The price index of artworks sold at auction worldwide declined in 2025 over the previous year. As of January 1, 2025, the AMR All Art Index, which measures the performances of artworks sold at the leading global auction houses, was ******, decreasing from ****** in the same period of 2024.

This index tracks photography movement emphasizing artistic expression through soft focus, manipulated printing, and painterly effects challenging photography's documentary role. Measures appreciation for artistic photography, alternative printing techniques, and photography as fine art. Key indicator for photography market, artistic photography collecting, and alternative process appreciation representing photography artistic development and fine art photography establishment.

This index monitors works from the revolutionary design school including artists Walter Gropius, Paul Klee, Wassily Kandinsky, László Moholy-Nagy, and Josef Albers combining fine arts, crafts, and industrial design. Tracks appreciation for functional beauty, geometric abstraction, and design philosophy integration. Key indicator for modern design market, educational institution artistic influence, and collector interest in theory-based art representing industrial age aesthetic philosophy and total design integration.

Global sales in the art and antiques market declined by roughly ** percent in 2024 over the previous year, totaling **** billion U.S. dollars. That said, the sales volume in the art market worldwide reported an annual increase of ***** percent in 2024. The new normal of the online art market With the onset of COVID-19, auction houses and art dealers strengthened their digital departments to cope with the lockdowns and closures enforced due to the pandemic. As a result of the digital boost, online sales of the art and antiques market worldwide skyrocketed in 2020 and remained way above pre-pandemic levels in the following years. Despite an annual decline, this trend continued in 2024, with online art sales exceeding ** billion U.S. dollars. How big is the global art auction market? In 2024, the total sales value at global auctions of art and antiques, including public and private sales, amounted to over ** billion U.S. dollars. While public sales decreased significantly over the previous year, private sales grew by around ** percent, surpassing **** billion U.S. dollars.

Art Auction Market Outlook

The global art auction market is experiencing notable expansion, with the market size reaching approximately USD 28 billion in 2023 and projected to grow to USD 45 billion by 2032, reflecting a robust CAGR of 5.5% during the forecast period. This growth is fueled by several factors, including the increasing global affluence, a growing appreciation for art as an investment, and the expansion of digital platforms facilitating wider participation in auctions. The evolving cultural landscape, where art is increasingly seen as a symbol of prestige and a viable investment asset, is also aiding this growth trajectory.

One of the primary growth factors driving the art auction market is the increasing wealth in emerging economies, which has led to a surge in demand for luxury goods, including fine art. As economies in regions such as Asia Pacific and Latin America continue to grow, a new class of affluent individuals is emerging, keen to invest in unique and valuable art pieces. This trend is particularly strong in China and India, where the number of high-net-worth individuals is rapidly increasing, and art is seen not just as a cultural expression but as a status symbol and a hedge against inflation.

Moreover, technological advancements are significantly transforming the art auction industry. The rise of online auction platforms and digital marketplaces has democratized access to art auctions, allowing a broader audience to participate worldwide. This shift is not only increasing the accessibility of art auctions but also enhancing transparency and trust in the auction process. With innovations like virtual reality and augmented reality, potential buyers can now experience art in immersive environments, which enhances their buying experience and confidence. As a result, the online auction segment is witnessing unprecedented growth, contributing significantly to the overall market expansion.

Another factor contributing to the market's growth is the increasing recognition of art as a stable and lucrative investment. Amidst volatile financial markets, art provides an alternative asset class that can offer substantial returns. Art indexes have shown that high-quality art pieces often outperform traditional investment avenues, drawing the attention of investors globally. This perception has been bolstered by high-profile sales and the historical appreciation of art values, encouraging a diverse range of investors to enter the market. Consequently, there's a growing trend of art investment funds and platforms that cater to individuals seeking to diversify their investment portfolios with art.

In terms of regional outlook, North America remains a dominant player in the art auction market, driven by a mature market infrastructure and the presence of major auction houses. However, the Asia Pacific is rapidly emerging as a significant market due to rising wealth and cultural appreciation for art. European markets continue to thrive, benefiting from a rich cultural heritage and sophisticated art appreciation. Meanwhile, regions like the Middle East and Africa are showing potential growth, spurred by increasing investments in cultural sectors and initiatives to promote art as a critical component of cultural wealth and heritage. These regional dynamics interplay to shape a diverse and expanding global market landscape.

Type Analysis

The art auction market is segmented by type into fine art, decorative art, collectibles, and others, each playing a distinct role in the overall market dynamics. Fine art, which includes paintings, sculptures, and prints, remains the most substantial segment, driven by high-profile sales and the timeless appeal of masterpieces. The value of fine art is often tied to the reputation of the artist and the historical significance of the piece, which can drive auction prices to astronomical levels. Collectors and investors alike flock to fine art auctions for the potential of acquiring pieces that appreciate significantly over time. Despite the high prices, demand remains strong, underscored by the steady influx of new bidders from emerging markets.

Decorative art, encompassing items like ceramics, textiles, and furniture, also holds a significant portion of the market. This segment is appealing due to its combination of aesthetic value and functional utility. Decorative art often attracts buyers interested in both the artistic craftsmanship and the historical context of the items, such as pieces from specific periods or styles like Art Deco or Mid-century Modern. While it may not command the same high prices as the fine a

Global Art Auction market size 2025 was XX Million. Art Auction Industry compound annual growth rate (CAGR) will be XX% from 2025 till 2033.

France ST: Val: SP: AE: CA: AC: Related to Fine Arts data was reported at 207.930 2010=100 in Dec 2017. This records an increase from the previous number of 159.410 2010=100 for Nov 2017. France ST: Val: SP: AE: CA: AC: Related to Fine Arts data is updated monthly, averaging 101.025 2010=100 from Jan 1995 (Median) to Dec 2017, with 276 observations. The data reached an all-time high of 226.860 2010=100 in Aug 2017 and a record low of 40.800 2010=100 in May 1997. France ST: Val: SP: AE: CA: AC: Related to Fine Arts data remains active status in CEIC and is reported by French National Institute for Statistics and Economic Studies. The data is categorized under Global Database’s France – Table FR.C011: Services Turnover Index: Personal Services: 2010=100.

FlaBase (Flamenco Knowledge Base) is the acronym of a new knowledge base of flamenco music. Its ultimate aim is to gather all available online editorial, biographical and musicological information related to flamenco music. A first version is just being released. Its content is the result of the curation and extraction processes. FlaBase is stored in JSON format, and it is freely available for download. This first release of FlaBase contains information about 1,102 artists, 74 palos (flamenco genres), 2,860 albums, 13,311 tracks, and 771 Andalusian locations. Data was compiled and curated from different sources: Wikipedia, DBpedia, Andalucia.org, elartedevivirelflamenco.com, MusicBrainz, flun.cica.es/index.php/grabaciones/base-datos-grabaciones and juntadeandalucia.es/institutodeestadisticaycartografia/sima

China PPI: Mfg: Cultural, Educational, Art & Craft, Sport & Recreational Product: Manufacturing of Fine Arts Craftworks and Etiquette Supplies data was reported at 112.300 Prev Year=100 in Mar 2025. This records a decrease from the previous number of 112.500 Prev Year=100 for Feb 2025. China PPI: Mfg: Cultural, Educational, Art & Craft, Sport & Recreational Product: Manufacturing of Fine Arts Craftworks and Etiquette Supplies data is updated monthly, averaging 102.700 Prev Year=100 from Jan 2014 (Median) to Mar 2025, with 135 observations. The data reached an all-time high of 112.500 Prev Year=100 in Feb 2025 and a record low of 97.100 Prev Year=100 in Jan 2014. China PPI: Mfg: Cultural, Educational, Art & Craft, Sport & Recreational Product: Manufacturing of Fine Arts Craftworks and Etiquette Supplies data remains active status in CEIC and is reported by National Bureau of Statistics. The data is categorized under China Premium Database’s Inflation – Table CN.IE: Producer Price Index: Same Month PY=100.

Dataset Card for LAION-art-EN-improved-captions

  Dataset Summary

This dataset has been created by Re:cast AI for improving the semantic relationship of image-caption pairs. generated_captions were created in a semi-supervised fashion using the Salesforce/blip2-flan-t5-xxl model.

  Supported Tasks

Fine-tuning text-to-image generators (e.g. stable-diffusion), or a searchable prompt database (requires faiss-index).

  Dataset Structure





  Data Fields… See the full description on the dataset page: https://huggingface.co/datasets/recastai/LAION-art-EN-improved-captions.

Characteristics for women with live singleton births and their children (n = 505) and for women who had their children assessed for neurodevelopment with ASQ at 12–24 months and their children (n = 355) stratified by maternal ART initiation status.

Frequencies of individual ASQ neurodevelopment domains stratified by maternal ART initiation status (n = 355).

Picture Australia is an Internet based service that allows you to search many significant online pictorial collections at the same time. When you do a search on Picture Australia, thumbnail images are retrieved from participating institutions on the fly and inserted into the search results.

Picture Australia provides access to images that cover all aspects of Australiana:

• Artworks include paintings, drawings, prints and posters of abstract art, fine art and portraits
• Photographs capture people, places and events
• Objects include sculpture, scrimshaw, bark, costume, weapons
• Images may be in black and white or full colour.

This dataset contains metadata from all participating institutions (except for those from the State Library of Tasmania).

Associations between maternal, child factors and delayed neurodevelopment on combined ASQ domains, adjusted maternal and child factors had two separate models (n = 355).

The size of the Search Engine market was valued at USD XXX Million in 2023 and is projected to reach USD XXX Million by 2032, with an expected CAGR of 14.82% during the forecast period.A search engine is a software system that scrolls down billions of web pages for information on the World Wide Web. It indexes the content and then processes queries to return relevant results. After entering a query in a search engine, its algorithm analyzes the query and fetches relevant pages from its index.They are one of the indispensable tools when it comes to accessing information online.Search engines have very many uses. These include researching, shopping, news, and entertainment. Essentially, they have changed the way people access the internet, providing fast and easy access to information. Recent developments include: February 2023: Microsoft launched "Binging," a cutting-edge search engine driven by AI. This innovative search engine is powered by a state-of-the-art OpenAI model, specifically fine-tuned to optimize search capabilities. The new OpenAI model draws from the expertise of ChatGPT and GPT-3.5, resulting in even faster and more precise search technology., November 2022: Google introduced local search features that were previously showcased earlier in the year. These features include the ability to search your surroundings using your phone's camera. Google has also unveiled an option to search for restaurants based on specific dishes and a new search functionality integrated into Google Maps' Live View., November 2022: Up until this point, search insights were exclusively accessible in English, focusing on users from the US, India, Canada, and the UK. However, YouTube is currently experimenting with expanding the availability of Search Insights on the desktop to more languages, starting with Japanese, Korean, and Hindi, and with plans to include additional languages in the future.. Key drivers for this market are: Increasing Focus to Improve Customer Experience Across Professional Services, Self Service and Personal Segment to Witness the Highest Growth. Potential restraints include: Increasing Preference for Live Person Interaction. Notable trends are: Self Service and Personal Segment to Witness the Highest Growth.

Comparative experiences with state-of-the-art methods on fused networks.

{"references": ["Bourdieu, Pierre (2005): Die verborgenen Mechanismen der Macht. Hamburg: VSA-Verlag.", "Geisler, Helena (2021): R\u00fcckenwind oder Gegenwind beim Zugang zum Kunststudium? Durchf\u00fchrung und Analyse einer Studienbewerber*innen-Befragung an der Hochschule f\u00fcr bildende K\u00fcnste Hamburg. Masterarbeit angenommen an der Fakult\u00e4t f\u00fcr Wirtschafts- und Sozialwissenschaften und der Fakult\u00e4t f\u00fcr Erziehungswissenschaften, Universit\u00e4t Hamburg, Fakult\u00e4t f\u00fcr Wirtschafts- und Sozialwissenschaften. https://katalogplus.sub.uni-hamburg.de/vufind/Record/1811938515?rank=1.", "Geisler, Helena; Hinrichsen, Doerte (2021 (unver\u00f6ffentlicht)): Welche Rolle spielt der sozio\u00f6konomische Hintergrund beim Zugang zur Kunsthochschule? Fragebogenkonstruktion und kognitive Pretestung als Vorarbeit f\u00fcr eine Studienbewerber*innen-Befragung an der Hochschule f\u00fcr bildende K\u00fcnste Hamburg. Hausarbeit angenommen an der Fakult\u00e4t f\u00fcr Erziehungswissenschaften, Universit\u00e4t Hamburg, Fakult\u00e4t f\u00fcr Erziehungswissenschaften.", "International Labour Office (2022): International Standard Classification of Occupations: ISCO-08. Structure, group definitions and correspondence tables. Genf. Online verf\u00fcgbar unter http://www.ilo.org/public/english/bureau/stat/isco/isco08/index.htm, zuletzt gepr\u00fcft am 04.08.2022.", "Lohmann, Henning; Peter, Sascha (2020): Kunst studieren \u2013 und was kommt danach? Studie zu Absolventen und Absolventinnen der HFBK. Projektbericht. Online verf\u00fcgbar unter https://www.hfbk-hamburg.de/documents/596/2020-04-22_Abschlussbericht_AbsolvStudie_HFBK.pdf.", "Rothm\u00fcller, Barbara (2010): BewerberInnen-Befragung am Institut f\u00fcr bildende Kunst 2009. Endbericht. Online verf\u00fcgbar unter https://www.akbild.ac.at/de/universitaet/arbeitskreis-fur-gleichbehandlungsfragen/aufgaben-und-tatigkeitsfelder/endbericht.pdf/view, zuletzt gepr\u00fcft am 03.08.2022.", "Saner, Philippe; V\u00f6gele, Sophie; Vessely, Pauline (2022): Art.School.Differences Researching Inequalities and Normativites in the Field of Higher Art Education. Schlussbericht. Unter Mitarbeit von Tina Bopp, Dora Borer, Ma\u00eblle Cornut, Serena Dankwa, Carmen M\u00f6rsch, Catrin Seefranz und Emma Wolukau-Wanambwa. Hg. v. Institute for Art Education, Z\u00fcrcher Hochschule der K\u00fcnste. Z\u00fcrich. Online verf\u00fcgbar unter https://blog.zhdk.ch/artschooldifferences/schlussbericht/, zuletzt gepr\u00fcft am 03.08.2022.", "Statistisches Bundesamt (2019): Demographische Standards. Eine gemeinsame Empfehlung des Arbeitskreises Deutscher Markt- und Sozialforschungsinstitute e. V. (ADM), der Arbeitsgemeinschaft Sozialwissenschaftlicher Institute e. V. (ASI) und des Statistischen Bundesamtes. Wiesbaden. Online verf\u00fcgbar unter https://www.destatis.de/DE/Methoden/Demografische-Regionale-Standards/Downloads/demografische-standards-2004.html, zuletzt gepr\u00fcft am 04.08.2022.", "UNESCO; UIS (2012): International standard classification of education. ISCED 2011. Montreal, Quebec. Online verf\u00fcgbar unter http://uis.unesco.org/sites/default/files/documents/international-standard-classification-of-education-isced-2011-en.pdf."]} Mit dem vorliegenden Fragebogen wurden 2020 die Bewerber*innen für das Bachelor-Studium der Bildenden Künste an der Hochschule für bildende Künste (HFBK) Hamburg befragt. Fragenschwerpunkte waren Angaben zur Bewerbung und Bewerbungsmotivation, zu künstlerischen Vorerfahrungen und Kontakten im Kunstfeld. Verbunden durch die Abfrage von soziodemographischen Variablen konnten soziale Ungleichheiten bei der Bewerbung zum Studium der Bildenden Künste in Deutschland exemplarisch erforscht werden. Die erste Version des vorliegenden Fragebogens wurde gemeinsam mit Doerte Hinrichsen entwickelt und mit kognitiven Pretests getestet (Geisler und Hinrichsen 2021 (unveröffentlicht); Geisler 2021). Der Fragebogenkonstruktion lagen die Fragebögen zugrunde, die bei der Studienbewerber*innen-Befragung am Institut für bildende Kunst der Akademie der bildenden Künste Wien (Rothmüller 2010) und bei der Absolvent*innen-Befragung an der HFBK Hamburg (Lohmann und Peter 2020) verwendet wurden. Weiterentwicklung des Fragebogens, Feldpretest, Durchführung und Auswertung der Befragung fanden im Rahmen folgender Masterarbeit statt: Geisler, Helena (2021): Rückenwind oder Gegenwind beim Zugang zum Kunststudium? Durchführung und Analyse einer Studienbewerber*innen-Befragung an der Hochschule für bildende Künste Hamburg. Masterarbeit angenommen an der Fakultät für Wirtschafts- und Sozialwissenschaften und der Fakultät für Erziehungswissenschaften, Universität Hamburg, Fakultät für Wirtschafts- und Sozialwissenschaften. https://katalogplus.sub.uni-hamburg.de/vufind/Record/1811938515?rank=1. Der vorliegende Fragebogen basiert auf dem Fragebogen, der im Anhang der Masterarbeit abgedruckt ist, und ist ergänzt um Verweise auf die zugrunde liegenden Fragen ...