Film Genre Statistics

Movie genre statistics and revenue data from 1995-2018

By Throwback Thursday [source]

About this dataset

This dataset contains genre statistics for movies released between 1995 and 2018. It provides information on various aspects of the movies, such as gross revenue, tickets sold, and inflation-adjusted figures. The dataset includes columns for genre, year of release, number of movies released in each genre and year, total gross revenue generated by movies in each genre and year, total number of tickets sold for movies in each genre and year, inflation-adjusted gross revenue that takes into account changes in the value of money over time, title of the highest-grossing movie in each genre and year, gross revenue generated by the highest-grossing movie in each genre and year, and inflation-adjusted gross revenue of the highest-grossing movie in each genre and year. This dataset offers insights into film industry trends over a span of more than two decades

How to use the dataset

Understanding the Columns

Before diving into the analysis, let's familiarize ourselves with the different columns in this dataset:

• Genre: This column represents the genre of each movie.
• Year: The year in which the movies were released.
• Movies Released: The number of movies released in a particular genre and year.
• Gross: The total gross revenue generated by movies in a specific genre and year.
• Tickets Sold: The total number of tickets sold for movies in a specific genre and year.
• Inflation-Adjusted Gross: The gross revenue adjusted for inflation, taking into account changes in the value of money over time.
• Top Movie: The title of the highest-grossing movie in a specific genre and year.
• Top Movie Gross (That Year): The gross revenue generated by the highest-grossing movie in a specific genre and year.
• Top Movie Inflation-Adjusted Gross (That Year): The inflation-adjusted gross revenue of the highest-grossing movie in a specific genre and year.

Analyzing Data

To make use of this dataset effectively, here are some potential analyses you can perform:

• Find popular genres: You can determine which genres are popular by looking at columns like Movies Released or Tickets Sold. Analyzing these numbers will give you insights into what types of movies attract more audiences.

• Measure financial success: Explore columns like Gross, Inflation Adjusted Gross, or Top Movie Gross (That Year) to compare the financial success of different genres. This will allow you to identify genres that generate higher revenue.

• Understand movie trends: By analyzing the dataset over different years, you can observe trends in movie releases and gross revenue for specific genres. This information is crucial for understanding how movie preferences change over time.

• Identify highest-grossing movies: The column Top Movie gives you the title of the highest-grossing movie in each genre and year. You can use this information to analyze the success of specific movies within their respective genres.

Data Visualization

To enhance your analysis, consider using data visualization techniques

Research Ideas

• Predicting the popularity and success of movies in different genres: By analyzing the data on tickets sold and gross revenue, we can identify trends and patterns in movie genres that attract more audiences and generate higher revenue. This information can be useful for filmmakers, production studios, and investors to make informed decisions about which genres to focus on for future movie releases.
• Comparing the performance of movies over time: With the inclusion of inflation-adjusted figures, this dataset allows us to compare the box office success of movies across different years. We can analyze how movies in specific genres have performed over time in terms of gross revenue and adjust these figures for inflation to get a better understanding of their true financial success.
• Analyzing the impact of genre popularity on ticket sales: By examining the relationship between genre popularity (measured by tickets sold) and total gross revenue, we can gain insights into audience preferences and behavior. This information is valuable for marketing strategies, as it helps determine which movie genres are most likely to attract a larger audience base and generate higher ticket sales

Acknowledgements

If you use this dataset in your research, please credit the original authors. Data Source

License

See the dataset description for more information.

Columns...

The success of the Global Movie Production and Distribution industry hinges on the discretionary spending of moviegoers and it has grappled with production disruptions and the transition to digital content. The COVID-19 pandemic rattled movie production, grinding production to a halt worldwide as global revenue was reduced by one-third in 2020. With domestic theaters shutting down and major studio blockbusters postponing releases, the industry's traditional revenue streams took a massive hit. However, the pandemic also accelerated the industry's pivot towards digital distribution and licensing, providing a much-needed lifeline. Studios adapted quickly, expanding their digital platforms to mitigate financial losses as consumers shifted their preferences towards at-home entertainment. Through the end of 2024, industry revenue is forecast to decline at a CAGR of 2.3% to $129.9 billion, despite a recovery of 0.9% during 2024 as profit still inches downward. The industry has seen a surge in mergers and acquisitions, exemplified by Disney's acquisition of 21st Century Fox and Amazon's purchase of MGM Studios. These moves were driven by the need to expand content libraries for streaming services and gain a competitive edge in a crowded market. Meanwhile, film studios have doubled down on producing sequels and franchises, capitalizing on known intellectual properties to secure stable income amid unpredictable box office returns. The rise of international markets, particularly in China and India, has also reshaped distribution strategies, leading to films being tailored to local tastes to maximize global revenue. With films being distributed and viewed seamlessly and digitally, the cost to view a film at home is often far less than purchasing a movie ticket at a theater. Moviemakers have focused on marketing campaigns to generate demand. There will be a continued focus on digital and international markets in the coming years. Though theatrical releases will remain crucial, especially as proving grounds for subsequent distribution channels, the prominence of domestic box office sales as the primary metric of success is waning. Subscription-based models will grow, driven by consumers’ evolving preferences for convenient, at-home viewing. The industry will see increased risk aversion, with studios leaning heavily on sequels and franchises to subsidize riskier projects. Grappling with these changes, industry revenue is forecast to expand at a modest CAGR of 1.3% to $138.5 billion through the end of 2029.

The source estimated that the global cinema revenue would amount to around ** billion U.S. dollars in 2022. The figure was projected to continue to grow in the following years, albeit at a slower pace after 2023. The annual result forecast for 2026 surpassed ** billion dollars. According to the source, most of the worldwide box office revenue came from the Asia-Pacific region.

On a cold January evening in 2025, millions gathered across time zones not in stadiums or theaters, but in their homes, immersed in mixed reality concerts, live-streamed films, or hyper-personalized gaming experiences. This isn't science fiction; it's the daily reality shaped by the ever-evolving media and entertainment industry. As technology...

The Graphic Films Market Report is Segmented by Film Type (Opaque, Transparent, Translucent, and Reflective), Polymer (Polyvinyl Chloride (PVC), Polypropylene (PP), Polyethylene (PE), and More), Printing Technology (Digital, Flexography, Rotogravure, Screen Printing), End-User (Automotive, Advertising and Promotion Agencies, Building and Construction, and More), and Geography. The Market Forecasts are Provided in Value (USD).

Description: This dataset provides comprehensive movie statistics compiled from multiple sources, including Wikipedia, The Numbers, and IMDb. It offers a rich collection of information and insights into various aspects of movies, such as movie titles, production dates, genres, runtime minutes, director information, average ratings, number of votes, approval index, production budgets, domestic gross earnings, and worldwide gross earnings.

The dataset combines data scraped from Wikipedia, which includes details about movie titles, production dates, genres, runtime minutes, and director information, with data from The Numbers, a reliable source for box office statistics. Additionally, IMDb data is integrated to provide information on average ratings, number of votes, and other movie-related attributes.

With this dataset, users can analyze and explore trends in the film industry, assess the financial success of movies, identify popular genres, and investigate the relationship between average ratings and box office performance. Researchers, movie enthusiasts, and data analysts can leverage this dataset for various purposes, including data visualization, predictive modeling, and deeper understanding of the movie landscape.

Features: - Movie_title - Production_date - Genres - Runtime_minutes - Director_name (primaryName) - Director_professions (primaryProfession) - Director_birthYear - Director_deathYear - Movie_averageRating : refers to the average rating given by online users for a particular movie - Movie_numberOfVotes : refers to the number of votes given by online users for a particular movie - Approval_Index :is a normalized indicator (on scale 0-10) calculated by multiplying the logarithm of the number of votes by the average users rating. It provides a concise measure of a movie's overall popularity and approval among online viewers, penalizing both films that got too few reviews and blockbusters that got too many. - Production_budget ( $) - Domestic_gross ($) - Worldwide_gross ($)

Potential Applications:

Box office analysis: Analyze the relationship between production budgets, domestic and worldwide gross earnings, and profitability. Genre analysis: Identify the most popular genres based on movie counts and analyze their performance. Rating analysis: Explore the relationship between average ratings, number of votes, and financial success. Director analysis: Investigate the impact of directors on movie ratings and financial performance. Time-based analysis: Study movie trends over different production years and observe changes in production budgets, box office earnings, and genre preferences. By utilizing this dataset, users can gain valuable insights into the movie industry and uncover patterns that can inform decision-making, market research, and creative strategies.

This dataset provides a detailed analysis of global box office performance from 2000 to 2024. It includes information on movies released during this period, covering key metrics such as release dates, genres, production budgets, worldwide gross, and more. The dataset aims to assist researchers, data scientists, and movie enthusiasts in exploring trends in the film industry, analyzing profitability, and understanding audience preferences over the years.

Key Features: 1. Timeframe: 2000–2024 2. Metrics: Revenue, production budget, profit margins, and more 3. Genres: Covers various genres to analyze trends in audience preferences 4. Insights: Ideal for trend analysis, profitability studies, and forecasting

This dataset is ideal for: - Machine learning projects such as predicting box office success - Exploratory data analysis (EDA) for trends in the movie industry - Research on the evolution of filmmaking economics

Note: All data is curated from publicly available sources.

The Optical Film Market is segmented by Type (Polarizing Film, Backlight Unit Film, ITO Film, and Others), Application (Televisions, Desktop Monitors and Laptops, Smartphones and Tablets, Signage/Large Format Display, and Others), and Geography (Asia-Pacific, North America, Europe, South America, and Middle-East and Africa)

The Plastic Film Market Report is Segmented by Resin Type (Polypropylene, Polyethylene, BOPET, Polystyrene, Bioplastics, and More), Application (Wraps and Overwraps, Bags and Linings, and More), Film Functionality (Low-Barrier Mono-Material, Medium-Barrier Metallised, and More), End-Use Industry (Food, Beverages, Healthcare and Pharmaceutical, and More), and Geography. The Market Forecasts are Provided in Terms of Value (USD).

The industry profile based on foreign and domestic sales which includes all members under film, television and video post-production industry (NAICS 512190) for one year of data.

According to a study led in July 2024 in Great Britain, 56 percent of British respondents wanted to see more comedy films. On the other hand, more than half of them claimed to want less video game adaptations or reboots of old movies.

The Metalized Film Market Report is Segmented by Metal Type (Aluminium, Copper, Other Metal Types), Film Type (Polypropylene, Polyethylene, Other Film Types), End-User Industry (Packaging, Electrical and Electronics, Decorative, Other End-User Industry), and Geography (Asia-Pacific, North America, Europe, South America, Middle East and Africa). The Market Forecasts are Provided in Terms of Value (USD).

Number of Businesses statistics on the Movie & Video Production industry in the US

In 2024, more than ** percent of people employed in the motion picture and video industries in the United States identified as white. About one out of ten employees identified as Black or African American. That same year, almost ********** of employees in the U.S. film industry were male.

The Electronic Film Market is segmented by Film Type (Conductive, and Non-Conductive), Material Type (Polymer, ITO on Glass, ITO on Pet, Metal Mesh, and Others), Application (Electronic Display, Printed Circuit Boards, Semiconductors, and Others), and Geography (Asia-Pacific, North America, Europe, South America, and Middle-East and Africa)

The global TV show and film market is a dynamic and rapidly evolving industry, characterized by significant growth and considerable transformation. While precise figures for market size and CAGR aren't provided, considering the presence of major players like Disney, Warner Bros., and others, a reasonable estimate places the 2025 market size at approximately $150 billion USD. This substantial value reflects the immense popularity of streaming services, the continued demand for high-quality content, and the expansion into new global markets. A projected CAGR of 7% from 2025 to 2033, considering industry trends and technological advancements, suggests a market size exceeding $250 billion by 2033. Key drivers include the increasing adoption of streaming platforms (Netflix, Amazon Prime, Disney+), the rise of original content, and the expanding global reach of entertainment. Emerging trends include the growing demand for diverse and inclusive storytelling, the integration of interactive technologies, and the increasing importance of data analytics in content creation and distribution. Restraints include increasing production costs, fierce competition amongst streaming platforms, and the challenges of navigating copyright and intellectual property regulations across different jurisdictions. Market segmentation reveals a multifaceted landscape, with distinct categories based on genre, distribution channels (theatrical, streaming, broadcast), target audience, and geographic regions. Leading players like Disney and Warner Bros. leverage their vast content libraries and established distribution networks to maintain market dominance. However, the emergence of new streaming services and independent production houses presents opportunities and challenges. Regional variations are substantial, with North America and Europe traditionally holding significant market shares, while Asia-Pacific experiences robust growth driven by increasing disposable income and expanding internet penetration. Successful navigation of this evolving ecosystem necessitates strategic investments in content creation, technological innovation, and targeted distribution strategies, while staying attuned to evolving consumer preferences and technological advancements.

These network data tables describe nodes and edges in three film industries (Australia, Germany, Sweden). Data was obtained from different sources. Australian data was derived from the annual awards of the Australian Film Institute. German film industry data was supplied by Elizabeth Prommer at the University of Rostock. Swedish film industry data was supplied by the Swedish Film Institute. Date ranges and attributes were aligned as closely as possible: Australia (2006-15), Sweden (2006-16), Germany (2006-16).