Female moviegoers aged 18 to 34 years old represented ** percent of the audience of movies released in the first half of 2024 in the United States and Canada. The data shows that younger consumers went to the movies more often, as the audience share dropped sharply among viewers aged 35 years old and older.

In 2021, approximately ** percent of moviegoers in the United States and Canada identified as Caucasian and/or White. Viewers who identified as Hispanic and/or Latino accounted for ** percent of the total.

Around ** percent of the people in the United States and Canada who saw "Spider-Man: No Way Home" – the highest-grossing movie in those two countries in 2021 – identified as male. Men also accounted for ** percent of the people who watched "Venom: Let There Be Carnage" at movie theaters.

The statistic shows the audience distribution of Get Out in the United States in 2017, by age. According to the source, approximately ** percent of the audience was aged 25 to 34.

This dataset simulates ratings given by users of different ages and genders to various movie genres. It includes user IDs, age, gender, preferred genre, rating, and viewing frequency. The data supports analysis of audience behavior, genre preference trends, or the development of recommender systems.

In 2024, around ** percent of the cinema visitors in China were between 20 and 29 years old. Moviegoers aged above 40 years accounted for ** percent of the total audience.

During a survey fielded in the United States in April and May 2022, **** of responding internet users aged between 18 and 34 years said they went to the movies often or sometimes. Among respondents from the 35-44 age group, the share stood at ** percent. ***** out of 10 interviewees age ** and over said they never went to see a film in theaters. More than **** of Hispanic adults in the U.S. reported going to the movies often or sometimes in 2022.

The data contain the experiences of selected Kenyan film audience of slow cinema. The data was conducted through a web survey and at the time of data collection, no such study had been conducted within a Kenyan cinema context. The data could be useful to researchers interested in film audience analyses, examining the situatedness of slow cinema in an African (Kenyan) context, and understanding how a film audience visualizes and interpretes difficult cinema. Lastly, the data could provide insights into the demographics of the Kenyan film audience.

Comedy Film Market Outlook

The global comedy film market size was valued at approximately USD 20 billion in 2023 and is expected to grow to around USD 30 billion by 2032, exhibiting a compound annual growth rate (CAGR) of 4.5% during the forecast period. This growth can be attributed to increasing demand for light-hearted entertainment and evolving distribution channels that make comedy films more accessible to a broader audience.

One of the significant growth factors for the comedy film market is the inherent human need for humor and levity, particularly during times of global stress and uncertainty. Comedy films offer a form of escapism that helps people cope with daily pressures, making them consistently popular across all demographics. Additionally, technological advancements, particularly in the realm of digital streaming, have made it easier for audiences worldwide to access a diverse range of comedy films from various cultures. This increased accessibility is driving growth in the market, as audiences are no longer limited to locally-produced films.

Another major driver is the expansion of distribution channels. The rise of Over-The-Top (OTT) platforms and digital streaming services has revolutionized the way films are distributed and consumed. Platforms like Netflix, Amazon Prime Video, and Disney+ offer extensive libraries of comedy films, often producing their own original content as well. This has allowed for a more extensive reach and has opened up new revenue streams, boosting the overall market growth. Additionally, the decline in costs associated with digital distribution compared to traditional theatrical releases is helping independent filmmakers and smaller studios contribute significantly to the market.

Celebrity influence and star power also play a crucial role in the comedy film marketÂ’s growth. High-profile comedians and actors draw significant attention to comedy films, often ensuring box office success. Moreover, the involvement of well-known directors and producers adds a layer of credibility and attracts a larger audience base. Marketing campaigns leveraging social media and other digital platforms further amplify the reach, ensuring that new releases gain rapid visibility and engagement.

While comedy films continue to dominate the entertainment landscape, the genre of Horror Film and TV Show has carved its own significant niche. In recent years, there has been a notable resurgence in the popularity of horror content, driven by audiences' fascination with the supernatural and psychological thrillers. The horror genre offers an adrenaline rush and a unique form of escapism, allowing viewers to explore their deepest fears from the safety of their homes. This growing interest has led to an increase in the production of both horror films and TV shows, with streaming platforms playing a crucial role in their distribution. The ability to binge-watch entire series has transformed how audiences consume horror content, making it a staple in many households.

From a regional perspective, North America remains the dominant market for comedy films, driven by Hollywood's influence and the high penetration of digital streaming services. However, emerging markets in the Asia Pacific and Latin America are also experiencing substantial growth. The increasing adoption of smartphones and internet access is making comedy films more accessible to these regions' burgeoning middle-class populations, offering new opportunities for market expansion.

Genre Analysis

Genres play a pivotal role in defining the comedy film market, with different sub-genres appealing to various audience segments. Romantic comedies continue to be a significant segment, combining elements of humor with love stories to attract a broad demographic. These films often explore themes of relationships, social norms, and personal growth, resonating particularly well with adult and family audiences. The feel-good factor and universal appeal of romantic comedies make them a safe bet for filmmakers, contributing to their enduring popularity.

Slapstick comedy, characterized by physical humor and exaggerated actions, remains a favorite among children and family audiences. This genreÂ’s timeless appeal lies in its ability to convey humor without relying heavily on dialogue, making it accessible to international audiences regardless of language barriers. Iconic slapstick films have historically achieved global

As of January 2024, less than a quarter of moviegoers were 60 or older in France. Moviegoers aged 15 to 24 years old accounted for **** percent that same year, a slight increase in comparison to the previous year. In 2022, France was the leading European country in terms of cinema tickets sold. Who are the moviegoers in France? The pandemic has impacted how often most French people go to the theaters as ** percent claim to go less often that before. However, more than half of them report going as often as before the pandemic. Still, some of the moviegoers are particularly assiduous. In 2023, almost ** percent of French people going to the movies admitted doing so once every week. The habits of the French when going to the movies France had almost *** thousand screens in 2022, the highest number among all the countries in Europe. Even though France has an important cinema industry and produces a large amount of films every year, it seems that the public prefer American movies. The French enjoy their movies (French or not), usually at the end of the day, between 8 and 9 pm. Studies have also shown that during the months of the end of the year, like November and December, attendance in movie theaters increases. This might be explained by family time and holidays during Christmas, as well as bad weather which causes people to favor indoor activities compared to outdoor ones.

In 2019, there were *** million frequent moviegoers aged 60 or above, up from *** million in the previous year. Conversely, more 12 to 17-year-olds were visiting the cinema regularly that year. Why do some people go to movie theaters less than they used to? There is a clear overall change in movie-going frequency among U.S. adults – ** percent of respondents to a 2018 survey said that they saw fewer movies in theaters than five years ago. Whilst many consumers still prefer to see movies in theaters upon their release, the hobby is arguably less popular than it used to be. Trips to the cinema can be costly – on average, a ticket to a North American movie theater cost **** U.S. dollars in 2018. For many Americans, this is too expensive, especially with streaming services like Netflix, Hulu, and Amazon offering subscribers better value for money. It is no coincidence that the appeal of the movie theater has waned as streaming services have grown in popularity. It is now the norm to subscribe to a combined TV and movie streaming service, and whilst the **** dollar fee for a movie theater ticket covers just one showing, several streaming platforms allow consumers to enjoy content whenever and wherever they want for similar price per month. Equally, a movie must appeal to film fans before they go to see it (particularly if they consider the price higher than they would like) and if for several months nothing comes up that interests them, it is only natural that they will visit theaters less regularly. Again, the appeal of a movie often largely depends on age. Far more younger adults are likely to watch live-action Disney remakes like ‘The Lion King’ than their older peers, for instance – and younger viewers also watch dystopian content more than older generations.

U.S. Movie Theatres Market size was valued at USD 419.6 Billion in 2024 and is projected to reach USD 695.37 Billion by 2031, growing at a CAGR of 7.19% during the forecast period 2024-2031.U.S. Movie Theatres Market DriversThe growth of the U.S. movie theater market is significantly bolstered by the rise of premium viewing experiences and the inclusion of alternative content. Premium viewing experiences, such as IMAX, 3D, and 4D screenings, provide audiences with unparalleled visual and auditory stimulation that cannot be replicated at home. These formats offer superior picture quality, enhanced sound systems, and additional sensory effects like moving seats and environmental changes (e.g., wind, and scents). The allure of these immersive experiences encourages moviegoers to pay a premium price, thereby increasing revenue for theater operators. Additionally, luxury cinemas with plush reclining seats, high-quality food and beverage options, and personalized services create a more comfortable and enjoyable environment, appealing to a demographic willing to spend more for a higher level of comfort and exclusivity. This segment of the market not only attracts regular movie enthusiasts but also those seeking a special outing or a unique entertainment experience.The inclusion of alternative content is transforming the traditional role of movie theaters. Beyond standard film screenings, theaters are diversifying their offerings to include live broadcasts of concerts, sports events, and theatrical productions. This expansion taps into different audience segments and broadens the appeal of theaters. For example, fans of a particular band might flock to a live concert broadcast, or sports enthusiasts might gather to watch a major game on the big screen. These events can turn theaters into multi-purpose venues that cater to a variety of interests and entertainment needs. The diversification into alternative content not only provides additional revenue streams but also helps fill seats during non-peak movie hours, thereby optimizing the use of theater space.

The global movie rating sites market is experiencing robust growth, driven by the increasing popularity of streaming services, a surge in online movie consumption, and the growing reliance on user reviews and professional ratings to inform viewing decisions. The market, estimated at $2 billion in 2025, is projected to achieve a Compound Annual Growth Rate (CAGR) of 15% from 2025 to 2033. This expansion is fueled by several key factors. Firstly, the continuous evolution of user interfaces and functionalities on these platforms enhances user experience, fostering engagement and loyalty. Secondly, strategic partnerships between rating sites and streaming platforms provide cross-promotional opportunities, expanding reach and user base. Thirdly, the rising demand for data-driven insights in the film industry is driving the adoption of professional rating services within the movie research and production segments. Competition among established players like Rotten Tomatoes and IMDb, alongside the emergence of niche platforms catering to specific film genres or demographics, is shaping the market landscape. However, the market faces certain restraints. Data security and privacy concerns regarding user information are a major challenge. Maintaining the accuracy and integrity of ratings to avoid manipulation or biased reviews is also crucial for sustaining user trust. Furthermore, the market's growth is susceptible to fluctuations in the film industry itself, including production delays, changes in consumer preferences, and the impact of external economic factors. The market is segmented by application (movie promotion, movie research, audience choice, others) and type (user ratings, professional ratings, others), providing opportunities for specialized platforms to emerge and cater to specific niche needs. Geographic expansion, especially in rapidly developing markets in Asia Pacific, presents significant potential for future growth. The North American market currently holds a substantial share due to the established presence of key players and high online movie consumption.

Documentary Film and TV Show Market Outlook

The global documentary film and TV show market size reached approximately USD 6.2 billion in 2023 and is projected to grow to USD 12.8 billion by 2032, exhibiting a compound annual growth rate (CAGR) of 8.5% during the forecast period. This growth is driven by increasing consumer demand for factual content and an expanding array of distribution platforms.

One major growth factor contributing to the robust expansion of the documentary film and TV show market is the rising consumer preference for educational and informative content. In an era where misinformation and fake news are rampant, documentaries offer viewers a credible source of information. The format's ability to present in-depth analyses of various subjects makes it highly appealing to a broad audience base, including both casual viewers and educational institutions. Additionally, the proliferation of high-quality documentary series produced by streaming giants like Netflix and Amazon Prime has played a significant role in popularizing this genre.

Technological advancements in filmmaking and content distribution have further propelled the market. The advent of 4K and 8K video resolution, along with sophisticated CGI and animation techniques, allows for the creation of visually stunning and engaging documentaries. Furthermore, the increasing penetration of high-speed internet and the widespread availability of affordable streaming services have made it easier for consumers to access documentary content anytime and anywhere. This accessibility has broadened the market's reach, making documentaries more popular across various demographics.

Social and cultural shifts are also driving the demand for documentary films and TV shows. With growing awareness about social issues, climate change, and historical events, audiences are increasingly drawn to content that sheds light on these critical topics. Documentaries serve as a powerful medium to raise awareness and inspire action, thereby attracting a dedicated viewership. Additionally, the global rise in literacy rates and educational endeavors further contribute to the sustained interest in documentary films and TV shows, as more people seek to expand their knowledge and understanding of the world.

Regionally, North America continues to dominate the documentary film and TV show market, driven by a robust entertainment industry and a high level of consumer awareness. However, other regions like Asia Pacific and Europe are rapidly catching up due to increasing investments in the media sector and growing consumer appetite for diverse content. The Asia Pacific region, in particular, is witnessing a surge in locally produced documentaries that cater to regional tastes and preferences, indicating a promising growth trajectory for the market.

Genre Analysis

The genre segment of the documentary film and TV show market comprises various categories such as nature, history, science, biographical, crime, and others. Each genre appeals to a different audience demographic and offers unique growth opportunities. Nature documentaries, for instance, have seen a significant rise in popularity due to increasing global awareness about environmental issues and conservation efforts. Documentaries like "Planet Earth" and "Our Planet" have captivated viewers with their breathtaking visuals and compelling narratives, highlighting the beauty and fragility of our natural world.

Historical documentaries remain a perennial favorite, providing viewers with insights into significant events and figures that have shaped our world. These documentaries often delve into various eras, from ancient civilizations to modern history, offering a rich tapestry of knowledge that appeals to history enthusiasts and casual viewers alike. The continued interest in historical documentaries is fueled by the desire to understand the past and its impact on contemporary society.

Science documentaries have also carved out a substantial niche within the market. These films often explore groundbreaking scientific discoveries, technological advancements, and the mysteries of the universe, capturing the imagination of viewers. With the rapid pace of scientific progress and increasing public interest in topics like space exploration, medical breakthroughs, and artificial intelligence, science documentaries are poised for sustained growth.

Biographical documentaries focus on the lives of notable individuals, offering intimate and often revealing portraits of their p

AI-Generated Movie Script Market Outlook

According to our latest research, the AI-Generated Movie Script market size reached USD 1.2 billion globally in 2024, demonstrating the increasing adoption of artificial intelligence in the creative industries. The market is projected to expand at a robust CAGR of 28.7% from 2025 to 2033, reaching an estimated USD 11.1 billion by 2033. This remarkable growth is fueled by the rapid advancements in natural language processing (NLP) technologies, the rising demand for scalable content generation, and the increasing integration of AI tools within film and media production workflows. As per our latest research, the AI-Generated Movie Script market is witnessing significant traction across diverse end-user segments, reflecting a paradigm shift in how narratives are conceptualized and produced.

One of the primary growth factors propelling the AI-Generated Movie Script market is the evolution of AI-driven creative tools that leverage advanced machine learning algorithms to generate, refine, and optimize movie scripts. These tools are increasingly relied upon by both established film studios and independent filmmakers to streamline the ideation process, reduce production timelines, and enhance script quality through data-driven insights. The integration of AI in scriptwriting not only accelerates the pre-production phase but also enables the generation of multiple script variations, allowing creators to experiment with different storylines, genres, and character arcs. This technological innovation is particularly valuable in an industry where originality and speed-to-market are critical competitive differentiators.

Another significant driver is the growing demand for personalized and diverse content across multiple entertainment platforms, including film, television, advertising, and gaming. AI-generated scripts can be customized to suit various audience demographics and cultural contexts, ensuring that content creators can rapidly respond to emerging trends and viewer preferences. The ability of AI to analyze vast datasets, including historical box office data, audience feedback, and social media sentiment, empowers scriptwriters to craft narratives that are more likely to resonate with target audiences. This data-centric approach to storytelling is transforming the traditional scriptwriting process, making it more adaptive, inclusive, and commercially viable.

The proliferation of cloud-based AI solutions is further catalyzing market growth by democratizing access to advanced script generation tools. Cloud deployment models enable users to leverage powerful AI algorithms without the need for significant upfront investment in infrastructure, making these technologies accessible to a broader spectrum of content creators, from large studios to independent filmmakers and advertising agencies. The scalability and flexibility offered by cloud platforms also facilitate real-time collaboration among geographically dispersed teams, enhancing productivity and fostering innovation in script development. As the entertainment industry continues to embrace digital transformation, the adoption of cloud-based AI scriptwriting solutions is expected to accelerate, driving sustained market expansion.

From a regional perspective, North America currently dominates the AI-Generated Movie Script market, accounting for the largest revenue share in 2024. This leadership position is attributed to the presence of major film studios, a vibrant independent filmmaking community, and a high concentration of AI technology providers in the United States and Canada. However, the Asia Pacific region is poised for the fastest growth over the forecast period, driven by the burgeoning media and entertainment sectors in countries such as China, India, and South Korea, as well as increasing investments in AI research and development. Europe also represents a significant market, with strong demand from both traditional film industries and emerging digital content creators. Overall, the global landscape is characterized by dynamic regional trends, each contributing uniquely to the market’s evolution.

Component Analysis

The AI-Generated Movie Script market is segmented by component into software and services, each playing a pivotal role in shaping the industry’s trajectory. The software segment encompasses a range of AI-powered scriptwriting platforms, natural language processing engines, and creative automation

Motion Pictures Market Outlook

The global motion pictures market size was valued at approximately USD 42.3 billion in 2023 and is projected to reach USD 57.8 billion by 2032, growing at a compound annual growth rate (CAGR) of 3.5% during the forecast period. This growth is driven by various factors, including technological advancements in film production and distribution, as well as evolving consumer preferences. The increasing penetration of online streaming platforms and the rise in demand for diverse and engaging content are key contributors to the market's expansion. Additionally, the proliferation of international film festivals and the increasing global appetite for varied storytelling have also played significant roles in the market's upward trajectory.

One of the primary growth factors in the motion pictures market is the rapid technological advancements in filmmaking and distribution. The advent of digital technology has revolutionized the production and distribution processes, making film creation more accessible and cost-effective. Innovations such as high-definition cameras, advanced editing software, and digital distribution channels have lowered entry barriers for filmmakers, allowing a greater variety of stories to be told on the big screen. Furthermore, the growing prevalence of special effects and CGI technology has enhanced the visual storytelling experience, attracting larger audiences to theaters and streaming platforms alike. These technological advancements continue to fuel the market's growth by improving the overall quality and accessibility of film content.

Another significant factor driving the growth of the motion pictures market is the evolving consumer preferences and viewing habits. Audiences today are seeking more personalized and diverse content that resonates with their individual tastes and cultural backgrounds. This shift has led to a surge in demand for films across various genres and languages, prompting production houses to expand their offerings. Moreover, the rise of online streaming services has played a crucial role in catering to these changing preferences by providing viewers with on-demand access to a vast array of films. The convenience of streaming platforms has not only increased content consumption but has also opened new revenue streams for filmmakers and distributors, propelling market growth.

The global expansion of online streaming platforms is another driving force behind the motion pictures market's growth. These platforms have democratized access to film content, allowing audiences worldwide to access a diverse range of films from different regions and cultures. By offering original content alongside traditional films, streaming services have captured a significant share of the market, attracting subscribers with exclusive releases and diverse content libraries. This shift towards digital consumption has also challenged traditional distribution models, prompting theaters and television networks to adapt to changing consumer behaviors. As a result, the symbiotic relationship between theatrical releases and digital platforms has become an integral part of the market's growth dynamic.

Regionally, North America continues to dominate the motion pictures market, attributed to the presence of major film studios and a high concentration of production facilities. However, the Asia Pacific region is expected to witness the highest growth rate during the forecast period, driven by increasing investments in local film industries and the rising popularity of international films. Countries like China and India are emerging as significant players, with their expanding middle-class populations and growing appetite for diverse content. Meanwhile, European markets are experiencing a resurgence in demand for independent films and art-house cinema, contributing to the region's steady growth. The Middle East & Africa and Latin America regions are also experiencing gradual growth, supported by government initiatives to promote local cinema.

Genre Analysis

The genre segment of the motion pictures market encompasses various film categories such as Action, Comedy, Drama, Horror, Science Fiction, and others. Each genre has its unique appeal and audience demographic, contributing to the market's overall diversity and richness. The Action genre, characterized by high-octane sequences, thrilling plots, and larger-than-life characters, remains one of the most popular film categories globally. This genre consistently draws large audiences, driven by the universal appeal of adventure and heroism. The success of action films is often bolstered

The global TV commercials and film production market is a dynamic and substantial industry, experiencing consistent growth fueled by several key factors. Technological advancements, such as improved filming techniques, high-definition broadcasting, and sophisticated visual effects, continuously enhance the quality and appeal of both TV commercials and films. The rising adoption of streaming platforms and on-demand content further drives market expansion, creating new avenues for advertising and film distribution. Increased consumer spending on entertainment and a growing preference for visually engaging content contribute to this market's robust performance. While the market is highly competitive, with numerous major players such as WPP, Dentsu, and Publicis Groupe vying for market share, the ongoing demand for creative content across diverse platforms ensures sustained growth. The market is segmented by various factors, including production type (TV commercials versus feature films), geographic region, and target audience demographics. This segmentation allows for tailored strategies and targeted marketing campaigns. Challenges within the industry include managing rising production costs, navigating complex regulatory environments, and adapting to evolving consumer preferences. Nevertheless, the overarching trend suggests a positive outlook for the foreseeable future, with continued innovation and strategic partnerships driving market growth. The forecast period from 2025 to 2033 is expected to witness robust growth, propelled by the increasing integration of digital technologies in both TV commercials and film production. This includes the adoption of AI for automation in post-production, virtual production techniques for cost-effective filming, and the expansion of immersive experiences like VR and AR in advertising and entertainment. The ongoing expansion of emerging markets will also play a pivotal role in driving revenue growth. Moreover, the increasing importance of data-driven insights in audience targeting and campaign optimization is shaping market strategies. Companies are investing heavily in analytics to maximize return on investment and create more effective and engaging content. While competition remains intense, the opportunities presented by technological innovation, globalization, and evolving consumer behaviours suggest a positive trajectory for the TV commercials and film production sector over the long term.

According to a survey led in several markets all around the world in January 2025, more than half of respondents across all age brackets wanted to see more action and adventure movies. While younger consumers would like to see more horror movies in theaters, older viewers were hoping to see more dramas.

Context

This file contains data behind the story America’s Favorite ‘Star Wars’ Movies (And Least Favorite Characters)1. The author collected the data by running a poll through SurveyMonkey Audience, surveying 1,186 respondents

Content

. The description of the questions asked in the survey is given below.

• Have you seen any of the 6 films in the Star Wars franchise?

• Do you consider yourself to be a fan of the Star Wars film franchise?

• Which of the following Star Wars films have you seen? Please select all that apply. (Star Wars: Episode I The Phantom Menace; Star Wars: Episode II Attack of the Clones; Star Wars: Episode III Revenge of the Sith; Star Wars: Episode IV A New Hope; Star Wars: Episode V The Empire Strikes Back; Star Wars: Episode VI Return of the Jedi)

• Please rank the Star Wars films in order of preference with 1 being your favorite film in the franchise and 6 being your least favorite film. (Star Wars: Episode I The Phantom Menace; Star Wars: Episode II Attack of the Clones; Star Wars: Episode III Revenge of the Sith; Star Wars: Episode IV A New Hope; Star Wars: Episode V The Empire Strikes Back; Star Wars: Episode VI Return of the Jedi)

• Please state whether you view the following characters favorably, unfavorably, or are unfamiliar with him/her. (Han Solo, Luke Skywalker, Princess Leia Organa, Anakin Skywalker, Obi Wan Kenobi, Emperor Palpatine, Darth Vader, Lando Calrissian, Boba Fett, C-3P0, R2-D2, Jar Jar Binks, Padme Amidala, Yoda)

• Which character shot first?

• Are you familiar with the Expanded Universe?

• Do you consider yourself to be a fan of the Expanded Universe?

• Do you consider yourself to be a fan of the Star Trek franchise?

• Gender

• Age

• Household Income

• Education

• Location (Census Region

Inspiration

The questions in the survey can be divided into two parts:

• One is about people’s attitude or opinion about Start War movies. • The other is about people’s demographics

Build a classifier (or some classifiers, for example one classifier per demographic feature), which can classify people’s demographics (gender, age, household income, education, location (census region)) based on their attitude or opinion about Star War movies.

Beurteilung des USIS Films "Man-Maker of Abundance". Themen: Häufigkeit von Kinobesuchen; Einstellung zu Kurzfilmen;Bekanntheit des Kurzfilms "Man-Maker of Abundance"; positive Aspekte desFilms; Kritik am Film; Botschaft des Films; Realitätsnähe des Films;Einseitigkeit des Films; allgemeine Einstellungen zum Film; Beurteilungvon Filmmusik, Dialogen, Sprechern und Bildern; Weiterempfehlung desFilms an Freunde; Gründe für die Befürwortung solcher Filme; neueErkenntnisse durch den Film; Suggestion bestimmter Ansichten und Ideendurch den Film; Herkunftsland des Films. Demographie: Beruf; Partizipation an öffentlichen Angelegenheiten;Mitgliedschaft in Verbänden; Gewerkschaft oder Parteien;Parteipräferenz; Alter; Einkommen; Herkunft; Religion; Schulbildung;Familienstatus; Geschlecht; Schichtzugehörigkeit. Judgement on the USIS film "Man - Maker of Abundance".Topics:frequency of going to the movies;attitude to short films;familiarity of the short film "Man - Maker of Abundance";positive aspects of the film;criticism of the film;message of the film;closeness of the film to reality;one-sidedness of the film;general attitudes to the film;judgement on film music, dialogs, speakers and images;recommendation of the film to friends;reasons for approval of such films;new knowledge from the film;suggestion of certain views and ideas by the film;country of origin of the film.Demography:occupation;participation in public affairs;membership in associations;trade union or parties;party preference;age;income;origins;religion;school education;marital status;sex;social class. Mündliche Befragung mit standardisiertem Fragebogen Oral survey with standardized questionnaire