The 2022 Music Census Details is the underlying geographic dataset for the 2022 Music Census administered by Sound Music Cities. This data is comprehensive of the respondent feedback by ZIP code. Read more about this collection of data here: https://data.austintexas.gov/stories/s/rpy8-prg4

The 2022 Music Census Details is the underlying dataset for the 2022 Music Census administered by Sound Music Cities. This data is comprehensive of the respondent feedback; with the exception of ZIP code of respondents. Read more about this collection of data here: https://data.austintexas.gov/stories/s/rpy8-prg4

The 2022 Music Census Details is the underlying dataset for the 2022 Music Census administered by Sound Music Cities. This data is comprehensive of the respondent feedback; with the exception of ZIP code of respondents. Read more about this collection of data here: https://data.austintexas.gov/stories/s/rpy8-prg4

The 2022 Music Census Details is the underlying dataset for the 2022 Music Census administered by Sound Music Cities. This data is comprehensive of the respondent feedback; with the exception of ZIP code of respondents. Read more about this collection of data here: https://res1datad-o-taustintexasd-o-tgov.vcapture.xyz/stories/s/rpy8-prg4

Melbourne is widely known as one of the world’s great music cities, and has more live music venues per capita than any other city in the world (Melbourne Live Music Census Report 2017). City of …Show full descriptionMelbourne is widely known as one of the world’s great music cities, and has more live music venues per capita than any other city in the world (Melbourne Live Music Census Report 2017). City of Melbourne is home to a large number of these venues and this dataset provides a list of dedicated live music venues, and other venues and spaces which present live music, in the municipality. It should be noted that the criteria for a live music venue, as determined by the Melbourne Live Music Census Report 2017, is a venue which presents live music two nights per week minimum. The census also identified that on an annual basis, 44% of regular venues feature live music on four nights per week, 28% on five nights and 10% on seven nights. Additionally according to the census and associated venue survey responses, a live venue in Melbourne typically: - is a hotel or bar in the CBD or inner suburbs which has been operating for an average of 8 years and, in 50%+ of cases, presents live music four nights per week.

Brazil Foreign Capital Census: (FDI) Foreign Direct Investment: Equity Capital: Number of Companies: Services: Motion Picture, Video, Television & Music Production & Publishing data was reported at 71.000 Unit in 2015. This records an increase from the previous number of 48.000 Unit for 2010. Brazil Foreign Capital Census: (FDI) Foreign Direct Investment: Equity Capital: Number of Companies: Services: Motion Picture, Video, Television & Music Production & Publishing data is updated yearly, averaging 59.500 Unit from Dec 2010 (Median) to 2015, with 2 observations. The data reached an all-time high of 71.000 Unit in 2015 and a record low of 48.000 Unit in 2010. Brazil Foreign Capital Census: (FDI) Foreign Direct Investment: Equity Capital: Number of Companies: Services: Motion Picture, Video, Television & Music Production & Publishing data remains active status in CEIC and is reported by Central Bank of Brazil. The data is categorized under Brazil Premium Database’s Investment – Table BR.OC007: Foreign Capital Census: FDI: Equity Capital: Number of Companies: by Economic Activity Sector.

Brazil Foreign Capital Census: (FDI) Foreign Direct Investment: Intercompany Loans: Services: Motion Picture, Video, Television & Music Production & Publishing data was reported at 29,318,090.928 USD in 2017. This records a decrease from the previous number of 39,775,877.713 USD for 2016. Brazil Foreign Capital Census: (FDI) Foreign Direct Investment: Intercompany Loans: Services: Motion Picture, Video, Television & Music Production & Publishing data is updated yearly, averaging 20,603,200.957 USD from Dec 2010 (Median) to 2017, with 8 observations. The data reached an all-time high of 39,775,877.713 USD in 2016 and a record low of 7,471,410.770 USD in 2011. Brazil Foreign Capital Census: (FDI) Foreign Direct Investment: Intercompany Loans: Services: Motion Picture, Video, Television & Music Production & Publishing data remains active status in CEIC and is reported by Central Bank of Brazil. The data is categorized under Brazil Premium Database’s Investment – Table BR.OC013: Foreign Capital Census: FDI: Intercompany Loans: by Economic Activity Sector.

Melbourne is widely known as one of the world’s great music cities, and has more live music venues per capita than any other city in the world (Melbourne Live Music Census Report 2017).

City of Melbourne is home to a large number of these venues and this dataset provides a list of dedicated live music venues, and other venues and spaces which present live music, in the municipality.

It should be noted that the criteria for a live music venue, as determined by the Melbourne Live Music Census Report 2017, is a venue which presents live music two nights per week minimum. The census also identified that on an annual basis, 44% of regular venues feature live music on four nights per week, 28% on five nights and 10% on seven nights. Additionally according to the census and associated venue survey responses, a live venue in Melbourne typically: - is a hotel or bar in the CBD or inner suburbs which has been operating for an average of 8 years and, in 50%+ of cases, presents live music four nights per week.

Hybrid zones can be used to examine the mechanisms affecting reproductive isolation and speciation, like song. Song has equivocal support as a driver of speciation; we did not find song to cause reproductive isolation. We examined an emerging secondary contact zone between White-crowned Sparrow subspecies pugetensis and gambelii by measuring song variation, song recognition, plumage, morphology and mtDNA. Plumage and morphological characters provided evidence of hybridization in the contact zone, with some birds possessing plumage and song characteristics intermediate between the subspecies. Playback experiments revealed asymmetric song recognition: male pugetensis displayed greater response to their own song than gambelii song, whereas gambelii did not discriminate significantly. If female choice operates similarly to male song discrimination, we predicted asymmetric gene flow, resulting in a greater number of hybrids with gambelii mitochondrial DNA (mtDNA). Contrary to our prediction, more gambelii and putative hybrids in the contact zone possessed pugetensis mtDNA haplotypes, possibly due to greater pugetensis abundance and female-biased dispersal. Methods White-crowned sparrow census

We performed song censuses to provide inference into where the hybrid zone is and how large populations are of pugetensis and gambelii. Censuses were carried out in the breeding season (May-July) in sites spanning the secondary contact zone and zones of allopatry across the North Cascade Mountains in Washington state. Counts of males singing each subspecie song type were tallied for each site.

Playback experiments

We carried out song playback experiments to characterize male song recogntion between the two subpecies Recordings of pugetensis, gambelii, and Harris's sparrow (hetero-specific control) were broadcast to territorial males inside and outside the secondary contact zone. The three playback trials were carried out on consecutive days for each male. Counts of six different territorial variables were collected across the six minute playback trial.

Capturing sparrows for plumage and genetic analysis

We drew male sparrows into mist nets using song playback for photographs for plumage analysis and blood for genetic analysis. Capture success was counted by subspecies. Photographs were taken from 1.1 m with a Nikon d7100 and a 70-300mm lens at 70mm in manual mode with a shutter speed of 1/250, ISO 100, and the built-in flash on. Photographs were processed with Fiji to determine RGB luminance of the nape, back, and bill of each bird using the color histogram function. We used mean RGB luminance to calculate a red dominance value for each region (red dominance value = mean red luminance / [mean green luminance + mean blue luminance]) The control region of the mtDNA was sequenced and uploaded to Genbank.

29% of all Spotify users fall into the 25 to 34 age range. This is closely followed by 26% of users in the 18 to 24-year-old age.

The statistic provides data on favorite music genres among consumers in the United States as of July 2018, sorted by age group. According to the source, 52 percent of respondents aged 16 to 19 years old stated that pop music was their favorite music genre, compared to 19 percent of respondents aged 65 or above. Country music in the United States – additional information

In 2012, country music topped the list; 27.6 percent of respondents picked it among their three favorite genres. A year earlier, the result was one percent lower, which allowed classic rock to take the lead. The figures show, however, the genre’s popularity across the United States is unshakeable and it has also been spreading abroad. This could be demonstrated by the international success of (among others) Shania Twain or the second place the Dutch country duo “The Common Linnets” received in the Eurovision Song Contest in 2014, singing “Calm after the storm.”

The genre is also widely popular among American teenagers, earning the second place and 15.3 percent of votes in a survey in August 2012. The first place and more than 18 percent of votes was awarded to pop music, rock scored 13.1 percent and landed in fourth place. Interestingly, Christian music made it to top five with nine percent of votes. The younger generation is also widely represented among country music performers with such prominent names as Taylor Swift (born in 1989), who was the highest paid musician in 2015, and Hunter Hayes (born in 1991).

Country music is also able to attract crowds (and large sums of money) to live performances. Luke Bryan’s tour was the most successful tour in North America in 2016 based on ticket sales as almost 1.43 million tickets were sold for his shows. Fellow country singer, Garth Brooks, came second on the list, selling 1.4 million tickets for his tour in North America in 2016.

United States ASS: Exp: Info: MS: Music Publishers data was reported at 1.975 USD bn in 2016. This records an increase from the previous number of 1.885 USD bn for 2015. United States ASS: Exp: Info: MS: Music Publishers data is updated yearly, averaging 1.930 USD bn from Dec 2003 (Median) to 2016, with 14 observations. The data reached an all-time high of 2.684 USD bn in 2007 and a record low of 1.404 USD bn in 2010. United States ASS: Exp: Info: MS: Music Publishers data remains active status in CEIC and is reported by US Census Bureau. The data is categorized under Global Database’s USA – Table US.H021: Annual Services Survey: Employer Firms Expense.

description: Both the Amak Island song sparrow (Melospiza melodia amaka) and Amak vole (Microtus oeconomus amakensis) are currently category 2 candidate species under the Endangered Species Act and both are known only from this small island approximately 15 miles north of Cold Bay in Bristol Bay. Dr. Gerald Shields, professor of genetics at the University of Alaska, Fairbanks, and I visited Amak in July 1987 for the purpose of obtaining status information relative to their endangered species candidacy. Specifically, we hoped to census the song sparrows on the island and to collect specimens for both genetic and morphological comparison with other Melospiza. Regarding the vole, I intended to live trap individuals to determine their occurrence in selected habitats and to map occupied habitat to estimate extent and availability. A more complete explanation of objectives is provided in the attached status survey proposals. Although we had initially intended to spend 7-10 days on the island, vessel scheduling required us to shorten our field time to two days, July 24 and 25, 1987.; abstract: Both the Amak Island song sparrow (Melospiza melodia amaka) and Amak vole (Microtus oeconomus amakensis) are currently category 2 candidate species under the Endangered Species Act and both are known only from this small island approximately 15 miles north of Cold Bay in Bristol Bay. Dr. Gerald Shields, professor of genetics at the University of Alaska, Fairbanks, and I visited Amak in July 1987 for the purpose of obtaining status information relative to their endangered species candidacy. Specifically, we hoped to census the song sparrows on the island and to collect specimens for both genetic and morphological comparison with other Melospiza. Regarding the vole, I intended to live trap individuals to determine their occurrence in selected habitats and to map occupied habitat to estimate extent and availability. A more complete explanation of objectives is provided in the attached status survey proposals. Although we had initially intended to spend 7-10 days on the island, vessel scheduling required us to shorten our field time to two days, July 24 and 25, 1987.

Industrial output by sector.

United States RS: ARTS: Sporting Goods, Hobby, Book & Music Stores (SG) data was reported at 81.179 USD bn in 2018. This records a decrease from the previous number of 84.188 USD bn for 2017. United States RS: ARTS: Sporting Goods, Hobby, Book & Music Stores (SG) data is updated yearly, averaging 75.228 USD bn from Dec 1992 (Median) to 2018, with 27 observations. The data reached an all-time high of 86.483 USD bn in 2016 and a record low of 42.966 USD bn in 1992. United States RS: ARTS: Sporting Goods, Hobby, Book & Music Stores (SG) data remains active status in CEIC and is reported by US Census Bureau. The data is categorized under Global Database’s United States – Table US.H003: Retail Sales: Annual Retail Trade Survey: NAICS.

The dataset contains the city and town location data, the urban population data, and the built-up land area data for the Qinghai-Tibetan Plateau from 1990 to 2020. The city and town location data are the locations of administrative centers in provinces, cities, counties, and towns of the Qinghai-Tibetan plateau in 2018, collected from the Institute of Geographic Sciences and Natural Resources Research, Chinese Academy of Sciences (IGSNRR). The urban population data covers the total population and urban population at the municipal level, as well as the total population information at the county level. The municipal-level population data are collected from China’s 4th to the 7th national censuses. Among the county-level population data, those for 1990-2010 come from China’s county-level population data compiled by Song et al., and those for 2020 come from the 7th national census of China. The built-up land area data are statistical information at the county level, and the data source is the sub-class urban built-up land of China’s Land Use/cover Dataset (CLUD) from IGSNRR.

According to a survey from March 2023 among U.S. Taylor Swift fans, also called 'Swifties', the largest share of Swift fans were in the group of **********. The second largest share was within the group of ************, followed by Gen X. In 2023, Swift announced her first tour in years, called 'Era', which already caused chaos when her significant fan base tried to purchase tickets for the long anticipated concerts.

Labor supply under different scenarios.

The sector classification.