During an average week in between fall 2021 and fall 2023, **** percent of 'Classical' radio listeners in the United States were over 65 years of age. Considering the distribution of various radio formats' audience by age, it is clear to see that this genre is less appealing to the young, with only *** percent of adults aged under 25 tuning in to "Classical" radio.
This table contains 208 series, with data for years 1999 - 2007 (not all combinations necessarily have data for all years), and is no longer being released. This table contains data described by the following dimensions (Not all combinations are available): Geography (1 item: Canada); Radio station format (13 items: Adult contemporary music;Album-oriented-rock music;Canadian Broadcasting Corporation (CBC);Contemporary music; ...); Audience occupation (16 items: General labourer;Service industry worker;Farmer, farm worker;Fisheries worker; ...)
Rádió 1 was the most popular channel with Hungarians when it came to news consumption, recording a nearly ** percent penetration rate. Retro Rádió came second in a ranking with ** percent.
The results from an August 2022 survey found that 17 percent of surveyed U.S. adults stated that they used the radio for news on a daily basis. By contrast, a total of 32 percent never used the radio for news. The share was lowest among adults aged 18 to 34 years old, with 12 percent reporting that they never used the radio to keep up to date.
Attribution 4.0 (CC BY 4.0)https://creativecommons.org/licenses/by/4.0/
License information was derived automatically
Replication data for the paper “The speed of news in Twitter (X) versus radio”. If you use these datasets in a published work, please cite our paper!The dataset contains the following files:Tweet IDs:auto-elite-tweet-ids.csv.gz: Tweet IDs for automatically detected event analysis, elite usersauto-firehose-tweet-ids.csv.gz: Tweet IDs for automatically detected event analysis, firehosemanual-elite-tweet-ids.csv.gz: Tweet IDs for manually detected even analysis, elite usersmanual-firehose-tweet-ids.csv.gz: Tweet IDs for manually detected even analysis, firehoseManually detected events data:manual-radio-raw.csv.gz: Item-level information for radio speaker turns used in manually detected event analysismanual-radio-ticks.csv: Radio “tick” data for manually detected event analysis (i.e., counts of keyword mentions by 15-minute bin)Automatically detected events item-level data:auto-radio-sample.csv.gz: Item-level information for radio speaker turns used in automatically detected event analysisAutomatically detected events story-level data:auto-radio-story-stats.csv: Statistics about automatically detected eventsauto-radio-story-selected.csv: Selected events after filtering out non-news eventsauto-radio-story-stats-con.csv: Statistics about automatically detected events as restricted to conservativesauto-radio-story-stats-lib.csv: Statistics about automatically detected events as restricted to liberalsauto-radio-story-cdfs.npy.gz: Empirical CDFs for automatically detected eventsauto-radio-story-cdfs-con.npy.gz: Empirical CDFs for automatically detected events as restricted to conservativesauto-radio-story-cdfs-lib.npy.gz: Empirical CDFs for automatically detected events as restricted to liberals
This statistic shows the radio program audience share in Spain in 2019, by city size. Thematic/musical programs were mainly consumed in cities with a population between 10 thousand and 50 thousand inhabitants, making up 28.8 percent of the overall audience.
Financial overview and grant giving statistics of Radio Television News Directors Association
Financial overview and grant giving statistics of Good News Radio Broadcasting Inc.
Small gains were made in terms of the minority workforce in radio news in the United States between 1990 and 2021, with the percentage amounting to 15.8 percent in 2021, up by five percent over the 20 year period. The most recent survey held at the end of 2021 projected that minority employees would see a slight increase in representation in 2022, with year-on-year growth of two percent.
Financial overview and grant giving statistics of Wonderful News Radio Inc.
This statistic shows the radio program audience share in Spain in 2019, broken down by region. Thematic/informative programs were mainly consumed in Catalonia and Madrid, with 20.3 and 18.4 percent respectively.
This statistic shows the radio program audience share in Spain in 2019, by employment status. That year, 58.2 percent of individuals listening to thematic/informative programs were employed, whereas 47.7 percent listeners of general programs were not working.
Open Government Licence - Canada 2.0https://open.canada.ca/en/open-government-licence-canada
License information was derived automatically
This table contains 234 series, with data for years 1999 - 2007 (not all combinations necessarily have data for all years), and is no longer being released. This table contains data described by the following dimensions (Not all combinations are available): Geography (13 items: Canada;Newfoundland and Labrador;Prince Edward Island;Nova Scotia; ...), Audience characteristics (18 items: Total audience population 12 years and over;Teens 12 to 17 years;Males 18 years and over;Males 18 to 24 years; ...).
https://www.ibisworld.com/about/termsofuse/https://www.ibisworld.com/about/termsofuse/
Radio broadcasters in Canada have been at the mercy of the constantly evolving entertainment space. In particular, new methods of music consumption, like on-demand streaming services, have been the single greatest threat to these broadcasters. While Canadian radio broadcasters have combated this competition by focusing more on value-added talk show formats, advertising dollars have consistently been routed to the digital and streaming entertainment realms, hurting the primary avenue of revenue generation. As a result, radio broadcasters' revenue will drop at a CAGR of 5.2% to $1.5 billion, dipping 4.4% in 2025 alone as advertising funding is gradually redirected towards music streaming services and podcasts. Canadian radio broadcasters' profit is also poised to slump as reduced industry revenue and relatively steady fixed costs negatively impact financial performance. Rising competition from alternative media platforms, like audio streaming services, has increasingly diverted listeners from radio broadcasts. The rising prevalence and accessibility of smartphones and tablets have boosted the popularity of podcasts and audio streaming platforms like Spotify and Apple Music. The industry's gradual dip has led to an onslaught of consolidation activity. The largest Canadian radio broadcasters have emphasized merger and acquisition activity as a primary catalyst for market share expansion, often acquiring smaller stations to diversify programming content to reach new demographics or expand into new geographic regions. Many smaller broadcasters based in small communities are unprofitable and are susceptible to the same competition that mires even the more prominent radio broadcasters in Canada. This has ultimately led to an abundance of industry exits and layoffs, with both enterprises and employment sinking over the current period. Moving toward 2030, the industry is slated to continue its downward trajectory. Radio broadcasters will still endure the detrimental influence of intensifying competition from podcasts, streaming services and internet-enabled mobile devices. Advertising expenditure via radio will drop as a share of overall advertising expenditure as companies continue to shift their marketing channels toward digital marketing. In response, radio stations will develop new mobile apps and enable consumers to listen without advertisements by paying a recurring fee. Nonetheless, revenue for radio broadcasters in Canada will contract at a CAGR of 4.0% to reach $1.2 billion in 2030.
https://dataintelo.com/privacy-and-policyhttps://dataintelo.com/privacy-and-policy
The TV and radio broadcasting market is witnessing significant growth, with its global market size projected to reach approximately USD 800 billion by 2032, up from USD 550 billion in 2023, reflecting a compound annual growth rate (CAGR) of 4.2%. This expansion is driven by a convergence of technological advancements, increased content consumption, and the expanding scope of digital platforms. The market growth is also fueled by the continuous demand for high-quality content and improved delivery methods that cater to changing consumer preferences. As traditional broadcasting intertwines with digital transformation, the market is poised for steady growth, supported by diverse factors including innovative content strategies and emerging distribution channels.
The primary growth factor in the TV and radio broadcasting market is the rapid evolution of technology, which has revolutionized the ways in which consumers access and engage with content. High-speed internet and mobile technologies have facilitated the emergence of new platforms such as IPTV and OTT services, enabling consumers to access content on-demand anytime and anywhere. This shift is compelling broadcasters to adapt and innovate, by investing in digital infrastructure and content delivery networks. Moreover, advancements in data analytics have allowed broadcasters to better understand viewer preferences and tailor programming to meet specific audience interests, thereby enhancing viewer engagement and satisfaction.
Another significant driver is the increasing demand for diverse and high-quality content. With the proliferation of platforms and channels, audiences now have a vast array of options at their fingertips, elevating the importance of unique and compelling content. This has led broadcasters to diversify their programming, covering genres such as sports, news, entertainment, and educational content, and expand their content libraries to include localized and globalized offerings. The hunger for content diversity has fueled investments in content creation and acquisition, allowing broadcasters to reach wider audiences and create new revenue streams.
Moreover, there is a growing trend towards personalized viewing experiences, where broadcasters are leveraging advanced technologies like artificial intelligence and machine learning to offer customized content recommendations. These technologies allow broadcasters to analyze viewer data and predict preferences, enabling them to deliver personalized content, which significantly enhances user experience and loyalty. This personalization trend is expected to continue driving the market as broadcasters strive to maintain relevance in a highly competitive landscape.
In terms of regional outlook, North America and Asia Pacific are some of the most influential regions in the broadcasting industry. North America, with its mature media landscape and high consumption rates, continues to be a major market, where technological innovation and high-speed internet penetration play crucial roles. Meanwhile, Asia Pacific is emerging as a dynamic market, driven by increasing internet accessibility and a burgeoning middle-class population demanding new content formats. Regions like Europe and Latin America also show promising potential, with broadcasters exploring new revenue models and technological partnerships to boost market presence. The Middle East & Africa, while still developing, present opportunities driven by regional content demand and digital infrastructure investments.
The TV and radio broadcasting market bifurcates primarily into television broadcasting and radio broadcasting segments, each serving distinctive purposes and audiences. Television broadcasting remains a dominant segment, owing to its ability to reach a vast audience with visually engaging content. It continues to evolve with the incorporation of digital technologies like streaming and IPTV, which offer viewers the flexibility of on-demand content. Over the years, television has expanded beyond traditional cable to include satellite and internet-based broadcasting, enhancing its reach and adaptability to modern consumer needs. With high-definition and 4K content becoming the norm, the television broadcasting sector is expected to maintain its leadership position.
Radio broadcasting, on the other hand, leverages its unique strengths of portability and cost-effectiveness, making it a staple in regions with limited access to digital infrastructures. It continues to thrive by integrating digital platforms like podcasts and internet radio,
A 2023 survey across all ** European Union member states held among people aged 15 years and older found that public television and radio stations were a more trusted source of news than private television and radio stations in almost every surveyed country, except Poland. Together with Hungary, Poland was also the country with the lowest trust in public television and radio stations, while Finland had the highest trust, at ** percent. In Portugal, ** percent of respondents trusted private television and radio stations, whereas in Sweden only ** percent stated the same.
A 2023 survey across all ** European Union member states held among people aged 15 years and older found that ** percent of Belgian respondents used radio stations as a news source within ***** days prior to the survey. This is the highest share among the Benelux countries. Luxembourg followed with ** percent, and the Netherlands stood just below the EU-27 average with a share of ** percent.
In 2025, the widest listener group, around ** percent listening to the radio, was people aged 50 and over. Around ** percent of listeners reached were retired.
https://www.datainsightsmarket.com/privacy-policyhttps://www.datainsightsmarket.com/privacy-policy
The global broadcast media market, valued at $546.49 million in 2025, is projected to experience steady growth, driven primarily by increasing demand for high-quality content across diverse platforms and the ongoing expansion of digital broadcasting technologies. The Compound Annual Growth Rate (CAGR) of 2.6% from 2025 to 2033 indicates a consistent, albeit moderate, expansion. Key growth drivers include the rising adoption of streaming services, particularly amongst younger demographics, and the continued investment in advanced broadcasting infrastructure, such as 5G networks and improved satellite technology. The increasing popularity of on-demand content, personalized viewing experiences, and the convergence of traditional broadcasting with digital platforms are significant market trends shaping the industry's evolution. However, the market faces challenges, including increasing competition from streaming giants, the need for substantial investment in infrastructure upgrades, and the evolving regulatory landscape. Segmentation reveals strong performance in both cable/radio and wireless radio broadcasting. The government sector represents a considerable portion of the application segment due to public service broadcasting initiatives and emergency communication systems. The commercial segment's growth is tied to advertising revenues and the continued profitability of traditional television and radio channels. Geographically, North America is expected to maintain a significant market share, fueled by a strong media industry and high levels of consumption. However, substantial growth opportunities exist within the Asia-Pacific region, driven by rapid economic development and increasing internet penetration. Major players like Comcast, DIRECTV, Walt Disney, News Corp, and Time Warner continue to shape the market landscape through content production, distribution, and technological innovation. Despite competitive pressures, industry consolidation and strategic partnerships are anticipated to define the market's evolution in the coming years.
The statistic shows the audience share of news/talk radio stations in the United States in January and September from 2014 to 2018. According to the source, **** percent of the radio audience in the United States in January 2018 listened to news/talk radio stations.
During an average week in between fall 2021 and fall 2023, **** percent of 'Classical' radio listeners in the United States were over 65 years of age. Considering the distribution of various radio formats' audience by age, it is clear to see that this genre is less appealing to the young, with only *** percent of adults aged under 25 tuning in to "Classical" radio.