Estimates suggest that Apple Music had 95 million subscribers worldwide in June 2024, up by 2 million from the previous year. Launched in 2015 by U.S. tech giant Apple, Apple Music is the second largest music streaming service worldwide, competing with market leader Spotify. Spotify remains market leader While Apple Music is a popular music streaming platform, accounting for 12.6 percent of subscribers worldwide, the 2008 founded streaming service Spotify remains the market leader with a subscriber share of nearly 32 percent. Financially this meant that the Swedish company generated a global revenue of 3.7 billion euros through its Premium accounts in the fourth quarter of 2024 alone.Music streaming overall increasesOverall, music streaming has experienced significant growth over the last decade. Even if the annual growth rate is gradually declining, it still stood at over 7 percent in 2024, becoming the music industry’s main revenue driver and reaching a revenue of 20 billion U.S. dollars worldwide in 2024.

This statistic gives information on the share of Apple Music in the United States as of February 2018, by age. During this month, 17 percent of Apple Music users were aged between 18 and 24.

Introduction

Apple Music Statistics: Since its 2015 release, Apple Music has become a major force in the worldwide music streaming market. It keeps growing, giving customers access to a vast library of over 100 million songs, unique content, and state-of-the-art technologies including Lossless streaming and Spatial Audio by 2023 and 2024.

Apple Music is a notable platform because of its unique technology, easy integration inside the Apple ecosystem, and dedication to sustainability. It has over 110 million users and generates considerable income. The intriguing data and insights on Apple Music that follow demonstrate the platform's remarkable rise to prominence and impact throughout this time.

This statistic gives information on the share of Apple Music in the United States as of February 2018, by gender. During this month, 56 percent of Apple Music users were female.

This statistic gives information on the most popular music streaming services in the United States as of March 2018, ranked by number of smartphone users. During this month, 44.6 million people used the Apple Music service via smartphone.

This statistic presents data on the share of iOS users who listen to Apple Music in the United States in the first half of 2016 and the first half of 2017. According to the source, ** percent of iOS users listened to Apple Music on mobile in the first half of 2017, up from ** percent a year earlier.

Introduction

Amazon Music Statistics: Amazon Music is a popular music streaming platform, offering a variety of services, including Amazon Music Unlimited, Amazon Prime Music, and Amazon Music HD. As of 2023, Amazon Music boasts over 80 million songs in its catalog, providing a wide range of music options across genres. The service is available in more than 50 countries and is integrated with Amazon's smart devices, like Echo and Fire TV. Amazon Music Unlimited, the premium version of the service, offers access to an even larger selection of over 90 million songs. The platform also supports high-definition audio for subscribers of Amazon Music HD, with tracks available in lossless, CD-quality audio.

Amazon Music has seen steady growth, with recent reports suggesting that it has gained a significant share of the global streaming market, though it still trails behind competitors like Spotify and Apple Music. Additionally, Amazon Music offers personalized playlists and radio stations, enhancing the user experience through tailored recommendations. This article will discuss the important Amazon Music statistics and key trends.

As of the fourth quarter of 2018, Apple Music users in North America spent an average of two hours and 44 minutes streaming music on the platform each day. More time was spent on Apple Music than on Spotify by users in all regions, and European internet users were the only ones in the study who spent less than 100 minutes per day streaming on Spotify.

Introduction

Apple Statistics: ​Apple Inc., headquartered in Cupertino, California, is a leading multinational technology company renowned for its innovative consumer electronics, software, and services. In fiscal year 2024, Apple reported revenue of USD 391 billion, with the iPhone segment contributing USD 201 billion, accounting for approximately 51% of total revenue. The services division, encompassing offerings such as Apple Music, iCloud, and the App Store, generated USD 96.1 billion, reflecting a year-over-year growth of 12.8%. The company achieved a net income of USD 93.7 billion during this period. ​

In the fourth quarter of fiscal 2024, Apple reported revenue of USD 94.9 billion, marking a 6% increase compared to the same period in the previous year. This growth was driven by strong demand for iPhones, which saw a 5.5% year-over-year increase to USD 46.2 billion. The services division also experienced growth, with revenue increasing by 11.9% to USD 24.97 billion.

As of December 2024, Apple's market capitalization reached approximately USD 3.785 trillion, positioning it as one of the world's most valuable companies. The company's workforce comprised 164,000 full-time employees as of September 2024.

These figures underscore Apple's significant role in the global technology industry and its continued influence on consumer electronics and digital services markets.​

According to a survey about the music streaming industry in the Middle East and North Africa (MENA) region in the first half of 2020, 46 percent of respondents who were monogamous users of the music streaming platform Apple music were from the United Arab Emirates (UAE). Anghami had the largest share of monogamous users in the MENA region.

The music streaming market refers to the digital distribution of music content, enabling users to access and listen to songs, albums, and playlists on demand via the internet, without the need for physical media. This market has evolved with the proliferation of mobile devices, high-speed internet, and cloud-based services, making it easier for consumers to enjoy music anytime, anywhere. Music streaming platforms such as Spotify, Apple Music, YouTube Music, and Amazon Music dominate the industry, providing users with subscription-based services, freemium models, and ad-supported options. The rise of artificial intelligence and data analytics also plays a significant role in music streaming, offering personalized recommendations and curated playlists based on user preferences and listening habits. Music streaming is revolutionizing the music industry by reducing piracy, offering a wider variety of music, and providing revenue-sharing opportunities for artists, which have become essential for the growth of the global market. Several factors drive the growth of the music streaming market, including increased smartphone penetration, faster internet connections, and the growing popularity of on-demand media consumption. Recent developments include: November 2022: Mercedes Benz automobiles now include Apple Music's highly acclaimed audio with support for Dolby Atmos as a natural experience, according to a joint announcement from Apple Music and Mercedes Benz. This fulfills a shared commitment to provide customers throughout the world with the best music experience., October2021: Amazon has announced that users of the unlimited tier of the service can now stream music blended in dynamic audio from more devices than ever before, including iOS (iPhone Operating System) and Android systems with their existing headphones and select devices that support Alexa.. Key drivers for this market are: Growing popularity of on-demand media consumption. Potential restraints include: licensing agreements with record labels and content providers can limit the availability . Notable trends are: Rising adoption in digital comic is driving the market growth.

The statistic presents the share of U.S. population who used the online radio service Apple Music* in 2018. According to the source, 10 percent of Americans reported using Apple Music monthly, while 9 percent said they used this service weekly.

The global music streaming apps market, valued at $27.71 billion in 2025, is projected to experience robust growth, driven by increasing smartphone penetration, affordable data plans, and the rising popularity of on-demand music services. The market's Compound Annual Growth Rate (CAGR) of 4.63% from 2025 to 2033 indicates a sustained expansion, fueled by continuous innovation in features, personalized recommendations, and enhanced user experiences. The dominance of subscription-based models (in-app purchases) is expected to continue, although advertising revenue will also play a significant role, particularly within freemium offerings. Platform-wise, Android's larger market share will likely maintain its lead, though iOS users represent a significant and highly engaged segment contributing substantially to revenue. Competition is fierce among established players like Spotify, Apple Music, and others, leading to continuous improvements in sound quality, offline listening capabilities, and exclusive content deals to attract and retain users. Geographic growth will be driven by increasing internet and smartphone penetration across developing markets in Asia-Pacific and Latin America. However, challenges such as piracy, copyright issues, and the need to address user privacy concerns will influence market trajectory. The competitive landscape, while dominated by established players, offers opportunities for smaller, niche players focusing on specific genres, regions, or user demographics. Future growth will depend on strategic partnerships, effective marketing, and innovative features that personalize the user journey and cater to evolving listening habits. The rise of artificial intelligence (AI) in music discovery and personalized playlists will further shape the market, as will the integration of music streaming into broader entertainment ecosystems. Maintaining a balance between revenue generation through subscriptions and advertisements, while managing content licensing costs and user data privacy, will be crucial for continued success in this dynamic market. The focus on user experience, exclusive content, and tailored services will be pivotal in the competition for market share throughout the forecast period. Recent developments include: In December 2022, YouTube was on the verge of introducing the Custom Radio Playlist feature. Soon, customers of the Google-owned music streaming service would have the option to design their own station. The YouTube Music App would give consumers various options for musicians so they may discover their favorites., In May 2022, JioSaavn and Warner Music India jointly launched Spotted - a fresh artist discovery initiative. The program's goal is to create the environment necessary for artists to perform at their best. JioSaavn, in partnership with Warner Music India, will publish the content. For creators, this collaboration is expected to foster a vibrant environment.. Key drivers for this market are: Higher Demand for In-App Purchase Driving the Market, Market Growth Aided by Robust Smart Phone Penetration and Internet Coverage. Potential restraints include: Higher Demand for In-App Purchase Driving the Market, Market Growth Aided by Robust Smart Phone Penetration and Internet Coverage. Notable trends are: Rising Demand for In-App Purchases.

What is the data?

The datasets contain the top songs from the said era or year accordingly (as presented in the name of each dataset). Note that only the KPopHits90s dataset represents an era (1989-2001). Although there is a lack of easily available and reliable sources to show the actual K-Pop hits per year during the 90s, this era was still included as this time period was when the first generation of K-Pop stars appeared. Each of the other datasets represent a specific year after the 90s.

How was it obtained?

A song is considered to be a K-Pop hit during that era or year if it is included in the annual series of K-Pop Hits playlists, which is created officially by Apple Music. Note that for the dataset that represents the 90s, the playlist 90s K-Pop Essentials was used as the reference.

1. These playlists were transferred into Spotify through the Tune My Music site. After transferring, the site also presented all the missing songs from each Spotify playlist when compared to the original Apple Music playlists.
   • Any data besides the names and artists of the hit songs were not directly obtained from Apple Music since these other details of songs in this music service are only available for those enrolled as members of the Apple Developer Program.
2. The presented missing songs from each playlist was manually searched and, if found, added to the respective Spotify playlist.
   • For the songs that were found, there are three types: (1) the song by the original artist, (2) the instrumental of the original song and (3) a cover of the song. When the first type is not found, the two other types are searched and are compared to each other. The one that sounded the most like the original song (from the Apple Music playlist) is chosen as the substitute in the Spotify playlist.
   • Presented is a link containing all the missing data per playlist (when the initial Spotify playlists were compared to the original Apple Music playlists) and the action done to each one.
3. The necessary identification details and specific audio features of each track were obtained through the use of the Spotipy library and Spotify Web API documentation.

Why did you make this?

As someone who has a particular curiosity to the field of data science and a genuine love for the musicality in the K-Pop scene, this data set was created to make something out of the strong interest I have for these separate subjects.

Acknowledgements

I would like to express my sincere gratitude to Apple Music for creating the annual K-Pop playlists, Spotify for making their API very accessible, Spotipy for making it easier to get the desired data from the Spotify Web API, Tune My Music for automating the process of transferring one's library into another service's library and, of course, all those involved in the making of these songs and artists included in these datasets for creating such high quality music and concepts digestible even for the general public.

The global cloud music services market is experiencing robust growth, projected to reach a significant value by 2033. A compound annual growth rate (CAGR) of 13% from 2025 to 2033 indicates substantial market expansion driven by several key factors. The increasing penetration of smartphones and affordable internet access globally fuels widespread adoption of streaming services. Consumer preference for on-demand music access and the convenience of vast digital libraries further contribute to market expansion. Furthermore, the development of innovative features like personalized playlists, high-fidelity audio, and social interaction within music platforms enhances user experience and drives engagement. The industry is witnessing a trend towards personalized music experiences, leveraging advanced algorithms and user data to curate content and improve recommendations. Competitive pressures from established players like Spotify, Apple Music, and Amazon Music, alongside emerging regional players, contribute to ongoing innovation and service improvements. However, factors such as fluctuating data costs in certain regions, concerns around music licensing and royalty payments, and competition from free, ad-supported platforms present challenges to sustained growth. Market segmentation reveals varying levels of adoption across regions, with North America and Europe currently holding significant market share, while the Asia-Pacific region shows immense potential for future expansion, given its rapidly growing population and increasing internet usage. The market segmentation offers further insight. A detailed analysis of production, consumption, import, and export patterns across regions reveals significant differences in market dynamics. Price trends are influenced by factors such as licensing costs, competition levels, and value-added features offered by service providers. Key players are actively investing in technological advancements, strategic partnerships, and expansion into new markets to maintain their competitive edge. Future market growth will likely hinge on continued innovation, strategic alliances, and addressing the challenges related to content licensing, pricing strategies, and regional market penetration. The forecast period (2025-2033) presents numerous opportunities for market players to capitalize on expanding consumer bases and evolving consumer preferences. Addressing the evolving regulatory landscape and maintaining a balance between affordability and profitability will be crucial for continued market success. Recent developments include: January 2023: With 14% YoY growth, Spotify announced its premium subscriber base touched 205 million, making it the world's first music streaming player with such a large user base. At the beginning of 2022, Spotify announced an investment of $100 million in the licensing, development, and marketing of music and audio content from historically underrepresented creators. These factors helped Spotify reach a milestone in the music industry., November 2022: Amazon Prime increased the limits for its users by allowing access to 100 million songs, up from 2 million earlier. The catalog will now match the rival Apple Music Stream. Under the Prime membership, 'All-Access' playlists will be available for on-demand listening with an advertising-free option. The new catalog will carry Amazon-exclusive podcasts., November 2022: Deezer, another player in music streaming, partnered with Dazn, which streams live sports in Italy. With this partnership, Dazn subscribers will enjoy their favorite tracks, albums, and playlists on Deezer, along with football and other premium sports content.. Notable trends are: Increasing Penetration of Smartphones and Tablets drives the Market for Cloud Music Services.

The global music streaming subscription service market is experiencing robust growth, driven by the increasing affordability of smartphones and data plans, coupled with the rising popularity of on-demand audio and video content. The market's expansion is fueled by a surge in user adoption across diverse age groups, particularly among younger demographics who are digitally native and accustomed to subscription-based services. Technological advancements, such as improved audio quality (high-fidelity audio), personalized recommendations, and integration with smart speakers and other connected devices, further enhance the user experience, driving market expansion. Competition among major players like Spotify, Apple Music, Amazon Music, and YouTube Music is fierce, leading to continuous innovation in features, pricing strategies, and content acquisition. This competitive landscape benefits consumers with a wider selection of services and pricing tiers, while also pushing companies to constantly improve their offerings. Geographical expansion into emerging markets with growing internet penetration also represents a significant growth opportunity. While challenges remain, such as concerns around artist compensation and piracy, the overall market trajectory points towards sustained growth throughout the forecast period. Despite challenges, the market's future remains bright due to several factors. The increasing adoption of smart devices and the proliferation of affordable high-speed internet globally contribute to an expanding subscriber base. Furthermore, the integration of music streaming into broader entertainment ecosystems, such as bundled services with video streaming platforms, enhances value propositions and attracts new subscribers. Continued innovation in personalization algorithms, artificial intelligence-driven playlist generation, and immersive audio experiences will drive user engagement and loyalty. While piracy and copyright issues represent ongoing challenges, the industry is proactively addressing these concerns through partnerships with rights holders and technology advancements that deter unauthorized access. The market's segmentation continues to evolve, with specialized services catering to niche musical tastes and demographics. The anticipated CAGR, even without a specified value, suggests a consistently expanding market opportunity.

According to a study held between the third and fourth quarters of 2018, 38 percent of surveyed internet users in the APAC countries (excluding China) had an paid Apple Music subscription, compared to just 59 percent of respondents in North America. The majority of users worldwide used Apple Music for free, however the majority of North Americans had a premium account.

The global market for music mobile applications is experiencing robust growth, driven by the increasing penetration of smartphones, affordable data plans, and a rising preference for on-demand music streaming. The market, estimated at $50 billion in 2025, is projected to exhibit a Compound Annual Growth Rate (CAGR) of 15% from 2025 to 2033, reaching approximately $150 billion by 2033. This expansion is fueled by several key factors. Firstly, the continuous evolution of streaming services, offering personalized recommendations, high-fidelity audio, and interactive features like collaborative playlists, enhances user engagement. Secondly, the integration of music apps with other platforms and smart devices, such as smart speakers and wearables, expands the accessibility and convenience of music consumption. Lastly, the rising popularity of podcasts and audiobooks within music apps further diversifies their appeal and drives user acquisition. However, the market faces challenges. Intense competition among established players like Spotify, Apple Music, and YouTube Music necessitates continuous innovation and strategic investments in content acquisition and technological advancements to maintain a competitive edge. Furthermore, concerns surrounding royalty payments to artists and copyright infringement remain significant hurdles. Despite these restraints, the market segmentation reveals opportunities for niche players focusing on specific genres, regions, or user demographics. The geographical distribution showcases strong growth in emerging markets driven by increasing smartphone adoption and rising disposable incomes. The forecast period indicates a considerable expansion in market size, signifying continued dominance of mobile music applications in the entertainment landscape.

Analysis of ‘K-Pop Hits Through The Years’ provided by Analyst-2 (analyst-2.ai), based on source dataset retrieved from https://www.kaggle.com/sberj127/kpop-hits-through-the-years on 12 November 2021.

--- Dataset description provided by original source is as follows ---

What is the data?

The datasets contain the top songs from the said era or year accordingly (as presented in the name of each dataset). Note that only the KPopHits90s dataset represents an era (1989-2001). Although there is a lack of easily available and reliable sources to show the actual K-Pop hits per year during the 90s, this era was still included as this time period was when the first generation of K-Pop stars appeared. Each of the other datasets represent a specific year after the 90s.

How was it obtained?

A song is considered to be a K-Pop hit during that era or year if it is included in the annual series of K-Pop Hits playlists, which is created officially by Apple Music. Note that for the dataset that represents the 90s, the playlist 90s K-Pop Essentials was used as the reference.

1. These playlists were transferred into Spotify through the Tune My Music site. After transferring, the site also presented all the missing songs from each Spotify playlist when compared to the original Apple Music playlists.
   • Any data besides the names and artists of the hit songs were not directly obtained from Apple Music since these other details of songs in this music service are only available for those enrolled as members of the Apple Developer Program.
2. The presented missing songs from each playlist was manually searched and, if found, added to the respective Spotify playlist.
   • For the songs that were found, there are three types: (1) the song by the original artist, (2) the instrumental of the original song and (3) a cover of the song. When the first type is not found, the two other types are searched and are compared to each other. The one that sounded the most like the original song (from the Apple Music playlist) is chosen as the substitute in the Spotify playlist.
   • Presented is a link containing all the missing data per playlist (when the initial Spotify playlists were compared to the original Apple Music playlists) and the action done to each one.
3. The necessary identification details and specific audio features of each track were obtained through the use of the Spotipy library and Spotify Web API documentation.

Why did you make this?

As someone who has a particular curiosity to the field of data science and a genuine love for the musicality in the K-Pop scene, this data set was created to make something out of the strong interest I have for these separate subjects.

Acknowledgements

I would like to express my sincere gratitude to Apple Music for creating the annual K-Pop playlists, Spotify for making their API very accessible, Spotipy for making it easier to get the desired data from the Spotify Web API, Tune My Music for automating the process of transferring one's library into another service's library and, of course, all those involved in the making of these songs and artists included in these datasets for creating such high quality music and concepts digestible even for the general public.

--- Original source retains full ownership of the source dataset ---

According to a survey about the music streaming industry in the Middle East and North Africa (MENA) region in the first half of 2020, ** percent of respondents in Egypt were aware of Apple music as a music streaming platform. In comparison, ***** percent of respondents were loyal to the brand. Anghami was the music streaming leader in Egypt in that year.