Introduction

Reality TV Statistics: Many people guilty pleasure themselves with reality TV shows. Some watch them for the drama or to escape their issues, while others feel a real connection with the stars. No matter the reason, reality TV is very popular, and many know about famous figures like Kim Kardashian. Plus, reality TV has a strong influence. We’ve gathered key reality TV statistics, such as the percentage of reality TV shows and the money reality stars earn.

Surprisingly, reality TV has been around since 1948, even though it became popular in the 2000s. This will help you see how common reality TV is, what people think about it, and its impact on society. It took a lot of effort, but it's worthwhile.

This statistic illustrates the share of Americans who watched reality tv shows online or on TV. As of September 2024, 31 percent of 18 - 29 year old consumers do so in the U.S. This is according to exclusive results from the Consumer Insights Global survey which shows that 34 percent of 30 - 49 year old customers also fall into this category.Statista Consumer Insights offer you all results of our exclusive Statista surveys, based on more than 2,000,000 interviews.

The statistic shows the perspectives on whether or not reality television shows are mostly based on a script according to adults in the United States as of November 2018. The findings reveal that 61 percent of surveyed adults in the U.S. believed that what actors say in reality TV shows is mostly based on a script, with just 18 percent saying that they thought most of the spoken content in such shows was largely unscripted.

The main reason given for watching reality TV by U.S. adults was that respondents liked the drama, with 28 percent of 18 to 29-year-olds citing this as the primary appeal of the genre. Other reasons for viewing reality television included it being ‘mindless’ or thought of as ‘good background noise’, and some survey participants agreed that reality TV helps them forget about real issues in their lives.

Attitudes to reality TV in the U.S.

Reality TV may make a lot of noise in the news and on social media, but a survey revealed that reality shows were the least popular in the U.S., with respondents preferring comedy, drama and even shows in the horror genre. It was also found that the majority of adults thought there were too many reality shows on air, which is unsurprising given the genre’s low favorability. However, quality of reality shows was considered to be an issue, with most adults saying that the reality TV genre has gotten worse in recent years.

Why does it matter who likes reality TV and who doesn’t?

On the whole, genre preferences are incredibly subjective, and even those who generally dislike reality TV often find themselves binge-watching shows like ‘RuPaul’s Drag Race’, ‘The Voice’ or ‘Big Brother’. However, demand for a genre is often reflected in the types of TV shows and movies available on streaming services. For companies like Netflix, demand and favorability of certain genres is a key factor to take into account when creating original content. Data shows that Netflix largely sidelined the reality genre in its original programming, instead focusing heavily on comedy which has long been one of the most favorable genres among U.S. audiences.

The statistic presents information on the share of adults who think that there are too many reality shows on television in the United States as of November 2018. The findings reveal that 61 percent of surveyed U.S. adults felt that there were too many reality TV shows on television.

The statistic shows data on the popularity of reality TV genres in the United States as of September 2016. During the survey, nine percent of respondents stated they watched dating reality TV shows.

The statistic presents information on the share of adults who think that the reality television genre has gotten worse in the last three years in the United States as of November 2018. The findings reveal that although 23 percent of responding adults in the U.S. said that they thought that the genre had not changed, 52 percent believed that the reality TV genre has gotten worse over the last three years.

As of December 2021, nearly six out of ten internet users surveyed in Brazil said they watched reality TV shows. One of the most popular attractions of this genre in the South American country is Big Brother Brasil, also known as BBB, broadcast by Globo.

As of December 2021, almost two-thirds – 64 percent – of female internet users surveyed in Brazil said they watched reality TV shows. Among men, the share stood at 54 percent.

The statistic presents the perspectives on the reality television genre among adults in the United States as of November 2018. The findings reveal that 72 percent of surveyed U.S. adults stated that they thought that the reality TV genre was fake. Other terms respondents felt described the genre well included 'trashy', 'meaningless' and 'predictable'.

The legal deposit of the audiovisual web is the part of the legal deposit which the legislator has entrusted to the National Audiovisual Institute (Law No 2006-961 of 1 August 2006 on copyright and related rights in the information society, known as the “DADVSI Law”). It started in February 2009 with the collection of websites (audiovisual media services and online public communication services) and since 2014 includes social networks (including Twitter accounts) linked to French audiovisual. As part of the creation of audiovisual thematic corpuses by Ina documentalists, a study on the online presence of reality TV shows was conducted between November 2020 and January 2021. For each identified reality show as well as for its participants and production companies, social media accounts, Youtube channels, Wikipedia pages, websites and hashtags have been identified. The dataset contains the completeness of these web objects and when available, documentary information and metrics (number of subscribers, number of subscriptions, etc.) as of January 2021. All the publications, videos associated with these accounts and the websites can only be consulted in the hands of the INA, the custodian of this legal deposit. The dataset is divided into 4 data sub-games: — “Depot_legal_du_web-_telealité-_emissions.csv” contains all web objects by reality show — “Depot_legal_du_web-_teleality-_participant.e.s.csv” contains all the web objects per participant — “Depot_legal_du_web-_teleality-_production.csv” contains all web objects per production company — “Depot_legal_du_web-_teleality-_dones_documentaires.csv” contains all documentary data and metrics by web objects — “Depot_legal_du_web-_teleality-_dones_documentary_dictionnaire.csv” contains a dictionary of the previous file. The re-use of personal data present in the data sets published by Ina constitutes the processing of personal data as defined by Regulation (EU) 2016/679 of the European Parliament and of the Council of 27 April 2016 known as the General Data Protection Regulation (the “GDPR”) and Law No 78-17 of 6 January 1978 on computing, files and freedoms as amended, together ‘the Data Protection Regulation’. The re-user is therefore subject to compliance with the legal framework resulting from the Data Protection Regulation in order to ensure that such re-use of personal data is lawful. In any event, Ina disclaims any liability for non-compliance by a re-user with the above-mentioned rules.

The statistic shows data on the popularity of reality TV genres in the United States as of September 2016, by age. During the survey, 16 percent of respondents in the 18 to 34 age group stated they watched dating reality TV shows.

Regardless of the provider they use, U.S. consumers stream all types of genres. How has the popularity of reality tv as online video content genre in the U.S. changed over the past years? Looking at the most recent data points there has been an increase from 2022 Q4 to 2023 Q4. The share of respondents grew from 29 percent to 31 percent during this time. This is a stable trend since 2019. While reality TV watchers were showing this development in the recent past, many other genres had peaks and valleys in popularity, possibly due to a constant stream of new hit shows being hyped among viewers. Amidst streaming wars and password sharing breakdowns, many suppliers are expanding their catalogues to garner even bigger audiences. To see what type of content Netflix and their rivals should invest into next, we gathered the overview of the preferred digital video content by genre in the U.S. benchmarking reality TV watchers among other genres. The survey was conducted online among 3675 to 8858 respondents per quarter in the United States, between 2019 and 2023. Statista Consumer Insights offer you all results of our exclusive Statista surveys, based on more than 2,000,000 interviews.

The statistic shows the perspectives on the plots of reality television shows among adults in the United States as of November 2018. The findings reveal that 66 percent of surveyed adults in the U.S. believed that the plots of reality TV shows are mostly determined ahead of time, with just 13 percent saying they thought that the plots of such shows unfold in real time.

The reality show market has evolved into a multi-billion dollar industry over the past two decades, becoming a staple of television programming and a significant driver of audience engagement across various platforms. Defined by its unscripted narrative style, reality television showcases real-life situations, perso

user-calls-user - Reality mining network data consists of human mobile phone call events between a small set of core users at the Massachusetts Institute of Technology (MIT) whom actually were assigned mobile phones for which all calls were collected. The data also contains calls from users outside this small set of users to other phones of individuals that were not actively monitored and thus these nodes generally have fewer edges than nodes within the small set of users at MIT that participated in the experiment and were assigned phones. The data was collected collected by the Reality Mining experiment performed in 2004 as part of the Reality Commons project. The data was collected over 9 months using 100 mobile phones. A node represents a person; an edge indicates a phone call or voicemail between two users. See http://realitycommons.media.mit.edu/realitymining.html for more details.

The reality show "M jak milosc" was the most viewed entertainment series on TV in Poland in 2024, with an average viewership of 2.73 million. Next was "Na dobre i na złe", and "Matylda", with 2.14 million and 1.94 million average viewers, respectively.

Crumpet TV is a renowned entertainment company that produces a wide range of content, including television shows, movies, and online videos. As a pioneer in the industry, Crumpet TV has been a household name for many years, with a vast library of content that appeals to a diverse audience.

From sitcoms to dramas, documentaries to reality TV, Crumpet TV's extensive catalog offers something for everyone. The company is also known for its innovative approach to storytelling, often pushing the boundaries of what is possible in the entertainment world. With a rich history and a commitment to quality, Crumpet TV is a trusted name in the industry, and its content is eagerly anticipated by fans around the world.

The statistic presents data on the reasons for watching reality TV in the United States as of March 2017. During the survey, 18 percent of respondents stated that they watched reality television because they liked the drama.