TV Shows and Movies listed on Netflix

This dataset consists of tv shows and movies available on Netflix as of 2019. The dataset is collected from Flixable which is a third-party Netflix search engine.

In 2018, they released an interesting report which shows that the number of TV shows on Netflix has nearly tripled since 2010. The streaming service’s number of movies has decreased by more than 2,000 titles since 2010, while its number of TV shows has nearly tripled. It will be interesting to explore what all other insights can be obtained from the same dataset.

Integrating this dataset with other external datasets such as IMDB ratings, rotten tomatoes can also provide many interesting findings.

Inspiration

Some of the interesting questions (tasks) which can be performed on this dataset -

1. Understanding what content is available in different countries
2. Identifying similar content by matching text-based features
3. Network analysis of Actors / Directors and find interesting insights
4. Is Netflix has increasingly focusing on TV rather than movies in recent years.

This is the official data set used in the Netflix Prize competition. The data consists of about 100 million movie ratings, and the goal is to predict missing entries in the movie-user rating matrix. |Attribute| Value| |——|—-| | Data Set Characteristics: | Multivariate, Time-Series | | Attribute Characteristics: | Integer | | Associated Tasks: | Clustering, Recommender-Systems | | Number of Instances: | 100480507 | | Number of Attributes: | 17770 | | Missing Values? | Yes | | Area: | N/A | #Data Set Information: This dataset was constructed to support participants in the Netflix Prize. There are over 480,000 customers in the dataset, each identified by a unique integer id. The title and release year for each movie is also provided. There are over 17,000 movies in the dataset, each identified by

Netflix - TV Shows and Movies

This data set was created to list all shows available on Netflix streaming, and analyze the data to find interesting facts. This data was acquired in July 2022 containing data available in the United States.

Content

This dataset has two files containing the titles (titles.csv) and the cast (credits.csv) for the title.

This dataset contains +5k unique titles on Netflix with 15 columns containing their information, including:

• id: The title ID on JustWatch.
• title: The name of the title.
• show_type: TV show or movie.
• description: A brief description.
• release_year: The release year.
• age_certification: The age certification.
• runtime: The length of the episode (SHOW) or movie.
• genres: A list of genres.
• production_countries: A list of countries that produced the title.
• seasons: Number of seasons if it's a SHOW.
• imdb_id: The title ID on IMDB.
• imdb_score: Score on IMDB.
• imdb_votes: Votes on IMDB.
• tmdb_popularity: Popularity on TMDB.
• tmdb_score: Score on TMDB.

And over +77k credits of actors and directors on Netflix titles with 5 columns containing their information, including:

• person_ID: The person ID on JustWatch.
• id: The title ID on JustWatch.
• name: The actor or director's name.
• character_name: The character name.
• role: ACTOR or DIRECTOR.

Tasks

• Developing a content-based recommender system using the genres and/or descriptions.
• Identifying the main content available on the streaming.
• Network analysis on the cast of the titles.
• Exploratory data analysis to find interesting insights.

Other Streaming Datasets

• HBO Max TV Shows and Movies
• Amazon Prime TV Shows and Movies
• Disney+ TV Shows and Movies
• Hulu TV Shows and Movies
• Paramount TV Shows and Movies
• Rakuten Viki TV Dramas and Movies
• Crunchyroll Animes and Movies
• Dark Matter TV Shows and Movies

How to obtain the data

If you want to see how I obtained these data, please check my GitHub repository.

Acknowledgements

All data were collected from JustWatch.

Dataset from Netflix's 10-K annual reports, which include externally audited data about financial activities of businesses based in the US. For a description of the data compiled see the .docx document. The code included was used in the following research:

Title: Evidence of diseconomies of scale in subscription-based video on demand services.

Abstract: This study provides evidence of diseconomies of scale in Netflix, a major subscription-based video on demand (SVOD) service provider. This contradicts the common belief in prevalent economies of scale for such e-businesses. We, however, rely on a comprehensive analysis of a dataset where we have collected and combined publicly available and audited financial data, mostly coming from Netflix's 10-K reports. In our analysis we employ several user-cost models, namely a baseline linear model, a power law model, an exponential model, and a logarithmic model. Such models often appear (in different variations) in economics literature, but are almost inexistent in the rhetoric around SVOD business models. Corroborating the applications of all these mathematical models on the financial data of Netflix identifies a super-linear increase in costs with expanding user basis, indicating the rising per-user costs that defines diseconomies of scale. These findings provide critical insights into SVOD service scalability, challenging prevailing assumptions and informing expectations about cost dynamics in this industry.

The content spending of Netflix worldwide amounted to around **** billion U.S. dollars in 2024, down from a targeted ** billion U.S. dollars. According to estimates, Netflix's expenditures on content will likely grow to roughly ** billion U.S. dollars in 2025. Netflix leads SVOD original content spending A forecast suggests that Netflix spent around ***** billion U.S. dollars on its own originals in 2023, ranking fifth among global media companies after Disney, Warner Bros. Discovery, Paramount, and Comcast. However, with a share of over ** percent, the streaming giant accounts for the highest amount of SVOD original content spending worldwide. Slowdown in content investments Aside from the beginning of the COVID-19 pandemic in 2020, when Netflix’s content spending fell, its investments in content have steadily increased every year. Production costs of originals, such as “Stranger Things” and “The Crown,” are reaching ever new heights. But the company is expected to plateau its content budget for the next few years, and it is not the only streaming provider that needs to keep their costs low. Following a net loss of over *** billion U.S. dollars in its direct-to-consumer segment in Q1 2023, Disney announced in February 2023 that it would be slashing **** billion U.S. dollars in costs, including both content and non-content cuts, in order to make its streaming business profitable.

The global television show and film industry, encompassing production, distribution, and post-production stages, is a dynamic and expansive market. While precise figures for market size and CAGR are unavailable from the provided information, industry analyses consistently point towards robust growth fueled by several key drivers. The rise of streaming services like Netflix, Disney+, and HBO Max has significantly expanded content consumption and demand, leading to increased investment in both television series and film production. Technological advancements, including improved visual effects and immersive cinematic experiences (e.g., IMAX, 3D), further enhance the appeal of these mediums. Geographic expansion, particularly in emerging markets with growing disposable incomes and internet penetration, represents another significant growth driver. Conversely, challenges remain. Production costs continue to escalate, requiring significant capital investment and impacting profitability. Competition is fierce, with established studios like Warner Bros. and Disney vying for market share with newer players and independent production houses. Furthermore, piracy and copyright infringement pose an ongoing threat to revenue streams. The segmentation into pre-production, production, and post-production allows for granular analysis of the investment lifecycle and helps identify potential bottlenecks. Similarly, the application-based segmentation (TV production & distribution, film production & distribution) clarifies the specific market forces affecting each segment. The industry's future trajectory is complex. While streaming continues to drive demand, the saturation of the market could lead to a potential slowdown in growth, necessitating innovation in content creation and distribution strategies. The increasing reliance on data analytics to inform content creation and target specific audiences will also shape the industry’s evolution. The regional distribution shows significant concentration in North America and Europe, while Asia Pacific, particularly China and India, represents high-growth potential. Understanding the diverse dynamics within these regions, from regulatory environments to audience preferences, is crucial for strategic success. The forecast period of 2025-2033 suggests a sustained period of growth, but its rate will depend on the successful navigation of the aforementioned challenges and the adoption of innovative strategies by key players.

According to a survey by Decision Lab, as of the third quarter of 2024, YouTube was the leading streaming service in Vietnam, used by ** percent of the respondents. At the same time, Facebook and FPT Play were the second most popular streaming platforms overall. FPT Play is a digital television application that offers a variety of copyrighted content, a service first introduced by FPT Telecom JSC, a subsidiary of Vietnam’s IT giant FPT Group. Vietnam: OTT platforms on the rise In recent years, Vietnam has witnessed a significant surge in the popularity of Over-The-Top (OTT) platforms. These platforms offer a wide range of content, allowing users to stream their favorite movies, dramas, and reality shows, catering to the preferences of the Vietnamese audience. One of the key factors driving the growth of OTT platforms in the country is the increasing internet penetration rate. A forecast showed that around ** percent of the population would have access to the internet by 2028. OTT platforms have also benefited from the rising popularity of mobile devices in Vietnam. With the majority of the population owning smartphones, many OTT platforms have developed user-friendly mobile applications, making it easier for users to access and enjoy their favorite content on the go. While US-based streaming providers such as Netflix, Amazon Prime Video, and Disney+ continued to dominate the global subscription-based video on demand (SVoD) segment, local platforms, such as FPT Play and VTV Go, have the upper hand in Vietnam. To pay or not to pay? While paid OTT services have enjoyed rising popularity in the nation, many Vietnamese internet users still prefer freely accessible, advertising-based video on demand. YouTube reigned as the most dominant streaming platform for audio and visual content, including movies, across all generations in Vietnam as of the first quarter of 2023. However, more and more people are willing to pay for higher-quality and exclusive content, suggesting the continuing growth of the SVoD segment in the country. As these platforms continue to evolve and offer more diverse content options, they are likely to further dominate the entertainment landscape in Vietnam.

Anime Streaming Platform Market Outlook

The global anime streaming platform market size is projected to grow significantly from USD 18.4 billion in 2023 to approximately USD 51.8 billion by 2032, with a compound annual growth rate (CAGR) of 12.3% over the forecast period. This robust growth can be attributed to several factors, including the rising popularity of anime content globally, advancements in streaming technology, and increased accessibility of high-speed internet.

One of the primary growth drivers of the anime streaming platform market is the global surge in the popularity of anime content. Anime, originally a staple of Japanese culture, has seen a massive international proliferation, finding dedicated audiences in North America, Europe, and other regions. The global appeal of anime is broadened by its diverse genres and storytelling styles, which cater to a wide range of age groups and preferences. Additionally, the cultural export of anime through global conventions, merchandise, and collaborations with international artists has further solidified its presence in global entertainment.

Technological advancements in streaming services have also played a pivotal role in the market's growth. High-definition (HD) and 4K streaming capabilities, along with the development of user-friendly platforms, have enhanced the viewing experience, making anime more accessible and enjoyable. The integration of artificial intelligence (AI) for personalized recommendations has increased user engagement, ensuring that viewers spend more time on the platforms. This, in turn, drives subscription rates and ad revenues, contributing to market growth.

Moreover, the increased accessibility of high-speed internet across various regions has enabled more individuals to access anime streaming platforms seamlessly. With the growing penetration of smartphones and other internet-enabled devices, consumers can watch their favorite anime shows and movies anytime, anywhere. This convenience has particularly appealed to younger demographics, who are the primary consumers of anime content. The correlation between internet accessibility and the consumption of streaming services underscores the importance of infrastructure development in driving market expansion.

Regionally, Asia Pacific dominates the anime streaming platform market, primarily due to the massive consumer base in countries like Japan, China, and South Korea. North America and Europe are also significant markets owing to the increasing acceptance of anime culture and the rise of dedicated streaming platforms in these regions. In contrast, markets in Latin America and Middle East & Africa, though currently smaller, present promising growth opportunities as internet penetration and digital literacy improve.

Service Type Analysis

The anime streaming platform market is segmented by service type into Subscription-Based, Ad-Supported, and Transactional Video on Demand (TVOD). Subscription-based services dominate the market, driven by platforms like Crunchyroll, Funimation, and Netflix, which offer extensive libraries of anime content for a monthly or yearly fee. The recurring revenue model ensures a steady income stream for these platforms, enabling them to invest in exclusive content and improved user experiences. The success of subscription-based models is further bolstered by the growing consumer preference for ad-free viewing experiences, which these services provide.

Ad-supported services are also a significant segment, particularly in regions where consumers are more price-sensitive. Platforms like Tubi and certain sections of Crunchyroll offer free access to anime content, with revenues generated through advertisements. This model attracts a diverse audience, including those who may not be willing to pay for a subscription but are still interested in anime. The ad-supported model is also advantageous for advertisers looking to target a young, engaged audience with disposable income.

Transactional Video on Demand (TVOD) represents a smaller yet vital segment of the market. It involves users paying for individual content, either as a rental or purchase. This model is particularly popular for exclusive releases and popular titles that fans are willing to pay extra for. Although it generates less recurring revenue compared to subscription-based models, TVOD offers higher margins per transaction, making it a profitable segment for premium and exclusive content.

The interplay between these service types offers a comprehensive approach to cate

Overview

Streaming Services Statistics: Streaming services have transformed the entertainment landscape, revolutionizing how people consume content.

The advent of high-speed internet and the proliferation of smart devices have fueled the growth of these platforms, offering a wide array of movies, TV shows, music, and more, at the viewers' convenience.

This introduction provides an overview of key statistics that shed light on the impact, trends, and challenges within the streaming industry.

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Genre : Science Fiction, Action, Comedy

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Director : Rob Liefeld, Fabian Nicieza, Kevin Feige, Shawn Levy, Rhett Reese

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