In 2024, total earnings at the box office across the United States and Canada amounted to around 8.56 billion U.S. dollars, down from 8.91 billion dollars in the previous year. Still, the 2024 figure was still under the revenue recorded in 2019. Light, camera, action – literally The initial recovery in the box office was followed by a return in market concentration. As of February 2023, the "Big Five" major film studios – Disney, Paramount, Sony/Columbia, Universal Pictures, and Warner Bros. – collectively held a market share of over 80 percent in the U.S. and Canada. Meanwhile, the action genre remained the most popular movie genre of the year. Diversity attracts moviegoers Over 60 percent of Gen Zers surveyed in the U.S. in May 2022 mentioned the movie offerings as the main reason to watch motion pictures in theaters. This suggests that new generations of moviegoers may be losing interest in some of the themes abundant in Hollywood productions. Between April 2018 and November 2021, the share of internet users in the U.S. who said they enjoyed superhero movies but were getting tired of so many of them went from 17 percent to 23 percent.

In 2021, the global box office revenue added up to **** billion U.S. dollars, up from **** billion dollars a year earlier – an annual growth of **** percent. Still, the 2021 figure amounted to little more than half of the ****-billion-dollar revenue recorded in 2019, before the COVID-19 outbreak. Will the U.S. movie market recover? Altogether, Canada and the United States (including the unincorporated territories of Guam and Puerto Rico) form what is known as the North American film market. This region is recovering at a slower pace than the global average. In 2021, the North American box office revenue amounted to **** billion dollars. This represents less than ** percent of the *****-billion-dollar result reported two years before. The Asian film industry In 2021, China consolidated its upper hand in the global movie market. The country had already placed first in the worldwide ranking of box office revenues in 2020 when it first surpassed the U.S. and Canada. India is also on the rise. As Bollywood movies become more popular out of the country, their performances at the box offices across the world reach dozens of billions of Indian rupees.

See the average Airbnb revenue & other vacation rental data in Hollywood in 2025 by property type & size, powered by Airbtics. Find top locations for investing.

In 2022, Hollywood movies accounted for the largest share of revenue generated by the film industry in Ghana and Nigeria. Hollywood productions held ** percent of the total share. Nollywood, on the other hand, accounted for ** percent of the revenue. In 2020, many Hollywood productions were postponed. In addition, cinemas had to close due to the coronavirus pandemic, reopening only in Nigeria in September 2020. Overall, in anglophone West-Africa, Nigeria accounted for the largest share of revenue generated by film industries within the region.

In 2021, the global box office revenue amounted to approximately **** billion U.S. dollars, out of which more than half – **** billion dollars – came from the Asia Pacific region. In Europe, the Middle East, and Africa – collectively known as EMEA – the box office revenue added up to **** billion dollars or almost one-fourth of the total. Despite the increase when compared to 2020, the 2021 figures remained distant from the ****-billion-dollar global revenue recorded in 2019, before the COVID-19 outbreak. What is box office data used for? The term box office revenue refers to the total revenue generated through movie ticket sales. It is primarily used to measure and compare the commercial success of a film. Ticket sales may account for a large portion of the film industry’s total revenue – especially before the pandemic. They are also the main source of income for movie theaters. Leading box office markets The United States and Canada – known as the North American movie market – were the leading box office market worldwide for several decades. But China, alongside other Asian markets, has also begun to make its mark on the global movie industry in recent years. Bollywood movies, in particular, are gaining popularity outside of India. While the Indian film industry released far more movies than China and the U.S. until the coronavirus outbreak, its box office revenues remained comparatively small.

This dataset tracks annual total revenue from 2006 to 2023 for East Hollywood High School District

The global movie production market, valued at $92.56 billion in 2025, is projected to experience robust growth, driven by a compound annual growth rate (CAGR) of 14.6% from 2025 to 2033. This expansion is fueled by several key factors. The increasing popularity of streaming services like Netflix, Disney+, and Amazon Prime Video has significantly broadened the audience reach for films, stimulating demand for diverse content across various genres and languages. Technological advancements, particularly in visual effects (VFX) and digital filmmaking, have lowered production costs and enabled greater creative flexibility, further boosting market growth. Furthermore, the rising disposable incomes in emerging economies, especially in APAC, are driving increased cinema attendance and home entertainment consumption, contributing significantly to market expansion. Geographic diversification in production locations is also a significant trend, with countries beyond traditional Hollywood hubs becoming increasingly attractive due to government incentives and lower production costs. However, challenges remain. The market faces constraints from fluctuating box office revenues due to economic uncertainty and the ongoing impact of the COVID-19 pandemic. Competition among studios and the increasing costs associated with securing talent and distribution rights also present obstacles to market growth. Nevertheless, the long-term outlook for the movie production market remains positive, driven by consistent innovation in storytelling and distribution, as well as the continued global appetite for diverse and engaging cinematic experiences. The segmentation by language (English, French, Spanish, Mandarin, Others) and genre (Drama, Action, Comedy, Others) reflects the multifaceted nature of the market, highlighting the diverse content preferences of global audiences. The presence of major players like Disney, Warner Bros., and Sony Pictures underscores the industry's consolidation and the need for continuous adaptation to shifting viewer preferences.

The success of the Global Movie Production and Distribution industry hinges on the discretionary spending of moviegoers and it has grappled with production disruptions and the transition to digital content. The COVID-19 pandemic rattled movie production, grinding production to a halt worldwide as global revenue was reduced by one-third in 2020. With domestic theaters shutting down and major studio blockbusters postponing releases, the industry's traditional revenue streams took a massive hit. However, the pandemic also accelerated the industry's pivot towards digital distribution and licensing, providing a much-needed lifeline. Studios adapted quickly, expanding their digital platforms to mitigate financial losses as consumers shifted their preferences towards at-home entertainment. Through the end of 2024, industry revenue is forecast to decline at a CAGR of 2.3% to $129.9 billion, despite a recovery of 0.9% during 2024 as profit still inches downward. The industry has seen a surge in mergers and acquisitions, exemplified by Disney's acquisition of 21st Century Fox and Amazon's purchase of MGM Studios. These moves were driven by the need to expand content libraries for streaming services and gain a competitive edge in a crowded market. Meanwhile, film studios have doubled down on producing sequels and franchises, capitalizing on known intellectual properties to secure stable income amid unpredictable box office returns. The rise of international markets, particularly in China and India, has also reshaped distribution strategies, leading to films being tailored to local tastes to maximize global revenue. With films being distributed and viewed seamlessly and digitally, the cost to view a film at home is often far less than purchasing a movie ticket at a theater. Moviemakers have focused on marketing campaigns to generate demand. There will be a continued focus on digital and international markets in the coming years. Though theatrical releases will remain crucial, especially as proving grounds for subsequent distribution channels, the prominence of domestic box office sales as the primary metric of success is waning. Subscription-based models will grow, driven by consumers’ evolving preferences for convenient, at-home viewing. The industry will see increased risk aversion, with studios leaning heavily on sequels and franchises to subsidize riskier projects. Grappling with these changes, industry revenue is forecast to expand at a modest CAGR of 1.3% to $138.5 billion through the end of 2029.

About this dataset

Context

The dataset presents the distribution of median household income among distinct age brackets of householders in Hollywood. Based on the latest 2019-2023 5-Year Estimates from the American Community Survey, it displays how income varies among householders of different ages in Hollywood. It showcases how household incomes typically rise as the head of the household gets older. The dataset can be utilized to gain insights into age-based household income trends and explore the variations in incomes across households.

Key observations: Insights from 2023

In terms of income distribution across age cohorts, in Hollywood, householders within the 45 to 64 years age group have the highest median household income at $78,071, followed by those in the 25 to 44 years age group with an income of $66,563. Meanwhile householders within the 65 years and over age group report the second lowest median household income of $47,019. Notably, householders within the under 25 years age group, had the lowest median household income at $39,659.

Content

When available, the data consists of estimates from the U.S. Census Bureau American Community Survey (ACS) 2019-2023 5-Year Estimates. All incomes have been adjusting for inflation and are presented in 2023-inflation-adjusted dollars.

Age groups classifications include:

• Under 25 years
• 25 to 44 years
• 45 to 64 years
• 65 years and over

Variables / Data Columns

• Age Of The Head Of Household: This column presents the age of the head of household
• Median Household Income: Median household income, in 2023 inflation-adjusted dollars for the specific age group

Good to know

Margin of Error

Data in the dataset are based on the estimates and are subject to sampling variability and thus a margin of error. Neilsberg Research recommends using caution when presening these estimates in your research.

Custom data

If you do need custom data for any of your research project, report or presentation, you can contact our research staff at research@neilsberg.com for a feasibility of a custom tabulation on a fee-for-service basis.

Inspiration

Neilsberg Research Team curates, analyze and publishes demographics and economic data from a variety of public and proprietary sources, each of which often includes multiple surveys and programs. The large majority of Neilsberg Research aggregated datasets and insights is made available for free download at https://www.neilsberg.com/research/.

Recommended for further research

This dataset is a part of the main dataset for Hollywood median household income by age. You can refer the same here

Hollywood Movies Domestic Lifetime Gross and Ranking

An Opportunity for Investigating Box Office Performance

By Elias Dabbas [source]

About this dataset

This dataset contains the details about Hollywood's all-time domestic box office records. It includes data scraped from Box Office Mojo, which breakdowns every movie's lifetime gross, ranking and production year. Domestic gross (adjusted to inflation) has been used as the benchmark to determine what movies were the most successful at the box office in America. This dataset allows you to explore an extensive, comprehensive list of Hollywood all-time biggest hits. Analyze examples of previously unprecedented blockbusters and observe current market trends with this comprehensive overview of domestic box office history - only here at this treasury of motion picture insights!

More Datasets

For more datasets, click here.

Featured Notebooks

• 🚨 Your notebook can be here! 🚨!

How to use the dataset

This dataset contains comprehensive information about Hollywood movies and their domestic performance at the box office. It includes data on films' production year, lifetime gross, ranking and the studio that produced them. By using this dataset, you can analyze the financial successes and failures of films produced by different studios to gain insights into the Hollywood movie market over time.

The 'rank' column shows each film's ranking compared to other Hollywood movies released in its year of release based on its box office revenue from theaters (not including other sources such as DVD sales or streaming services). The higher the number for a film’s rank means it was more successful financially than other films released in its date window when ticket prices were taken into account; lower numbers equate to less success at that time frame's box office.

The ‘title’ column features all movies analyzed here with links provided which direct users to articles giving background information about those projects - directorial credentials or management history -- as well as full reviews with ratings given by critics while they were screened theatricallly across North America (U.S., Canada).

The ‘studio’ outlines which media conglomerate is credited with distribution/marketing rights for each featured motion picture during their original domestic theatrical runs; these name-brands represent umbrella-corporations comprising multiple divisions specializing in creative development/financing of cinematic works along with doorways engineered around technical know-how -- ie: visual effects shops used by filmmakers during post-production responsibilities their respective productions entailed) -- maintained throughout various industrial regions across entertainment media outlets extending well beyond motion pictures proper... including music/television sector domains defined under respective company flags like Warner Bros., Disney(ABC), NBCUniversal(Comcast) ++ et al mirroring segmentations off any parent brand cited within this database under said label; pertaining solely toward big screen celluloid matters examined herein because charter established assumptions indicate only valid commercially viable feature length fare delivering both titles & collections contained below adheres relevant criterion set forth specifications that warrant inclusion alongside applicable vertical peers made front % center terms established formulating current entries visible within page iteration whilst conforming platform protocols designed enable public

Research Ideas

• Creating a recommendation engine to suggest similar movies based on lifetime gross and year of release.
• Data analysis and visualization of box office trends over time for major Hollywood studios.
• Utilizing the data to recommend alternative ways for movie marketers to invest their advertising budgets in order to maximize their return on investment

Acknowledgements

If you use this dataset in your research, please credit the original authors. Data Source

License

License: Dataset copyright by authors - You are free to: - Share - copy and redistribute the material in any medium or format for any purpose, even commercially. - Adapt - remix, transform, and build upon the material for any purpose, even commercially. - You must: - Give appropriate credit - Provide a link to the license, and indicate if changes were made. - ShareAlike - You must distribute your contributions under the same license as the original. - **Keep i...

This dataset tracks annual total revenue from 2019 to 2023 for Citizens Of The World Charter School Hollywood School District

In 2024, China's annual box office revenue fell by ** percent year-over-year to **** billion yuan — ** percent down from the pre-pandemic peak in 2019. The decline can be attributed to the downturn in the macroeconomy and more conservative consumer spending.

This dataset tracks annual average revenue per student from 2006 to 2023 for East Hollywood High School District

The revenue of the motion picture and video production and distribution industry in the United States sharply increased in 2022 to almost ** billion U.S. dollars. The number of movie tickets sold in the U.S. and Canada amounted to around ***** million tickets that same year.

Hollywood movies released between 2012-2016 including total movie budget and revenue generated by each movie. This dataset likely includes information such as movie titles, release dates, genres, directors, cast members, production budgets, box office revenues. Analyzing this dataset could provide insights into trends in the film industry during those years, such as popular genres, successful production strategies, the impact of directors or actors on box office performance, and the correlation between budget and revenue.

Cinemas have experienced turbulent times over the past five years as the film industry has failed to fully recover from the pandemic disruption. Cinemas earn their income primarily through ticket sales, with blockbuster films being incredibly lucrative. However, ticket sales are shared with film distributors, which makes food and beverage sales and screen advertising the most important revenue streams for profitability. The industry is dominated by the top three chains holding most of the market share. Non-chain cinemas typically operate within niche sectors of the industry. Over the five years through 2025-26, industry revenue is expected to rise at a compound annual rate of 21.7% to £1.7 billion. However, this is massively distorted by the base year of 2020-21, when cinemas in the UK were only permitted to open for two months of the year. In reality, the UK box office sat at 21.8% lower in 2024 compared to 2019, as consumers have failed to return to cinemas at the level they did before the pandemic. What recovery was being made was hindered again in 2024-25 because of the Hollywood writers' strikes in 2023, which caused major delays to multiple blockbuster releases. In 2025-26, UK cinemas' revenue is set to swell by 6.9% as the Hollywood pipeline gets back on track. Over the five years through 2030-31, industry revenue is forecast to swell at a compound annual rate of 4.2% to £2.1 billion. Improving economic conditions and higher disposable incomes are set to boost admissions and increase spending on cinema visits through extras like snacks and drinks. The screening of alternative content, like live sports and theatre shows, could contribute more revenue in the coming years. Similarly, the popularity of IMAX and 4DX screenings will raise ticket prices, propelling revenue growth. However, subscription video-on-demand service providers will continue to threaten cinemas and the threat of a shorter theatrical window. These trends will hold back cinemas' expansion in the future.

Comprehensive statistics and data about the Hollywood acting industry including SAG-AFTRA membership, actor demographics, income distribution, training success rates, and industry financial metrics following the 2023 strikes.

Earnings distribution showing 87.92% of SAG-AFTRA actors earn $1,000 or less annually, with median hourly wage of $23.33

Comprehensive YouTube channel statistics for Hollywood Celebrity, featuring 361,000 subscribers and 66,147,390 total views. This dataset includes detailed performance metrics such as subscriber growth, video views, engagement rates, and estimated revenue. The channel operates in the Entertainment category and is based in IN. Track 311 videos with daily and monthly performance data, including view counts, subscriber changes, and earnings estimates. Analyze growth trends, engagement patterns, and compare performance against similar channels in the same category.

European post-production studios collaborate with other studios, both in Europe and further afield, to create films, TV shows and other forms of media. The industry has been supported by favourable government tax reliefs for domestic production, using these to encourage major US studios to work with European post-production companies for their big-budget films and shows. This collaborative approach allows studios specialising in specific areas, such as special effects, animation, or subtitling, to focus on their strengths. Film and TV studios in Europe have been hit hard by the poor performance of crucial downstream markets, like TV broadcasters and film producers. Global box office figures have lagged behind pre-pandemic averages, while social media and streaming platforms have captured the attention of consumers away from broadcasters. This has shrunk production budgets and curbed industry revenue. The Hollywood strike, midway through 2023, over disagreements with studios, created more issues for the industry. The strikes froze all productions involving US studios, meaning work opportunities for European post-production companies dried up. Overall, post-production revenue is projected to be down at a compound annual rate of 2.2% over the five years through 2025 to €3.1 billion, including an anticipated rise of 1.1% in 2025. Demand for post-production services is closely tied to government policies and subsidies that attract foreign productions. The European Film Agency Directors' Association reveals that the government funding for the production and promotion of European audiovisual works totals around €3 billion annually. Technology advancements like AI pose a threat to some industry services, but studios that properly leverage the technology could reap major productivity rewards. Despite the challenges facing the industry, projected improvements in economic conditions could foster a stronger production environment over the coming years. Overall, revenue is forecast to grow at a compound annual rate of 1.7% over the five years through 2030 to reach €3.3 billion.