According to an annual study focusing on the use of social media platforms for art-related purposes, Facebook has gradually lost ground to Instagram since 2016. While roughly 74 percent of surveyed art buyers worldwide reported using Instagram for art-related purposes in 2022, only 18 percent said to rely on Facebook for the same reason.
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Spotify has about 11 million artists and creators on the platform.
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Please note that this version of the data collection does not contain the complete technical documentation. An update to this collection including the complete technical documentation will be made available in Fall 2018. The Survey of Public Participation in the Arts (SPPA) 2017 collection is comprised of responses from two sets of surveys, the Current Population Survey (CPS) and the SPPA supplement to the CPS administered in July 2017. This supplement asked questions about public participation in the arts within the United States, and was sponsored by the National Endowment for the Arts. The CPS, administered monthly by the U.S. Census Bureau, collects labor force data about the civilian, noninstitutionalized population aged 15 years or older living in the United States. The CPS provides current estimates of the economic status and activities of this population which includes estimates of total employment (both farm and nonfarm), nonfarm self-employed persons, domestics, unpaid helpers in nonfarm family enterprises, wage and salaried employees, and estimates of total unemployment. The basic CPS items in this data provide labor force activity for the week prior to the survey. In addition, the CPS provides respondents' demographic characteristics such as age, sex, race, marital status, educational attainment, family relationships, occupation, and industry. In addition to the basic CPS questions, interviewers asked supplementary questions on public participation in the arts of two randomly selected household members aged 18 or older from about one-half of the sampled CPS households. The supplement contained questions about the respondent's participation in various artistic activities over the last year. If the selected respondent had a spouse or partner, then the respondent answered questions on behalf of their spouse/partner and the spouse/partner responses are proxies. The 2017 SPPA included two core components: a questionnaire used in previous years to ask about arts attendance and literary reading, and a newer survey about arts attendance, venues visited, and motivations for attending art events. In addition, the SPPA supplement included five modules designed to capture other types of arts participation as well as participation in other leisure activities. Questions included items on the frequency of participation, types of artistic activities, training and exposure, musical and artistic preferences, school-age socialization, and computer and device usage related to the arts. The five modules were separated by topic: Module A: Consuming Art via Electronic Media Module B: Performing Art Module C: Creating Visual Art and Writing Module D: Other Leisure Activities Module E: Arts Education, and Arts Access and Opportunity Respondents were randomly assigned to either of the core questionnaires, and were then randomly assigned to two of the five additional modules so that each module was administered to a portion of the sampled cases.
According to a global study conducted in the fourth quarter of 2024, a lower share of affluent consumers aged over 40 years old had purchased art and collectibles in the previous 12 months compared to those aged 18 to 39. Overall, roughly 36 percent of respondents older than 40 years reported having bought art or collectibles within the past year, while around 56 percent of the surveyed affluent consumers aged 18 to 39 did the same.
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This dataset encompasses articles reviewing art exhibitions featured frequently in newspapers and magazines which cover arts and culture, matching with demographics of artists represented by top New York galleries.
A survey fielded in the United States in April 2023 found that 70 percent of respondents aged 65 and higher thought that images and videos that have been created by artificial intelligence should not be considered art because they are not made by humans. The attitude to calling AI-creations art balances out, as we get to younger age groups. For example, among 18-to-34-year-olds 53 percent shared this opinion while 47 percent did in fact consider visual media made with help of AI to be art.
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The American Community Survey (ACS) is an ongoing statistical survey that samples a small percentage of the population every year -- giving communities the information they need to plan investments and services. The 5-year public use microdata sample (PUMS) for 2012-2016 is a subset of the 2012-2012 ACS sample. It contains the same sample as the combined PUMS 1-year files for 2012, 2013, 2014, 2015 and 2016. This data collection provides a person-level subset of 133,781 respondents whose occupations were coded as arts-related in the 2011-2015 ACS PUMS. The 2012-2016 PUMS is the seventh 5-year file published by the ACS. This data collection contains five years of data for the population from households and the group quarters (GQ) population. The GQ population and population from households are all weighted to agree with the ACS counts which are an average over the five year period (2012-2016). The ACS sample was selected from all counties across the nation. The ACS provides social, housing, and economic characteristics for demographic groups covering a broad spectrum of geographic areas in the United States. For a more detailed list of variables of what these categories include please see the decriptions of variables section.
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29% of all Spotify users fall into the 25 to 34 age range. This is closely followed by 26% of users in the 18 to 24-year-old age.
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Spotify paid over $7 billion to its artists throughout 2021.
The estimated value of the global online art market rose in 2022 over the previous year, following a sharp increase experienced with the onset of the coronavirus (COVID-19) pandemic. In 2022, global online sales amounted to roughly 10.8 billion U.S. dollars, rising from around 10.2 billion U.S. dollars in 2021. By way of comparison, the value of the global art market was almost 68 billion U.S. dollars in 2022.
Do consumers prefer buying art online or offline? According to a global survey of art buyers focusing on the favorite channels to purchase art, physical spaces were more popular than online marketplaces. In 2022, only 12 percent of respondents mentioned online sales channels as their preferred buying experience. Meanwhile, nearly half of the sample did not express a particular preference.
What are the social media platforms most used by art buyers? A 2022 study on the social media platforms most used by art buyers worldwide showed that around seven in ten respondents used Instagram for art-related purposes that year. By contrast, just 12 percent of surveyed art buyers mentioned Facebook, and less than five percent used TikTok.
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Here are the full list of the 10 most popular artists on Spotify and how many total song streams they have.
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The global fine art materials market is experiencing robust growth, driven by a rising interest in artistic pursuits among diverse demographics, from professional artists to hobbyists and students. The market's expansion is fueled by several factors, including increasing disposable incomes in developing economies, the growing popularity of online art courses and tutorials, and the rise of social media platforms that showcase artistic talent and inspire creativity. Technological advancements in paint formulation, offering enhanced vibrancy, durability, and ease of use, further contribute to market expansion. The segmentation by application (artists, students, art lovers, others) and type (papers, paints, others) reveals distinct growth trajectories. While professional artists remain a significant customer segment, the burgeoning interest in art as a hobby is driving demand across broader consumer bases, particularly in the "art lovers" category. This diverse demand fuels innovation within the market, leading to the introduction of specialized products catering to different artistic techniques and skill levels. Regional variations in market growth are evident, with North America and Europe currently holding dominant positions, but Asia-Pacific is showing significant potential due to its large and rapidly growing population of art enthusiasts. The competitive landscape is characterized by both established multinational corporations and regional players. Major companies like Winsor & Newton, Schmincke, and Daniel Smith command substantial market share through their established brand reputation and high-quality products. However, increasing competition from regional players, particularly in Asia, presents both challenges and opportunities for market participants. The market faces some restraints, including fluctuations in raw material prices and the environmental concerns related to the production and disposal of certain art materials. However, manufacturers are actively addressing these concerns by incorporating sustainable practices and developing eco-friendly alternatives, thereby mitigating potential negative impacts. The overall forecast for the fine art materials market remains positive, indicating sustained growth over the coming years, driven by the persistent appeal of art and artistic expression globally. The projected CAGR suggests a consistently expanding market, with opportunities for both established and emerging players.
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Graph and download economic data for Employed full time: Wage and salary workers: Artists and related workers occupations: 16 years and over: Women (LEU0254698700A) from 2000 to 2024 about arts, occupation, females, full-time, salaries, workers, 16 years +, wages, employment, and USA.
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The North American arts promoters market, while experiencing a compound annual growth rate (CAGR) of 3.76%, presents a dynamic landscape shaped by several key factors. The market's size in 2025 is estimated to be $1.5 billion, based on extrapolation from available data and considering growth trends observed in similar sectors within the creative industries. Driving this growth is a burgeoning interest in art and culture among younger demographics, fueled by increased access through digital platforms and a growing appreciation for unique experiences. Furthermore, the increasing wealth concentration in North America continues to bolster the market, as high-net-worth individuals are key players in art acquisition and patronage. However, challenges exist, including economic downturns which could negatively impact discretionary spending on art, and the ongoing debate surrounding the accessibility and inclusivity within the art world. The market is segmented based on the type of promotion (e.g., gallery representation, online platforms, specialized events), which impacts the overall market dynamics. Major players such as Gagosian, Pace Gallery, and David Zwirner Gallery shape the market through their influence and reach, but a significant portion of the market is comprised of smaller, independent promoters. The forecast period of 2025-2033 projects continued growth, though the rate may fluctuate based on macroeconomic conditions. Successful players are likely to adapt to evolving consumer preferences by leveraging digital marketing strategies, fostering community engagement, and strategically navigating the increasingly competitive market. The ability to curate unique and engaging experiences, coupled with a deep understanding of the target audience and their artistic tastes, will be crucial for success. In the longer term, diversification into new segments like NFT art promotion and the integration of virtual and augmented reality experiences are likely to shape the future of the North American arts promoters market. Maintaining a strong focus on ethical sourcing and responsible practices will also become increasingly important for long-term sustainability and brand reputation. Recent developments include: July 2023: K-Pop Boy Band TREASURE Partners With Columbia Records For U.S. Record Deal. TREASURE is the latest K-pop artist signaling a signing between Korean and U.S. labels, marking a slew of exciting beginnings for the boy band and its Korean label and management, YG Entertainment., March 2023: CocaCola Invites Digital Artists to 'Create Real Magic' Using New AI Platform. Through the 'Create Real Magic' contest, artists can download and submit their work for the opportunity to be featured on Coke's digital billboards in New York's Times Square and London's Piccadilly Circus.. Key drivers for this market are: Rise in Digital Art Products driving the Market. Potential restraints include: Rise in Digital Art Products driving the Market. Notable trends are: Increase in Collaborations and Partnerships.
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This dataset captures the global music streaming trends on Spotify for the year 2024. It provides valuable insights into user preferences across various countries, top-performing artists and albums, streaming hours, and listener behavior patterns. It is designed to support data analysis, machine learning models, and business intelligence dashboards in the music and media industry.
With over 500 rows of clean, non-duplicated, and realistic entries from countries around the world, this dataset is ideal for uncovering:
Column Name | Description |
---|---|
Country | Country where the streaming data is recorded 🌍 |
Artist | Name of the music artist 🎤 |
Album | Name of the album released by the artist 💿 |
Genre | Musical genre of the album or artist 🎶 |
Release Year | Year in which the album was released 📆 |
Monthly Listeners (Millions) | Average monthly active listeners in millions 👥 |
Total Streams (Millions) | Total number of times the artist's content was streamed (in millions) 🔁 |
Total Hours Streamed (Millions) | Total hours users spent listening to the artist (in millions) ⏱️ |
Avg Stream Duration (Min) | Average duration of each stream in minutes ⏳ |
Platform Type | Whether the listener is using a Free or Premium account 💳 |
Streams Last 30 Days (Millions) | Streams generated in the last 30 days (in millions) 📈 |
Skip Rate (%) | Percentage of tracks skipped before completion ⛔ |
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The global tattoo machine market size was valued at approximately USD 800 million in 2023 and is projected to reach USD 1.2 billion by 2032, reflecting a compound annual growth rate (CAGR) of 4.5%. This growth is driven by the increasing acceptance and popularity of tattoos as a form of personal expression across various demographics. The tattoo industry has seen significant growth over the past decade, fueled by changing social norms and the rising influence of pop culture, which have elevated the art form from subculture to mainstream. As more individuals seek unique and personalized designs, the demand for advanced tattoo machines that offer precision and safety continues to rise.
One of the primary growth factors for the tattoo machine market is the technological advancements in tattoo equipment. Modern tattoo machines are increasingly sophisticated, offering enhanced precision, reduced pain, and faster healing times, which appeal to both artists and clients. Moreover, innovations such as wireless and battery-operated machines are gaining popularity, offering artists greater flexibility and convenience. With the growing DIY trend, there is also a rising interest in at-home tattooing kits, although these are generally recommended for those with professional experience. This ease of access and use has further propelled the market as more individuals explore tattoo artistry.
Another significant driver of market growth is the increasing prevalence of tattoo conventions and events, which provide platforms for artists to showcase their work and for manufacturers to introduce new products. Such gatherings boost market visibility and encourage learning and experimentation within the tattoo community. Additionally, the aesthetic and fashion industry's embrace of tattoos as a form of individualistic expression has led to a broader demographic exploring tattooing, thus expanding the clientele base for tattoo artists and studios. This cultural shift has resulted in a more diversified demand, necessitating machines that cater to various styles and preferences.
Furthermore, the rise of social media has played an essential role in the expansion of the tattoo machine market. Platforms like Instagram and TikTok allow tattoo artists to reach a global audience, showcasing their work and influencing trends. This visibility has not only increased demand for tattoos but has also led to a heightened interest in the quality and functionality of tattoo machines. As artists strive for perfection and innovation in their designs, the need for versatile and high-performance tattoo machines grows, further stimulating market development.
Regionally, North America holds a significant share of the tattoo machine market due to its well-established tattoo culture and the presence of numerous skilled artists and studios. However, the Asia Pacific region is expected to witness the fastest growth during the forecast period. This is attributed to the increasing acceptance of tattoos, especially among the younger population, and the influence of Western fashion trends. The region's burgeoning middle class, with its rising disposable income, is also contributing to this trend. Europe follows closely, with a strong tradition of tattooing that continues to evolve with new technological advancements and artistic styles.
Within the tattoo machine market, product type is a critical segment that includes coil tattoo machines, rotary tattoo machines, pneumatic tattoo machines, and others. Coil tattoo machines are traditionally the most popular due to their precision and ability to create sharp and detailed lines. These machines operate using an electromagnetic circuit, making them a favorite among traditional tattoo artists who value the classic feel and control that coil machines provide. However, their weight and noise can be drawbacks, particularly for extended sessions, which is why some artists are exploring other types.
Rotary tattoo machines have seen a surge in popularity due to their versatility and quieter operation compared to coil machines. These machines use a small electric motor to drive the needle, making them more lightweight and easier to handle. Rotary machines are also preferred for their ability to perform both lining and shading tasks with minimal adjustments, making them an excellent choice for artists who value efficiency and comfort. The evolving designs and capabilities of rotary machines are contributing to their growing market share, especially among newer artists looking for user-friendly options.
In a survey conducted in October 2021 regarding the consequences of COVID-19 on the world of art in Japan during 2021, 17.4 percent of respondents (artists) stated that their revenue from cultural activities declined to about 50 to 59 percent compared to their 2019 revenue. The vast majority of respondents reported a decline in income.
During a survey of adults in the United States conducted in April 2023, respondents were asked about their perception of using AI to copy artistic work and styles. According to 70 percent of survey participants, if generative AI was used for this purpose, the artists then should be compensated. However, also 44 percent of respondents said they used AI to copy someone's artwork.
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The global acrylic medium market is experiencing robust growth, driven by the increasing popularity of acrylic painting among both amateur and professional artists. The market's versatility, catering to various applications across different mediums and techniques, further fuels its expansion. While precise market size figures for 2025 aren't provided, considering a conservative estimate based on industry reports and growth trends of similar art supply markets, we can project a market size of approximately $500 million for 2025. Assuming a Compound Annual Growth Rate (CAGR) of 5% (a reasonable estimation considering steady growth in the arts and crafts sector), the market is expected to reach approximately $700 million by 2033. Several factors contribute to this growth. The rise in DIY and art-related online tutorials, increasing disposable income in developing economies, and the growing demand for high-quality art materials from professional artists significantly impact market expansion. The segmentation by type (Matte, Gloss, Glazing, Gel) and application (Direct Sales, Hypermarkets, Specialty Stores, Online Retailing) provides further insights into consumer preferences and distribution channels. The dominant segments appear to be Matte and Gloss acrylic mediums, sold predominantly through online retail channels and specialty stores catering to professional artists. The rise of e-commerce platforms further facilitates access to a wider variety of acrylic mediums for artists globally. The geographic distribution of the market is diversified, with North America and Europe currently holding significant market shares. However, the Asia-Pacific region is showing promising growth potential, driven by rising artistic interest and expanding middle-class populations in countries like India and China. While challenges such as fluctuating raw material prices and increasing competition among established and emerging players exist, the overall outlook for the acrylic medium market remains positive, projecting continued growth and expansion in the forecast period of 2025-2033. Innovation in acrylic medium formulations (e.g., eco-friendly options) and targeted marketing strategies towards specific artist demographics will be key to maintaining this growth trajectory.
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The illustration and drawing supplies market, while exhibiting a degree of maturity, continues to demonstrate robust growth fueled by several key factors. The rising popularity of digital art, paradoxically, has boosted demand for traditional mediums. This is driven by a renewed appreciation for the tactile experience and unique aesthetic qualities of physical art materials, alongside the continued popularity of adult coloring books and art journaling. Furthermore, the increasing accessibility of online art tutorials and the growth of online art communities have fostered a wider engagement with drawing and illustration, expanding the market's potential customer base. Expanding educational initiatives focused on art and design in schools and colleges also contribute to market growth. However, fluctuating raw material prices, particularly for certain pigments and papers, pose a challenge to consistent market expansion. Furthermore, the rise in popularity of digital alternatives, including readily available and affordable digital drawing tablets, presents ongoing competition. Segmentation analysis reveals strong performance in high-quality, specialized supplies targeted at professional artists, while the consumer segment is more price-sensitive. Geographic variations are significant, with developed economies in North America and Europe demonstrating higher per capita consumption compared to emerging markets in Asia-Pacific, where growth is anticipated but slower due to varied levels of disposable income. The forecast period (2025-2033) anticipates a continuation of this balanced growth trajectory. We project a Compound Annual Growth Rate (CAGR) of approximately 5%, resulting in a market valued at $X billion by 2033 (assuming a 2025 market size of $Y billion, which is a reasonable estimation based on industry reports and current market trends). Growth will likely be driven by premium product segments and specialized niche markets catering to specific artistic styles and techniques. Successful companies will need to focus on both quality and innovation, balancing affordability with the high-demand for superior materials. Effective marketing strategies focused on reaching specific artist demographics will be crucial for optimizing market penetration in various regions. Addressing supply chain challenges and ensuring sustainable sourcing of raw materials will also be vital for long-term market sustainability. This market's future is dynamic and presents exciting opportunities for companies that can effectively adapt to evolving trends and consumer preferences.
According to an annual study focusing on the use of social media platforms for art-related purposes, Facebook has gradually lost ground to Instagram since 2016. While roughly 74 percent of surveyed art buyers worldwide reported using Instagram for art-related purposes in 2022, only 18 percent said to rely on Facebook for the same reason.