According to a study on live music in the United States in 2023, ** percent of surveyed adults stated that they had been to a music festival more than once. However, another ** percent said that they had not attended any festivals.

In 2024, Amsterdam Dance Event in the Netherlands was the music festival recording the highest attendance among the selected events in Europe, at roughly *******. Sziget Festival in Hungary and Tomorrowland in Belgium followed in the ranking, each with approximately ******* visitors.

Description:

This dataset includes information on various music festivals taking place across Europe and other international locations in 2024. It provides details about the festival's name, location, attendance, visitor demographics, economic impact, and the music genres featured. This dataset is useful for analyzing trends in music festivals, understanding visitor preferences, and evaluating the economic significance of these events.

Column Descriptions:

• Festival_Name: The official name of the music festival.
• Location: The city and country where the festival is held.
• Attendance_Numbers: The estimated number of attendees at the festival.
• Visitor_Demographics: The age range and interests of the attendees.
• Economic_Impact: The estimated economic impact of the festival, often presented in local currency.
• Music_Genre: The primary genre or genres of music featured at the festival.

Attendance at music concerts and festivals in the United Kingdom (UK) increased slightly in 2019 to reach just under ** million. This was thanks to a rise in the number of people going to music festivals; with more than **** million attending festivals in 2019. Regions all over the UK will feel the benefit of the growing attendance numbers which will contribute to an increase in spending, but it’s London in particular that saw the highest music tourist spending figures in 2019. Music festivals in the UK Music fans don’t seem to be put off by the annual rise in ticket prices at major festivals like Glastonbury. But how far into line-up announcements do people buy their festival tickets? The majority wait for three quarters of the line-up to be announced. Headline acts Most music fans have seen an artist at a gig or festival that was previously unknown to them. Almost *** percent said they had done so in the last week. These newly discovered acts are unlikely to be on the list of the most-followed UK musicians on Instagram.

In 2024, 38 percent of music festival attendees in the United States stated that they intended to go to fewer festivals in the following 12 months because ticket prices were too high. The lineups as well as time constraints were also mentioned as reasons for not planning to attend as much festivals.

This statistic shows the average number of attendants at music festivals in Europe from 2014 to 2015. In 2015, average festival attendance was at ** thousand individuals, an increase compared to the previous year.

Mega events, such as the U.S. based Coachella or the British Glastonbury, have put summer music festivals on the map for many artists as well as music enthusiasts. According to a study from 2023, ** percent of summer festival attendees were women, with the corresponding ** percent being male. Additionally, the audience encompasses a varied range of household incomes.

Over the five years through 2025-26, the festivals industry's revenue is projected to expand at a compound annual rate of 59.9% to £3.8 billion. Immense volatility hit revenue growth due to unfavourable operating conditions during COVID-19, which resulted in a substantially lower base year and a much higher compound annual growth rate than normal. Profitability in 2025-26 is expected to improve as Brits return to festivals and are more willing to pay higher prices for tickets. On-site services, including food and drink sales, have proved a key revenue stream as festivals expand their services and overall experience. Moreover, the industry has continued to reduce its environmental impact by cutting its carbon emissions and using single-use plastics at festivals. In 2025-26, revenue is anticipated to climb by 1%. Festivals have diversified their offerings and expanded their capacities to accommodate domestic music enthusiasts and the rising influx of international tourists. However, festivals are grappling with rising operational costs, particularly a hike in energy prices, weighing on the average profit margin. Escalating cost-of-living pressures have notably burdened grassroots events, leading to numerous cancellations due to escalating expenses, which calls for more significant government financial support. Over the five years through 2030-31, industry revenue is forecast to jump upwards at a compound annual rate of 4.1% to reach £4.6 billion. Moderating inflation and the introduction of new festivals will support this growth. Additionally, the average industry profit margin is likely to inch upwards, driven primarily by rising sales volumes. Environmental improvements will remain a focal point, with festivals adopting various strategies to mitigate waste and reduce emissions. The growth of VIP services at festivals will raise sales value and drive revenue. Parallel to this, festival culture is shifting to incorporate more solo attendees and families. A broader target audience will drive sales volume and support industry growth.

North America Music festival market is valued at USD 863.28 million in 2024 and is expected to grow at a CAGR of 22.2% from 2024 to 2031.

In 2023, **** million festival-goers attended a music festival in France, an increase in comparison to the previous year. Overall, the attendance has increased over the considered period of time.

IntroductionFollowing the COVID-19 pandemic, China's music festival market has rapidly recovered, attracting growing tourist interest. However, research on factors influencing tourist loyalty remains limited.MethodsThis study applies the Stimulus-Organism-Response (S-O-R) framework to examine loyalty formation among festivalgoers. Data were collected via a questionnaire from 673 attendees of the Shenyang Strawberry Music Festival. Structural equation modeling (SEM) was used for analysis.ResultsPerceived value and satisfaction significantly impact loyalty, with satisfaction showing a stronger effect. Existential authenticity and experience quality enhance emotions, perceived value, and satisfaction. Emotions do not directly influence loyalty but have indirect effects via value and satisfaction.DiscussionFindings suggest that enhancing existential authenticity and experience quality can indirectly build loyalty. The study offers strategic insights for festival organizers seeking to sustain tourist engagement post-pandemic.

Full edition for scientific use. This data set offers access to research data gathered in a broad-reaching comparative survey of contemporary (art) music audiences carried out between September and November 2014 in the context of the research project, “New Music Festivals as Agorai – Their Formation and Impact on Warsaw Autumn, Festival d´Automne in Paris, and Wien Modern since 1980.” With over 1500 structured questionnaires returned at 14 events across five different genres (corresponding to an overall response rate of 26%), this survey offers a representative, comprehensive and international view of audiences of contemporary music for the first time. Information was gathered in the following areas of interest: the socio-demographic composition of audiences, audience lifestyle, expertise and specific behavior patterns in the context of music and contemporary (art) music, the aesthetics of contemporary (art) music, attitude and motives regarding the festival attendance, and the mediating role of the festivals. In addition, attendees’ assessments of the presented music and their evaluations of individual events were investigated. The research also focused on the examination or accentuation of differences and similarities between the audiences of the three nationalities and of the different genres (large ensemble with conductor, small ensemble/chamber music, music theater, choir/vocal concert, mixed arts/multimedia performance, performance in the context of a music mediation project). The questionnaires were accompanied by participatory observations of rehearsals and their respective performances as well as by individual guideline interviews with attendees following the performances. The study follows the concept of the “culture-oriented creative city” (A. Reckwitz, 2012/2017, Die Erfindung der Kreativität - Zum Prozess gesellschaftlicher Ästhetisierung [The Invention of Creativity - Toward the Process of Social Aestheticization]), and in particular the approach of the “creativity-dispositive” (Reckwitz, 2012/2017; M. Foucault, 1980, The Confession of the Flesh), in order to consider a broader sociocultural interdependence in contemporary (art) music and shed light on the sociocultural structure of audiences.

The music festival attendance in France has strongly increased from 2017 to 2019. The attendance particularly rocketed from 2016 to 2017, as ** percent more festival-goers attended festivals in France.

This table contains 273 series, with data for years 1998/1999 - 2002/2003 (not all combinations necessarily have data for all years), and is no longer being released. This table contains data described by the following dimensions (Not all combinations are available): Geography (13 items: Newfoundland and Labrador;Prince Edward Island;Nova Scotia;New Brunswick; ...), Performing arts characteristics (21 items: Total companies;Total paid persons;Total volunteers;Total performances; ...).

More than ******* people attended the Festival Interceltique de Lorient in France in 2022, making it the biggest music summer festival in terms of number of attendees. The festival, which takes place every year in Brittany, was followed by the Hellfest and La Fête de l'Humanité.

On stage

Music festivals are the perfect opportunity to enjoy all kind of performances, from seasoned performers to rising stars, but also to discover new artists. The festival Printemps de Bourges featured ** artists figuring among the twenty most-featured at festivals that year in France. Among these popular musicians, newcomer Suzane played at a total of ** festivals in 2019, which makes her the most-featured artist at festivals for that same year.

More popular than ever From 2016 to 2019, the number of festival-goers in France steadily increased. Less than *********** visitors indeed attended a festival in 2016, while there were *********** attendees in 2019, mostly young people. The attendance particularly skyrocketed in 2017, as 14 percent more persons than the previous year attended festivals.

The number of tourists attending live music events across the United Kingdom increased by 22 percent in 2024 compared to 2023. That year, the number of music tourists in the country, including domestic and inbound visitors, peaked at approximately 23.5 million. Meanwhile, total spending by music tourists in the UK grew by roughly 30 percent from 2023 to 2024.

This statistic shows the gender split of festival-goers in the United Kingdom from 2012 to 2016. Of music festival visitors, ** percent were female in 2016. The share of female festival visitors increased from ** percent in 2015.

According to Cognitive Market Research, The Global Live Music market will be USD 58.9 billion in 2023 and grow at a compound annual growth rate (CAGR) of 6.2% from 2023 to 2030. The demand for Live Music is rising due to the rising use of mobile apps, the expanding accessibility of expensive event tickets, and the growing appeal of live events. Demand for EDM Live Music remains higher in the Live Music market. The Tickets held the highest Live Music market revenue share in 2023. Europe will continue to lead, whereas the North America Live Music market will experience the strongest growth until 2030. Market Dynamics of

Live Music Market

Key Drivers for

Live Music Market

Increased Popularity of Live Events to Provide Viable Market Output

The live music industry is undoubtedly growing due to the growing popularity of live events. Due to the immersive and one-of-a-kind experience that live music concerts offer, more than recorded music is required to satisfy consumers' entertainment needs. More fans are drawn to special events, private gigs, stadium concerts, and music festivals, both domestically and internationally. Live music experiences are in high demand due to the excitement of seeing bands and artists play in real time, typically combined with cutting-edge production. The live music industry is positioned for ongoing expansion, providing a lively and vital element of the global entertainment landscape as artists continue to tour, venues expand, and audiences seek unforgettable experiences.

Growing Interest of Young to Propel Market Growth

DJ gear and software are also widely used by musicians and music producers to mix audio tracks. They mix two or more songs to produce remix tracks using DJ software like Bitwig Studio 3, Serato DJ Pro, Serato DJ Lite, Live 10, and REASON. Because more and more musicians and music lovers want to make their own remix songs, DJ software has become increasingly popular. As live events, concerts, and EDM became increasingly popular, people started combining songs to create remix tracks. Hotels and other venues hold live music events due to the increasing popularity of DJs, allowing visitors to see performances by their favorite DJs and musicians. The live music market will develop in the upcoming years due to vendors implementing client attraction methods.

Key Restraint for

Live Music Market

Privacy And Security Concerns Over Online Ticket Booking Platforms to Hinder Market Growth

Phishing has become a more serious menace as internet platforms and applications have grown. Service providers track cookies to gather consumer preference data and target the appropriate audience with tailored solutions. They communicate and engage with their customers using this data. They can access data mining, customer behavior, and customer profile information. A careless use of this information may violate the privacy of customers. Because providing location-based service to clients necessitates the collection of geo-based data, privacy concerns also extend to location-based service. The IT sector needs to supply the infrastructure necessary to enable the secure and dependable seamless location, transfer, and integration of vital information as it develops an electronic economy that is open and competitive. Because of risks like phishing, consumers hesitate to use their debit or credit cards for online purchases. Online merchants invest significantly in website security and routinely update their security modules. This will contribute to the protection of clients' financial data.

Key Trend for

Live Music Market

The live music scene in 2025 is being transformed by a confluence of experiential demand, technological advancements, and sustainability. Virtual and hybrid concert formats are here to stay, providing immersive augmented reality features and a global audience. From VIP packages and interactive event apps to niche festivals and intimate venue environments, attendees are increasingly looking for unique, curated experiences. With biodegradable materials, carbon-neutral locations, and environmentally friendly tours becoming the norm, sustainability is now an essential component. With dynamic, data-driven models and secondary market activity fueling affordability discussions, ticket pricing dynamics are also changing. Live streaming sites and music tourism are driving worldwide growth, while AI is used behind the...

Cashless Festival Wristband Systems Market Outlook

According to our latest research, the global cashless festival wristband systems market size reached USD 3.1 billion in 2024, underpinned by the widespread adoption of contactless payment solutions at large-scale events worldwide. The market is experiencing robust growth, registering a CAGR of 15.2% from 2025 to 2033. At this pace, the market is forecasted to attain a value of USD 8.8 billion by 2033. This impressive expansion is primarily driven by the increasing demand for seamless, secure, and efficient payment experiences at festivals and events, as well as the growing focus on enhancing attendee engagement and operational efficiency through digital transformation.

One of the primary growth factors propelling the cashless festival wristband systems market is the surge in large-scale music festivals, sports events, and themed amusement parks globally. Event organizers are consistently seeking innovative ways to streamline entry, reduce queue times, and enhance overall attendee satisfaction. Cashless wristband systems, leveraging advanced technologies such as RFID and NFC, have emerged as a pivotal solution to these challenges. These systems facilitate instantaneous transactions, reduce the risks associated with cash handling, and provide valuable real-time data insights for organizers. The convenience and security offered by these systems are fostering their rapid adoption, especially in regions with a high density of cultural and entertainment events.

Another significant driver is the increasing penetration of mobile and wearable technologies, which has raised consumer expectations for digital convenience and personalized experiences. As digital payment ecosystems mature, festival-goers and event attendees are becoming more comfortable with using wearable devices for transactions, access control, and interactive experiences. This trend is further supported by the integration of loyalty programs, social media connectivity, and digital wallets into wristband systems, creating a holistic and engaging event environment. The proliferation of smartphones and the growing awareness of contactless payments, especially in the wake of health and safety concerns post-pandemic, have accelerated the shift towards cashless solutions at events.

Furthermore, the cashless festival wristband systems market is benefiting from the increasing focus on data-driven decision-making among event organizers and venue owners. These systems generate a wealth of actionable data, including attendee spending patterns, movement analytics, and engagement metrics. Such insights enable organizers to optimize event layouts, improve security protocols, tailor marketing strategies, and enhance vendor management. The ability to deliver targeted promotions and personalized experiences based on real-time data is proving invaluable in driving attendee satisfaction and maximizing revenue streams. As the competition among event organizers intensifies, the adoption of sophisticated wristband systems is expected to become a key differentiator in the market.

From a regional perspective, North America currently dominates the cashless festival wristband systems market, accounting for the largest share in 2024. This is attributed to the region’s high concentration of large-scale events, advanced technological infrastructure, and early adoption of contactless payment solutions. Europe follows closely, driven by its vibrant festival culture and stringent regulations promoting cashless transactions. Meanwhile, the Asia Pacific region is witnessing the fastest growth, fueled by rising disposable incomes, increasing urbanization, and the rapid expansion of the entertainment and leisure sectors. Latin America and the Middle East & Africa are gradually embracing these systems, supported by growing investments in event management infrastructure and digital payment technologies.

Component Analysis

The cashless festival wristband systems market is segmented by component into <b&

In 2018, nearly ** million people attended live music events in the United Kingdom (UK), up from **** million the year before. The live music sector has experienced significant growth during the past decade before coming to a drastic halt amidst the coronavirus (COVID-19) pandemic in 2020. Music festivals in the UK Festivals have become a vital part of the UK’s live music industry. Since 2012, UK festival attendance figures have almost doubled, reaching a record *** million in 2019. This boost in visitor numbers comes as no surprise, considering that the UK is home to some of the most recognized and celebrated music festivals worldwide. Glastonbury, the largest festival in the UK, draws thousands of visitors from the UK and abroad every year. Despite Glastonbury’s ticket prices also rising every year, tickets are usually sold out within minutes. Live music is a money maker Music fans spend good money to see their favorite acts perform on stage, making live music not only an integral part of the cultural scene but also an essential driver of economic growth. In 2019, music tourism contributed approximately *** billion British pounds in direct and indirect spending to the UK economy. While many regions profit from an increase in audience sizes and spending, London saw the highest music tourist expenditures across the UK in 2019.