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TwitterIn 2024, the number of participants in dance, step, and other choreographed exercise to music in the United States amounted to approximately **** million. This showed growth over the previous year's figure of **** million.
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Dataset includes 2615 images of a segmented dancing people. Videos of people dancing from TikTok were dowloaded and cut into frames. On each frame, all the dancing people were selected in Photoshop.
https://sun9-48.userapi.com/impf/eZx_OX2iOc9XQhWJ6z3i63BcgI-XsNcVdZhDbw/0-qVDdYAnl8.jpg?size=1626x960&quality=96&proxy=1&sign=f019b944fac2e3a90eccefb54900ebe3&type=album" alt="">
There are 3 folders in the dataset: - collages - collages of original images and images with segmentation - images - original images - masks - segmentation masks for the original images
keywords: tiktok dance dataset, dancing people, dance moves, dance videos, video-to-image, video frames, pose recognition database, pose detection dataset, pose estimation dataset, annotated body, pose annotations dataset, augmented reality, ar, 2d human movements, hpe dataset, body segmentation dataset, human part segmentation dataset, semantic segmentation, human body segmentation data, deep learning, computer vision, people images dataset, biometric data dataset, biometric dataset, images database, image-to-image, people segmentation, machine learning
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TwitterThere were estimated to be approximately 11,200 dancers and choreographers working in the United Kingdom as of the first quarter of 2025, compared with 7,000 in the previous quarter.
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TwitterOverview:
This dataset compiles detailed information about various dance styles and genres from around the world, encompassing both traditional and modern forms. It includes attributes such as origin, cultural significance, notable characteristics, associated music genres, health benefits, and more. The dataset aims to serve as a comprehensive resource for understanding the diversity, cultural contexts, and characteristics of different dance types.
Dataset Details:
The dataset includes the following attributes for each dance:
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30 songs from the dance music dataset with the highest Spotify danceability scores.
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Results of the two samples’ Welch’s t-tests, Cohen’s d and Kolmogorov-Smirnov tests between the dance and baseline music datasets.
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Dance studios have undergone significant transformation in recent years, adapting to shifting cultural, technological, and economic pressures. With social media and influencer marketing shaping outreach strategies, studios are increasingly using platforms like TikTok and Instagram to connect with younger audiences and spur enrollment. These digital channels have unlocked new ways to create buzz; viral routines and trending choreography can rapidly boost a studio’s reputation and visibility, especially in competitive urban markets. At the same time, the industry has faced mounting challenges, including an ongoing reliance on tuition, reductions in public funding, and the need to deliver hybrid or virtual programming to meet students’ evolving preferences. Revenue has grown at a CAGR of 0.8% to $5.0 billion and will expand 2.3% in 2025. Over the past five years, dance studios have experienced a pendulum swing in operational models. The pandemic accelerated the adoption of remote and hybrid dance classes, with many instructors making the leap to online platforms. This shift helped many studios keep their doors open, but virtual classes have delivered mixed financial results and often can’t rival the engagement of in-person instruction. Nonetheless, interest in ballet and other classical disciplines has surged among both children and adults, driven in part by social trends like “ballet core” and a growing appreciation for dance’s wellness benefits. Studios have boosted profits by broadened their offerings, tailoring programs for absolute beginners, teens, and hobbyist adults. Meanwhile, workshops showcasing global styles like K-pop and Bollywood have kept classes fresh, attracting a diverse student body despite intensifying competition and tightening budgets. Federal and state arts funding is expected to decline further in 2025, forcing studios to rely more on private donors, local support, and non-profit grants. This shift risks reducing access for low-income and community-based students as class subsidies and scholarships dry up, but it also compels studios to be more inventive and inclusive in their funding approaches. On the upside, rising health consciousness and growing disposable income are fueling a boom in adult enrollment, while major dance organizations and smaller studios alike are launching accessible, high-quality programs for recreational dancers of all ages. Studios that quickly adapt are best positioned to thrive. Over the years leading to 2030, revenue is forecast to climb at a CAGR of 1.2% to $5.3 billion.
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There is a growing appreciation for the ability of person-centered arts-based approaches to extend multiple domains of brain health of people living with dementia. Dance is a multi-modal artistic engagement which has positive impacts on cognition, mobility and the emotional and social aspects of brain health. Although research into multiple domains of brain health among older adults and people living with dementia is promising, several gaps remain, specifically in understanding the benefits of co-creative and improvisational dance practices. Collaborative research between dancers, researchers, people living with dementia and care partners is needed to design and evaluate future research on dance and to determine relevance and usability. Furthermore, the respective praxes and experience of researchers, dance artists and people living with dementia contribute distinctly and uniquely to the identification and the assignment of value to dance in the context of the lives of people living with dementia. In this manuscript the author, a community-based dance artist, creative aging advocate and Atlantic Fellow for Equity in Brain Health, discusses current challenges and gaps in the understanding of the value of dance for and with people living with dementia and how transdisciplinary collaboration between neuroscientists, dance artists and people living with dementia can advance collective comprehension and implementation of dance practice.
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According to our latest research, the global Dance Studios market size in 2024 stands at USD 32.4 billion, reflecting a robust and expanding industry. The market is projected to witness a compound annual growth rate (CAGR) of 6.8% from 2025 to 2033, reaching a forecasted value of USD 62.1 billion by 2033. This growth is primarily driven by increasing consumer interest in dance as a form of physical fitness, artistic expression, and social engagement, alongside the proliferation of diverse dance styles and the integration of technology in dance education. As per our latest research, the Dance Studios market is on an upward trajectory, buoyed by evolving cultural trends and the rising popularity of dance-based wellness activities worldwide.
One of the most significant growth factors for the Dance Studios market is the surging emphasis on health and wellness among global populations. Dance is increasingly recognized as an effective way to achieve cardiovascular fitness, flexibility, and mental well-being. This has led to a surge in demand for dance studios offering group classes, private lessons, and specialized workshops. The rise of dance-based fitness programs, such as Zumba and barre, has further broadened the appeal of dance studios beyond traditional enthusiasts to include individuals seeking enjoyable alternatives to conventional gym workouts. Furthermore, the influence of social media and dance reality shows has played a pivotal role in making dance more mainstream, encouraging people of all ages to participate and enroll in dance studios for both recreational and professional purposes.
Another driving force behind the expansion of the Dance Studios market is the diversification of dance styles and the adaptability of studios to cater to a wide range of preferences. From classical ballet and ballroom to contemporary, hip-hop, and Latin styles, studios are increasingly offering specialized programs to attract different age groups and skill levels. This diversification is particularly appealing to younger demographics, who are influenced by global pop culture trends and seek to learn popular dance forms showcased in music videos and films. Additionally, studios are leveraging technology to offer hybrid models, blending in-person and online classes, which has significantly expanded their reach and accessibility, especially in regions where access to physical studios may be limited.
The integration of dance education into school curricula and community programs is another notable factor propelling market growth. Educational institutions and local governments are recognizing the value of dance in fostering creativity, teamwork, and discipline among children and teenagers. This has resulted in increased collaboration between dance studios and schools, leading to a steady influx of young students into the market. Moreover, the professionalization of dance as a viable career path has prompted the establishment of advanced training centers and academies, further fueling demand for high-quality dance instruction and studio facilities. These trends are expected to continue shaping the market landscape over the forecast period.
The advent of AR Dance Choreography Glass is revolutionizing the way dance is taught and experienced in studios worldwide. This innovative technology allows instructors and students to visualize complex choreography in augmented reality, enhancing the learning process and making dance more accessible to beginners and professionals alike. By overlaying digital choreography onto physical spaces, AR Dance Choreography Glass enables dancers to practice with precision and confidence, bridging the gap between virtual and in-person instruction. This technology not only enriches the educational experience but also opens new possibilities for creative expression and collaboration in the dance community.
Regionally, North America currently dominates the Dance Studios market, driven by a well-established dance culture, strong participation in recreational and competitive dance, and the presence of numerous renowned studios and instructors. Europe follows closely, with a rich tradition in classical and contemporary dance and a growing appetite for innovative dance forms. The Asia Pacific region is emerging as a high-growth market, fueled by rising disposable incom
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Study synopsis: Dance is recommended exercise for older people that benefits health across cultures and socioeconomic groups. Dance self-efficacy may determine program participation, yet measures are limited. This study developed and validated the Dance Self-Efficacy Scale for older adults (DanSES-60+) following systematic procedures. Expert review reduced 60 items to 32 items, which were administered to 289 adults (M age = 72.1 years). The sample was split for exploratory (n=97) and confirmatory (n=192) factor analysis. Item analysis reduced the scale to 12 items with a two-factor structure: Barriers to dancing and dance task self-efficacy. The scale demonstrated good internal consistency (α = 0.95) and test-retest reliability (ICC = .84), and strong validity evidence. Dance self-efficacy scores were significantly associated with dance experience, mobility, health, physical activity, and arts engagement. The DanSES-60+ addresses a critical measurement gap in dance and aging research, and enables participant screening, program evaluation, and investigating mechanisms underlying program effectiveness.
Dataset: Participants are community-dwelling older adults (aged 60+ years) living in Australia, with and without dance experience. The dataset contains responses to 32 prospective dance self-efficacy scale items, dance experience items, participant demographics, self-reported health and health conditions, mobility, falls history, physical activity, and participation in arts and cultural activities. A data dictionary is supplied.
This dataset is available open access. To discuss the data and research project, please contact Martha Waugh martha.waugh@westernsydney.edu.au , ORCID id: 0000-0003-4213-3293
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TwitterThis statistic shows the share of children taking or having taken dance classes in France in 2014. Less than ** percent of children aged 8 to 16 reported having already taken dance classes in 2014.
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TwitterThis dataset was created by robothaison
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The purpose of this study was to explore the relationship between audio descriptors for groove-based electronic dance music (EDM) and raters’ perceived cognitive, affective, and psychomotor responses. From 198 musical excerpts (length: 15 sec.) representing 11 subgenres of EDM, 19 low-level audio feature descriptors were extracted. A principal component analysis of the feature vectors indicated that the musical excerpts could effectively be classified using five complex measures, describing the rhythmical properties of: (a) the high-frequency band, (b) the mid-frequency band, and (c) the low-frequency band, as well as overall fluctuations in (d) dynamics, and (e) timbres. Using these five complex audio measures, four meaningful clusters of the EDM excerpts emerged with distinct musical attributes comprising music with: (a) isochronous bass and static timbres, (b) isochronous bass with fluctuating dynamics and rhythmical variations in the mid-frequency range, (c) non-isochronous bass and fluctuating timbres, and (d) non-isochronous bass with rhythmical variations in the high frequencies. Raters (N = 99) were each asked to respond to four musical excerpts using a four point Likert-Type scale consisting of items representing cognitive (n = 9), affective (n = 9), and psychomotor (n = 3) domains. Musical excerpts falling under the cluster of “non-isochronous bass with rhythmical variations in the high frequencies” demonstrated the overall highest composite scores as evaluated by the raters. Musical samples falling under the cluster of “isochronous bass with static timbres” demonstrated the overall lowest composite scores as evaluated by the raters. Moreover, music preference was shown to significantly affect the systematic patterning of raters’ responses for those with a musical preference for “contemporary” music, “sophisticated” music, and “intense” music.
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TwitterBackgroundDance is a promising health resource for older adults, but empirical evidence remains inconsistent. The lack of synthesised evidence regarding program design, dose, and delivery limits understanding of factors influencing participation and health outcomes. This scoping review aimed to map the scope, range, and effectiveness of dance programs for older people, and identify gaps and opportunities for future research and practice.MethodsSearches across five databases (September 2023) identified 148 studies evaluating 116 dance programs (≥4 weeks) for older adults (≥55 years, N = 8060), Dance interventions delivered to clinical groups were excluded. Intervention design and delivery were charted against the TIDieR reporting checklist. Program outcomes including adherence, safety, and positive tests were charted into established taxonomies.ResultsDemographic information, program details, and implementation were often insufficiently reported. Participant groups differed by age range, with underserved communities underrepresented. Programs varied extensively in key factors including dose, prospective ‘active ingredients’, delivery approach, facilitator expertise, and class size. While dance was physically safe, adherence rates in older adults are comparable to other community exercise programs. Less than 40% of health assessments showed positive change, with more consistent benefits to physical endurance, strength, and function, moderate impacts on psychosocial health, and limited benefits to cognitive and brain health, and falls and falls risk.ConclusionDance is a meaningful, safe, adaptable, and low-cost health resource for older adults. Key opportunities for advancing research include improved access for underserved groups, program suitability assessments, strategies to support adherence and engagement including theory-informed approaches, and incorporation of participant and practitioner insights. Identification of key ’active ingredients’ and dance program factors may improve understanding of causal pathways and mechanisms to optimise engagement and health impacts. Stronger reporting practices will facilitate comparisons across studies and more robust evidence synthesis. This review provides a critical knowledge foundation to guide future approaches in dance for health and offers reporting recommendations.
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You have some experience with R or Python and machine learning basics. This is a perfect competition for data science students who have completed an online course in deep learning and are looking to expand their skill set before trying a featured competition.
This is not my personal dataset. This is the dataset from one of the competitions from the competitions of the HackerEarth.
 
Competition Description
PROBLEM STATEMENT This International Dance Day, an event management company organized an evening of Indian classical dance performances to celebrate the rich, eloquent, and elegant art of dance. After the event, the company plans to create a microsite to promote and raise awareness among people about these dance forms. However, identifying them from images is a difficult task.
You are appointed as a Machine Learning Engineer for this project. Your task is to build a deep learning model that can help the company classify these images into eight categories of Indian classical dance.
Note
The eight categories of Indian classical dance are as follows:
Manipuri Bharatanatyam Odissi Kathakali Kathak Sattriya Kuchipudi Mohiniyattam
DATA DESCRIPTION
The data folder consists of two folders and two .csv files. The details are as follows:
train: Contains 364 images for 8 classes ['manipuri','bharatanatyam','odissi','kathakali','kathak','sattriya','kuchipudi','mohiniyattam'] test: Contains 156 images train.csv: 364 x 2 test.csv: 156 x 1
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TwitterThis International Dance Day, an event management company organized an evening of Indian classical dance performances to celebrate the rich, eloquent, and elegant art of dance. After the event, the company plans to create a microsite to promote and raise awareness among people about these dance forms. However, identifying them from images is a difficult task.
You are appointed as a Machine Learning Engineer for this project. Your task is to build a deep learning model that can help the company classify these images into eight categories of Indian classical dance.
The data folder consists of two folders and two .csv files. The details are as follows:
train: Contains 364 images for 8 classes ['manipuri','bharatanatyam','odissi','kathakali','kathak','sattriya','kuchipudi','mohiniyattam']
test: Contains 156 images
train.csv: 364 x 2
test.csv: 156 x 1
The dataset is taken from HackerEarth deep learning challenge "Identify the dance forms".
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The global dance sneakers market is poised for substantial growth, projected to reach an estimated market size of over $500 million by 2025 and expand significantly through 2033. This upward trajectory is fueled by a robust Compound Annual Growth Rate (CAGR) of approximately 7.5%, indicating sustained expansion driven by increasing participation in dance as a recreational activity and a professional pursuit. The rising popularity of various dance forms, including Latin, modern, jazz, and mixed genres, directly translates into a growing demand for specialized footwear that offers both comfort and performance. This demand is further amplified by the increasing integration of dance into educational curricula, with schools recognizing its benefits for physical and cognitive development. The television, film, and theatre industries also contribute significantly, requiring high-quality dance sneakers for performers that meet specific aesthetic and functional requirements. Key players in the market, such as Repetto, Bloch, Capezio, and Grishko, are actively innovating, introducing new designs and technologies to cater to the evolving needs of dancers. The market's growth is underpinned by several dynamic drivers, including a global surge in health and wellness consciousness, leading more individuals to engage in dance for fitness. The increasing accessibility of online dance tutorials and virtual classes has also democratized dance education, making it easier for people of all ages to learn and practice. Furthermore, the fashion influence of dance culture, with celebrities and influencers showcasing dance apparel, is inspiring broader adoption. However, certain restraints may temper this growth. The presence of counterfeit products can dilute the market and impact brand reputation, while the relatively high cost of specialized dance sneakers compared to generic athletic shoes could be a barrier for some consumers. Nonetheless, the market's segmentation across various dance types and applications, coupled with a competitive landscape featuring established and emerging brands, points towards a dynamic and evolving market with ample opportunities for innovation and expansion in the coming years. The Asia Pacific region, particularly China and India, is expected to emerge as a significant growth engine due to a burgeoning middle class and increasing disposable income. This report offers an in-depth analysis of the global dance sneakers market, projecting a substantial valuation in the millions of USD. Covering the historical period from 2019 to 2024, with a base and estimated year of 2025, the study extends its forecast through 2033. It delves into market dynamics, key players, regional dominance, product innovation, and the evolving landscape of this specialized footwear segment.
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TwitterAs of February 2021, almost ** percent of public square dancers in China aged over 46 years. In comparison, young people below 18 years old amounted to about ** percent. Public square dancing is a popular exercise routine performed to music, usually in a large group, in squares, plazas or parks.
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TwitterAbstract copyright UK Data Service and data collection copyright owner.
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TwitterIn 2024, the number of participants in dance, step, and other choreographed exercise to music in the United States amounted to approximately **** million. This showed growth over the previous year's figure of **** million.