In 2021, Brazil and Mexico combined accounted for about ********** of Latin America's recorded music revenue, while the other markets across the region accounted for the remaining third. Brazil's recorded music revenue growth rate stood above the Latin American average that year.
Recorded Music Market Size 2024-2028
The recorded music market size is forecast to increase by USD 38.87 billion at a CAGR of 20.6% between 2023 and 2028. The market is undergoing significant transformations, driven by the Mobile Music Revolution and the rise of Music Streaming services. The preference for on-demand music access is on the rise, leading to a decline in traditional album sales. Auto-Tune applications have become increasingly popular, allowing for vocal manipulation and perfecting the vocalized voice. The NFT (Non-Fungible Token) Revolution is also impacting the industry, offering new revenue streams through the sale of unique digital assets, such as sound waves and instrumental melodies. To address these issues, innovative technologies such as virtual reality, augmented reality, and blockchain are being explored for direct-to-fan engagement and secure transactions. However, challenges persist, including the issue of illegal downloads and piracy. Mechanical and digital engraving continue to be essential components of the music industry, providing the physical and digital infrastructure for music distribution.
What will be the Size of the Market During the Forecast Period?
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The market encompasses various aspects, including music production, publishing, and distribution. This sector is a significant contributor to the global entertainment industry, providing a platform for artists to showcase their creativity and reach audiences worldwide. Music production involves the process of recording, editing, and producing sound waves using various instruments, vocalized voices, and sound effects. This phase is crucial in shaping the final product, ensuring high-quality sound and artistic expression. Publishing in the market refers to the legal ownership and distribution of musical compositions and lyrics.
Moreover, record distribution is the process of making recorded music available to consumers through various channels. Traditional methods include CDs and optical sound records, while digital distribution platforms such as streaming services and download stores have gained significant popularity in recent years. Genres in the market span a wide range, including rock, hip-hop, pop, jazz, and many others. Each genre caters to unique audiences and preferences, contributing to the diversity and richness of the music industry. soundtracks, a significant segment of the recorded music market, are used in various forms of media, including films, television shows, and video games. These compositions enhance the overall viewing experience and contribute to the success of various productions.
Furthermore, carbon neutrality is an emerging trend in the recorded music industry, with artists and labels increasingly focusing on reducing their carbon footprint. This includes the use of renewable energy sources during recording sessions and the adoption of sustainable practices in manufacturing and distribution processes. In conclusion, the market is a dynamic and evolving industry that encompasses various aspects, from music production and publishing to distribution and carbon neutrality. Its ability to adapt to changing consumer preferences and technological advancements ensures its continued relevance and growth in the entertainment landscape.
Market Segmentation
The market research report provides comprehensive data (region-wise segment analysis), with forecasts and estimates in 'USD billion' for the period 2024-2028, as well as historical data from 2018-2022 for the following segments.
Type
Digital
Physical
Others
Geography
Europe
Germany
UK
France
North America
US
APAC
Japan
South America
Middle East and Africa
By Type Insights
The digital segment is estimated to witness significant growth during the forecast period. The digital segment is poised for significant expansion during the forecast period due to the continuous increase in the number of paid subscribers. As of 2022, the global music streaming market boasted over 520 million paid subscribers, marking a substantial rise from the 443 million recorded in 2021. The digital music segment has been experiencing consistent growth since 2014. The United States stands out as a major market for subscription services.
Furthermore, the intellectual properties of independent artists and record labels are monetized through streaming royalties, contributing to the revenue of the global music community. This trend is expected to persist, with the US market continuing to play a pivotal role in the growth of the subscription audio streaming sector.
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The digital segment accounted for USD 10.89 billion in 2018 and showed a gradual increase during the forecast period.
Regional Insights
APAC is estimated to contribute 34% to the
This statistic illustrates the market size of the music industry across India from 2011 to 2021. The music industry across the country was projected to have a market size of around 19 billion Indian rupees in the year 2021, up from about 14.2 billion Indian rupees in 2018.
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Digital music has ultimately shifted how artists engage with fans, a transition that has had major implications for global music producers and distributors. Digital sales have plummeted as subscriptions to streaming platforms that provide massive libraries of albums surge. Physical sales have wavered but declined considerably as a share of revenue because of surging growth from streaming royalties. This pivot toward online music streaming platforms has not only revitalized the industry but also leveled the playing field for independent artists and labels. Despite this, the Big Three major labels, Sony, Universal Music Group and Warner Music Group, still dominate the industry. Industry-wide revenue has been growing at a CAGR of 3.8% over the past five years and is expected to total $40.4 billion in 2024, when revenue will jump by an estimated 3.5%, with profit set to climb to 12.6%. The outbreak of COVID-19 had mixed effects on the products music producers and distributors offer. Performance royalties plummeted as social distancing measures forced the cancellation of live events. A surge in streaming subscriptions to music platforms like Apple Music and Spotify and TV and movie platforms like Netflix and Hulu led to strong growth from streaming royalties and synchronization rights. A surge in algorithm-driven content has enabled major labels to take advantage of data analytics and insights to better market their products. At the same time, independent artists and smaller labels have enjoyed greater visibility and access to a global audience, thanks to the democratizing power of platforms like SoundCloud and Bandcamp. Over the outlook period, music producers and distributors will continue to derive growth from streaming royalties. The resurgence of vinyl sales in Western countries will be a boon to physical sales, which crept down over the current period. The Big Three's competitive advantages will enable them to continue acquiring smaller labels to expand their roster of artists and market share. As more industry enterprises grow accustomed to music's new digital space, an uptick in social media marketing will permeate the industry. Industry revenue is forecast to climb at a CAGR of 3.4% through the end of 2029 to total $47.7 billion.
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The music industry has undergone a profound transformation in recent years, with musical groups and artists navigating digital innovation and a resurgence of live performances. Streaming is now the default mode of music consumption, pushing artists to rethink how they release, promote and profit from their work. At the same time, touring and live performances have re-emerged as the most important moneymaker for many acts, with in-person concerts at the center of fan engagement and rising profit. But while opportunities for exposure have expanded, the pressures of a crowded digital marketplace and rising costs have made it increasingly tough for smaller or independent artists to break out or sustain themselves. Revenue expanded at a CAGR of 8.9% to $8.1 billion over the years to 2025, including a jump of 2.0% that year. Over the past few years, streaming has fundamentally shifted how music is distributed and monetized, democratizing exposure through algorithm-driven playlists but squeezing artist payouts with a pro-rata model that overwhelmingly benefits chart-toppers. Physical media, considered obsolete by some, has witnessed a boutique revival. Artists are enticing fans to purchase multiple vinyl, CD and cassette variants, often as collectibles, to drive album sales and chart standings. The explosion in live event demand has fueled ticket inflation, making concerts a major, if sometimes inaccessible, revenue stream. Social media, too, has become indispensable, enabling independent artists to break through outside traditional label structures, while viral hits and influencer personalities have had a tangible impact on chart success. The next few years may bring stiffer headwinds for musical groups and artists, particularly those outside the mainstream. Tariffs on imported instruments and production materials will drive up costs for equipment and physical albums, especially vinyl, as its popularity persists. Federal funding cuts, beginning with the proposed elimination of the National Endowment for the Arts and related programs, threaten to shrink educational and early-career opportunities. Meanwhile, the rapid infusion of AI into music production and the legal battles it spurs will pose unresolved questions around creative ownership and artist compensation. All the while, the fate of ticketing giant Ticketmaster hangs in the balance amid ongoing litigation, with the potential to reshape how artists reach audiences and benefit from their craft. As the industry grapples with both innovation and disruption, adaptability will be more vital than ever for the next generation of artists. Revenue is expected to expand at a CAGR of 1.6% to $8.8 billion over the years to 2030.
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According to Cognitive Market Research, The Global Live Music market will be USD 58.9 billion in 2023 and grow at a compound annual growth rate (CAGR) of 6.2% from 2023 to 2030. The demand for Live Music is rising due to the rising use of mobile apps, the expanding accessibility of expensive event tickets, and the growing appeal of live events. Demand for EDM Live Music remains higher in the Live Music market. The Tickets held the highest Live Music market revenue share in 2023. Europe will continue to lead, whereas the North America Live Music market will experience the strongest growth until 2030. Market Dynamics
Drivers
Increased Popularity of Live Events to Provide Viable Market Output
The live music industry is undoubtedly growing due to the growing popularity of live events. Due to the immersive and one-of-a-kind experience that live music concerts offer, more than recorded music is required to satisfy consumers' entertainment needs. More fans are drawn to special events, private gigs, stadium concerts, and music festivals, both domestically and internationally. Live music experiences are in high demand due to the excitement of seeing bands and artists play in real time, typically combined with cutting-edge production. The live music industry is positioned for ongoing expansion, providing a lively and vital element of the global entertainment landscape as artists continue to tour, venues expand, and audiences seek unforgettable experiences.
Growing Interest of Young to Propel Market Growth
DJ gear and software are also widely used by musicians and music producers to mix audio tracks. They mix two or more songs to produce remix tracks using DJ software like Bitwig Studio 3, Serato DJ Pro, Serato DJ Lite, Live 10, and REASON. Because more and more musicians and music lovers want to make their own remix songs, DJ software has become increasingly popular. As live events, concerts, and EDM became increasingly popular, people started combining songs to create remix tracks. Hotels and other venues hold live music events due to the increasing popularity of DJs, allowing visitors to see performances by their favorite DJs and musicians. The live music market will develop in the upcoming years due to vendors implementing client attraction methods.
The existence of key players enhances market growth
Market Dynamics of the Live Music
Privacy And Security Concerns Over Online Ticket Booking Platforms to Hinder Market Growth
Phishing has become a more serious menace as internet platforms and applications have grown. Service providers track cookies to gather consumer preference data and target the appropriate audience with tailored solutions. They communicate and engage with their customers using this data. They can access data mining, customer behavior, and customer profile information. A careless use of this information may violate the privacy of customers. Because providing location-based service to clients necessitates the collection of geo-based data, privacy concerns also extend to location-based service. The IT sector needs to supply the infrastructure necessary to enable the secure and dependable seamless location, transfer, and integration of vital information as it develops an electronic economy that is open and competitive. Because of risks like phishing, consumers hesitate to use their debit or credit cards for online purchases. Online merchants invest significantly in website security and routinely update their security modules. This will contribute to the protection of clients' financial data.
Trend Factor for the Live Music Market
The live music scene in 2025 is being transformed by a confluence of experiential demand, technological advancements, and sustainability. Virtual and hybrid concert formats are here to stay, providing immersive augmented reality features and a global audience. From VIP packages and interactive event apps to niche festivals and intimate venue environments, attendees are increasingly looking for unique, curated experiences. With biodegradable materials, carbon-neutral locations, and environmentally friendly tours becoming the norm, sustainability is now an essential component. With dynamic, data-driven models and secondary market activity fueling affordability discussions, ticket pricing dynamics are also changing. Live streaming sites and music tourism are driving worldwide growth, while AI is used behind the scenes to improve l...
The Indian music industry was valued at around 53 billion Indian rupees at the end of 2024 and was estimated to reach 78 billion rupees by the end of 2026. Overall, the sector was estimated to grow at a compound annual rate of 13.4 percent in the stated time frame. Bollywood influence Rooted in a long tradition of Hindustani and Carnatic music, India’s musical landscape has expanded to embrace a multitude of genres. However, with the rise of digital media and the shrinking role of physical distribution channels, the music industry in India in the last two decades has come to resemble a more homogenous marketplace. Moreover, the cultural ripples of Indian cinema, especially those of Bollywood, have shaped listener preferences.   Informal music sector in India Besides music publishers or major record labels, the Indian music industry houses a sizable informal sector comprising local bands, street performers, or independent musicians. The sheer magnitude of this sector surpassed that of the formal sector, worth an estimated 1,000,000,000,000 Indian rupees in 2022. While the contribution of the informal sector to the music industry is invaluable and enriching, challenges such as lack of funding or insufficient public infrastructure remain. For instance, the average income earned in the informal music industry in India in 2022 was, in general, lower than the median salary of an unskilled worker in the country.
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Global Music Recording market size is expected to reach $84.73 billion by 2029 at 6.7%, segmented as by type, record production, music publishers, record distribution, sound recording studios
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The market is projected to expand from USD 10.2 billion in 2025 to USD 20.5 billion by 2035, reflecting a CAGR of 8.2% during the forecast period.
Industry Size (2025E) | USD 10.2 billion |
Industry Value (2035F) | USD 20.5 billion |
CAGR (2025 to 2035) | 8.2% |
Electronic Dance Music (EDM) Market - Country-Wise Per Capita Spending
Country | United States |
---|---|
Population (millions) | 345.4 |
Estimated Per Capita Spending (USD) | 27.90 |
Country | China |
---|---|
Population (millions) | 1,419.3 |
Estimated Per Capita Spending (USD) | 16.60 |
Country | United Kingdom |
---|---|
Population (millions) | 68.3 |
Estimated Per Capita Spending (USD) | 24.30 |
Country | Germany |
---|---|
Population (millions) | 84.1 |
Estimated Per Capita Spending (USD) | 25.80 |
Country | Japan |
---|---|
Population (millions) | 123.2 |
Estimated Per Capita Spending (USD) | 22.10 |
Electronic Dance Music (EDM) Market - Country-Wise Outlook
Country | CAGR (2025 to 2035) |
---|---|
United States | 6.4% |
Country | CAGR (2025 to 2035) |
---|---|
United Kingdom | 5.8% |
Country | CAGR (2025 to 2035) |
---|---|
Germany | 6.2% |
Country | CAGR (2025 to 2035) |
---|---|
India | 7.5% |
Country | CAGR (2025 to 2035) |
---|---|
China | 8.1% |
Competition Outlook: Electronic Dance Music (EDM) Market
Category | Estimated Market Share (%), 2024 |
---|---|
Major Record Labels (Universal Music Group, Sony Music, Warner Music) | 30-35% |
Independent Labels & Artists | 25-30% |
Music Streaming Platforms (Spotify, Apple Music, SoundCloud) | 20-25% |
Live Events & Festivals (Ultra Music Festival, Tomorrowland, EDC) | 15-20% |
Musical Instrument Market Size 2025-2029
The musical instrument market size is forecast to increase by USD 2.11 billion at a CAGR of 4% between 2024 and 2029.
The market is experiencing significant growth, driven by the increasing popularity of live musical performances and concerts. This trend is fueled by the resurgence of interest in music and arts, particularly among younger generations. Furthermore, the rise of online stores and the high penetration of mobile devices have made it easier for consumers to access and purchase musical instruments, expanding the market's reach. However, regulatory hurdles impact adoption in certain regions due to stringent import and export policies. Additionally, supply chain inconsistencies temper growth potential, as manufacturers and retailers grapple with logistical challenges in sourcing raw materials and delivering products to customers in a timely and cost-effective manner. Smartphones and e-commerce outlets have provided opportunities for independent musicians and musical bands to reach wider audiences.
To capitalize on market opportunities and navigate these challenges effectively, companies must focus on building strong supply chain networks, complying with regulatory requirements, and leveraging digital channels to reach a wider audience. By addressing these issues, market participants can tap into the growing demand for musical instruments and capitalize on the market's significant growth potential. High-tech innovations, such as digital violins and guitars, are also contributing to the market's growth by offering unique features and improved sound quality.
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The music technology landscape is marked by the convergence of music performance analytics, music production software, and music marketing. Music technology startups are revolutionizing the industry with innovative solutions, from music composition software and audio restoration to music synchronization rights and music branding. In the realm of music production, electronic music production, audio editing software, and sound libraries dominate, while classical music and acoustic simulation cater to a niche audience. Music copyright and licensing are critical issues, with online music festivals and music industry trends shaping the landscape. Music education apps and online music lessons are transforming music learning, while music mastering, sound design, and synthesizer programming are key areas of focus for professionals. Digital innovations have made it easier to access affordable, high-performance instruments, broadening the opportunity for both beginners and seasoned musicians.
Experimental music, blues music, jazz music, world music, country music, and rock music all benefit from music technology, with sound effects and music royalties playing essential roles. Music preservation through physical modeling and instrument modeling is a growing concern, as is the integration of music and technology in marketing, with music influencer marketing becoming increasingly popular. The market encompasses various segments, including string instruments such as guitars, violins, violas, cellos, and banjos. In summary, the music technology market is dynamic, with trends in music production, music marketing, and music education driving innovation. Music copyright, licensing, and preservation remain crucial aspects of the industry, as technology continues to transform the way we create, perform, and consume music.
How is this Musical Instrument Industry segmented?
The musical instrument industry research report provides comprehensive data (region-wise segment analysis), with forecasts and estimates in 'USD million' for the period 2025-2029, as well as historical data from 2019-2023 for the following segments.
Product
String instruments
Pianos and keyboards
Drums and percussion instruments
Others
Distribution Channel
Offline
Online
Type
Portable
Fixed
Price
Low
Medium
High
Geography
North America
US
Canada
Mexico
Europe
France
Germany
Italy
UK
APAC
China
India
Japan
Rest of World (ROW)
By Product Insights
The string instruments segment is estimated to witness significant growth during the forecast period. The market encompasses a diverse range of products, from string instruments like guitars, violins, violas, cellos, and banjos, to wind instruments, percussion, and electronic instruments. String instruments produce sound through vibrating strings, which can be made of various materials such as vegetable fiber, animal gut, silk, metal, and synthetic materials. This segment experiences intense competition due to the numerous guitar manufacturers producing instruments catering to different consumer demands and price
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The global market size of Music Recording is $XX million in 2018 with XX CAGR from 2014 to 2018, and it is expected to reach $XX million by the end of 2024 with a CAGR of XX% from 2019 to 2024.
Global Music Recording Market Report 2019 - Market Size, Share, Price, Trend and Forecast is a professional and in-depth study on the current state of the global Music Recording industry. The key insights of the report:
1.The report provides key statistics on the market status of the Music Recording manufacturers and is a valuable source of guidance and direction for companies and individuals interested in the industry.
2.The report provides a basic overview of the industry including its definition, applications and manufacturing technology.
3.The report presents the company profile, product specifications, capacity, production value, and 2013-2018 market shares for key vendors.
4.The total market is further divided by company, by country, and by application/type for the competitive landscape analysis.
5.The report estimates 2019-2024 market development trends of Music Recording industry.
6.Analysis of upstream raw materials, downstream demand, and current market dynamics is also carried out
7.The report makes some important proposals for a new project of Music Recording Industry before evaluating its feasibility.
There are 4 key segments covered in this report: competitor segment, product type segment, end use/application segment and geography segment.
For competitor segment, the report includes global key players of Music Recording as well as some small players. At least 9 companies are included:
* Universal Music Group
* Warner
* Sony Music Entertainment
* Rock Records Co.; Ltd
* Emperor Entertainment Group
* HIM International Music Inc.
For complete companies list, please ask for sample pages.
The information for each competitor includes:
* Company Profile
* Main Business Information
* SWOT Analysis
* Sales, Revenue, Price and Gross Margin
* Market Share
For product type segment, this report listed main product type of Music Recording market
* Music Publishing
* Music Recordings
For end use/application segment, this report focuses on the status and outlook for key applications. End users sre also listed.
* Mechanical
* Performance
* Synchronization
* Digital
* Others
For geography segment, regional supply, application-wise and type-wise demand, major players, price is presented from 2013 to 2023. This report covers following regions:
* North America
* South America
* Asia & Pacific
* Europe
* MEA (Middle East and Africa)
The key countries in each region are taken into consideration as well, such as United States, China, Japan, India, Korea, ASEAN, Germany, France, UK, Italy, Spain, CIS, and Brazil etc.
Reasons to Purchase this Report:
* Analyzing the outlook of the market with the recent trends and SWOT analysis
* Market dynamics scenario, along with growth opportunities of the market in the years to come
* Market segmentation analysis including qualitative and quantitative research incorporating the impact of economic and non-economic aspects
* Regional and country level analysis integrating the demand and supply forces that are influencing the growth of the market.
* Market value (USD Million) and volume (Units Million) data for each segment and sub-segment
* Competitive landscape involving the market share of major players, along with the new projects and strategies adopted by players in the past five years
* Comprehensive company profiles covering the product offerings, key financial information, recent developments, SWOT analysis, and strategies employed by the major market players
* 1-year analyst support, along with the data support in excel format.
We also can offer customized report to fulfill special requirements of our clients. Regional and Countries report can be provided as well.
This table contains 6 series, with data for years 1998 - 2003 (not all combinations necessarily have data for all years), and is no longer being released. This table contains data described by the following dimensions (Not all combinations are available): Geography (1 item: Canada), Musical category (6 items: Popular and rock music;Classical music;Jazz and blues;Country and folk music; ...).
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The global copyright music market size was valued at approximately $23.5 billion in 2023 and is projected to reach around $47.8 billion by 2032, growing at a compound annual growth rate (CAGR) of 7.9% during the forecast period. The steady growth in this market is driven by the increasing consumption of digital media, the proliferation of streaming services, and heightened awareness regarding intellectual property rights among artists and music publishers. These factors are contributing significantly to the expansion of the market, as they emphasize the importance of protecting and monetizing creative works in an increasingly digital world.
One major growth factor for the copyright music market is the exponential rise in digital music consumption. With the advent of numerous music streaming platforms such as Spotify, Apple Music, and Amazon Music, there has been a significant shift from physical to digital music formats. This transformation necessitates robust copyright mechanisms to ensure that artists and music publishers receive their fair share of royalties. Furthermore, the integration of advanced technologies such as blockchain to track and manage copyright usage more effectively is also facilitating the growth of this market by enhancing transparency and reducing instances of copyright infringement.
Another critical factor driving market growth is the increasing global awareness and enforcement of copyright laws. Governments and regulatory bodies worldwide are tightening regulations and increasing penalties for copyright violations, thereby encouraging more artists and labels to seek legal protection for their works. This trend is particularly evident in emerging markets where the music industry is increasingly becoming a significant economic contributor. The heightened focus on intellectual property rights is fostering a more structured environment for the music industry, ensuring that creators are adequately compensated for their work.
The growing live performance industry is also contributing to the market's expansion. With the resurgence of live concerts, festivals, and other events post-pandemic, there is a heightened need for effective management of performance rights. This segment of the market is crucial as it involves real-time usage of copyrighted music, necessitating efficient systems to manage royalties and licenses. The increase in live performances not only boosts the demand for performance rights but also emphasizes the need for comprehensive copyright management solutions to handle the complexities associated with these events.
The role of Recorded Music in the copyright music market cannot be overstated. As the backbone of the music industry, recorded music encompasses all forms of music that have been captured and stored for playback. This includes everything from traditional physical formats like vinyl and CDs to digital formats such as MP3s and streaming files. The transition from physical to digital formats has not only changed how music is consumed but also how it is monetized. Recorded music forms the basis for many revenue streams, including sales, streaming, and licensing, making it a critical component of the industry's economic structure. As technology continues to evolve, the ways in which recorded music is produced, distributed, and consumed will continue to shape the future of the copyright music market.
From a regional perspective, North America holds the largest share of the copyright music market, driven by the presence of major music labels and a high rate of digital music consumption. Europe follows closely, with a well-established music industry and stringent copyright laws contributing to market growth. The Asia Pacific region is expected to witness the highest growth rate during the forecast period, fueled by the burgeoning music industry in countries like China, India, and South Korea. The increasing penetration of digital media and the rising popularity of regional music genres are key factors propelling the market in this region.
The copyright music market is segmented by type into mechanical rights, performance rights, synchronization rights, and print rights. Mechanical rights pertain to the reproduction of music in physical formats such as CDs, vinyl, and more recently, digital downloads. This segment, although traditionally significant, has seen a shift in dynamics with the rise of digital streaming, which impacts how royalties are collecte
A recent study exploring the global music industry found that revenues from live music events grew by ** percent in 2023, reaching over ** billion U.S dollars that year. The market estimates are showing promising growth to pre-pandemic levels and revenue figures surpassing ** billion dollars by the end of 2030. Concerts amid COVID-19 The outbreak of the coronavirus (COVID-19) pandemic dealt a heavy blow to the live music sector as concert venues closed, tours were halted, and festivals rescheduled. But while some events were canceled or postponed indefinitely, others were merely moved online to let music lovers enjoy performances by their favorite artists in a socially distant manner. In Europe, for example, the share of festivalgoers who watched a live music stream during coronavirus lockdowns stood at ** percent, with a similar share of survey respondents stating they would happily pay to do so. Live stream concerts have become popular alternatives to in-person shows in recent years, and while some artists uploaded pre-recorded concert films to video streaming platforms, others took the virtual stage in gaming apps Fortnite or Roblox. Most successful live music tours The live music sector awoke from a deep slumber in 2021 as social distancing measures were loosened and travel bans lifted in many parts of the world. Two years later, looking at the top-grossing concert tours that year, Taylor Swift was taking over the concert market, with her tour's earnings reaching over *** billion U.S. dollars. Beyonce's tour ranked second that year, however, the grosses trailed behind at the level of *** billion dollars.
Live Music Market Size 2025-2029
The live music market size is forecast to increase by USD 18 billion, at a CAGR of 11.2% between 2024 and 2029.
The market is experiencing significant growth, driven by the increasing demand for immersive and authentic live music experiences. This trend is further fueled by the rise in adoption of virtual and hybrid live music events, which cater to audiences unable to attend physical concerts due to geographical limitations or health concerns. However, this market landscape is not without challenges. Privacy and security concerns over online ticket booking platforms pose a significant obstacle, as consumers express apprehension over sharing personal information and falling victim to fraudulent activities. Companies in this market must prioritize addressing these concerns through robust security measures and transparent data handling practices to maintain consumer trust and ensure a seamless event experience.
Navigating these challenges and capitalizing on the growing demand for live music experiences requires strategic planning and innovative solutions. Companies that effectively address privacy and security concerns while delivering engaging and accessible live music experiences will thrive in this dynamic market.
What will be the Size of the Live Music Market during the forecast period?
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In the dynamic and ever-evolving the market, various entities interplay to create unique and engaging experiences for audiences. Concert venues, each with distinct capacities and architectural designs, host these events, providing the physical space for artists and fans to connect. Sound reinforcement systems, a crucial element, ensure optimal audio quality, enhancing the musical experience. Sponsorship deals, forged between brands and artists or events, bring financial support and increased visibility. Concert photography captures moments, while emergency services ensure safety and peace of mind. Merchandise sales generate revenue, stage rigging sets the scene, and artist branding builds a lasting image.
Music production, a continuous process, shapes the sound and feel of performances. Crowd control maintains order, recording studios preserve history, and video production documents events for future consumption. Brand partnerships, public relations, and fan communities foster engagement, while ticketing platforms manage access and pricing strategies. Virtual concerts, immersive audio, and streaming services expand reach, and venue security ensures safety. Lighting fixtures and designs add ambiance, while data analytics inform decision-making. Distribution channels, backline equipment, and mixing consoles support artists, and musical instruments and effects processors fuel creativity. Audio engineering, 3D sound, and live streaming technology push boundaries, while risk management mitigates potential issues.
How is this Live Music Industry segmented?
The live music industry research report provides comprehensive data (region-wise segment analysis), with forecasts and estimates in 'USD million' for the period 2025-2029, as well as historical data from 2019-2023 for the following segments.
Revenue
Tickets
Sponsorship
Genre
Pop
Rock
Hip-hop
EDM
Others
Type
Concert Halls
Festivals
Clubs
Others
Ticket Distribution Channel
Online Platforms
Box Office
Secondary Market
Artists Type
Solo Artists
Bands
DJs
Emerging vs Established
Seasonality
Summer Festivals
Year-round
Holiday-specific
Geography
North America
US
Canada
Europe
France
Germany
Italy
UK
Middle East and Africa
UAE
APAC
China
India
Japan
South Korea
South America
Brazil
Rest of World (ROW)
By Revenue Insights
The tickets segment is estimated to witness significant growth during the forecast period.
The market is a dynamic and intricate ecosystem, encompassing various entities that collaborate to bring fans unforgettable experiences. Central to this industry are concert venues, where music comes alive through sound reinforcement systems. Sponsorship deals foster partnerships between brands and artists, while concert photography and emergency services ensure safety and memorable moments. Merchandise sales and stage rigging provide revenue streams, and artist branding and music production elevate performances. Crowd control, recording studios, and video production document and manage large audiences. Brand partnerships and public relations shape artists' images, while fan communities and fan engagement foster loyalty. Ticketing platforms facilitate access to live music events, with virtual concerts and ticket pricing
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The music tourism market is expected to progress bit by bit, with a projected CAGR of 9.2% over the forecast period. As of 2024, it is valued at USD 6,440 million and is anticipated to exceed USD 15,527.9 million by 2034, reflecting a 2.4X increase in market value.
Attributes | Description |
---|---|
Estimated Global Music Tourism Market Size (2024E) | USD 6,440 million |
Projected Global Music Tourism Market Value (2034F) | USD 15,527.9 million |
Value-based CAGR (2024 to 2034) | 9.2% |
Semi Annual Market Update
Particular | Value CAGR |
---|---|
H1 | 8.4% (2023 to 2033) |
H2 | 8.9% (2023 to 2033) |
H1 | 9% (2024 to 2034) |
H2 | 9.4% (2024 to 2034) |
Country-wise Insights
Countries | CAGR 2024 to 2034 |
---|---|
United States | 5.7% |
United Kingdom | 5.9% |
Japan | 13.8% |
China | 14.4% |
India | 18.7% |
Category-wise Insights
Segment | International Music (Type) |
---|---|
Value Share (2024) | 67.2% |
Segment | Pay to Visit (Tourist Type) |
---|---|
Value Share (2024) | 59.1% |
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Music Video Production Market size was valued at USD 11.20 Billion in 2024 and is projected to reach USD 20.39 Billion by 2032, growing at a CAGR of 7.8% from 2026 to 2032. Global Music Video Production Market OverviewIn developing countries, with the spread of internet connectivity, video streaming has increased. The new music video station offers a free, 24-hour live stream of popular music videos and other music content, including exclusive video premieres, curated music video blocks, live shows, fan events, chart countdowns and guest appearances. Online video is growing more popular by the day. Video advertising is promotional content that plays before, during or after streaming content.
This table contains 6 series, with data for years 1998 - 2003 (not all combinations necessarily have data for all years), and is no longer being released. This table contains data described by the following dimensions (Not all combinations are available): Geography (1 item: Canada), Musical category (6 items: Popular and rock music;Classical music;Jazz and blues;Country and folk music; ...).
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The global market size of Music Stands is $XX million in 2018 with XX CAGR from 2014 to 2018, and it is expected to reach $XX million by the end of 2024 with a CAGR of XX% from 2019 to 2024.
Global Music Stands Market Report 2019 - Market Size, Share, Price, Trend and Forecast is a professional and in-depth study on the current state of the global Music Stands industry. The key insights of the report:
1.The report provides key statistics on the market status of the Music Stands manufacturers and is a valuable source of guidance and direction for companies and individuals interested in the industry.
2.The report provides a basic overview of the industry including its definition, applications and manufacturing technology.
3.The report presents the company profile, product specifications, capacity, production value, and 2013-2018 market shares for key vendors.
4.The total market is further divided by company, by country, and by application/type for the competitive landscape analysis.
5.The report estimates 2019-2024 market development trends of Music Stands industry.
6.Analysis of upstream raw materials, downstream demand, and current market dynamics is also carried out
7.The report makes some important proposals for a new project of Music Stands Industry before evaluating its feasibility.
There are 4 key segments covered in this report: competitor segment, product type segment, end use/application segment and geography segment.
For competitor segment, the report includes global key players of Music Stands as well as some small players.
The information for each competitor includes:
* Company Profile
* Main Business Information
* SWOT Analysis
* Sales, Revenue, Price and Gross Margin
* Market Share
For product type segment, this report listed main product type of Music Stands market
* Folding Music Stand
* Tabletop Sheet Music Stand
For end use/application segment, this report focuses on the status and outlook for key applications. End users sre also listed.
* Concerts
* Personal Use
For geography segment, regional supply, application-wise and type-wise demand, major players, price is presented from 2013 to 2023. This report covers following regions:
* North America
* South America
* Asia & Pacific
* Europe
* MEA (Middle East and Africa)
The key countries in each region are taken into consideration as well, such as United States, China, Japan, India, Korea, ASEAN, Germany, France, UK, Italy, Spain, CIS, and Brazil etc.
Reasons to Purchase this Report:
* Analyzing the outlook of the market with the recent trends and SWOT analysis
* Market dynamics scenario, along with growth opportunities of the market in the years to come
* Market segmentation analysis including qualitative and quantitative research incorporating the impact of economic and non-economic aspects
* Regional and country level analysis integrating the demand and supply forces that are influencing the growth of the market.
* Market value (USD Million) and volume (Units Million) data for each segment and sub-segment
* Competitive landscape involving the market share of major players, along with the new projects and strategies adopted by players in the past five years
* Comprehensive company profiles covering the product offerings, key financial information, recent developments, SWOT analysis, and strategies employed by the major market players
* 1-year analyst support, along with the data support in excel format.
We also can offer customized report to fulfill special requirements of our clients. Regional and Countries report can be provided as well.
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The global market size of Music Publishing is $XX million in 2018 with XX CAGR from 2014 to 2018, and it is expected to reach $XX million by the end of 2024 with a CAGR of XX% from 2019 to 2024.
Global Music Publishing Market Report 2019 - Market Size, Share, Price, Trend and Forecast is a professional and in-depth study on the current state of the global Music Publishing industry. The key insights of the report:
1.The report provides key statistics on the market status of the Music Publishing manufacturers and is a valuable source of guidance and direction for companies and individuals interested in the industry.
2.The report provides a basic overview of the industry including its definition, applications and manufacturing technology.
3.The report presents the company profile, product specifications, capacity, production value, and 2013-2018 market shares for key vendors.
4.The total market is further divided by company, by country, and by application/type for the competitive landscape analysis.
5.The report estimates 2019-2024 market development trends of Music Publishing industry.
6.Analysis of upstream raw materials, downstream demand, and current market dynamics is also carried out
7.The report makes some important proposals for a new project of Music Publishing Industry before evaluating its feasibility.
There are 4 key segments covered in this report: competitor segment, product type segment, end use/application segment and geography segment.
For competitor segment, the report includes global key players of Music Publishing as well as some small players. At least 9 companies are included:
* Universal Music Publishing Group
* BMG
* Warner-Chappell
* RAK Music
* BMI
* Sony/ATV Music Publishing
For complete companies list, please ask for sample pages.
The information for each competitor includes:
* Company Profile
* Main Business Information
* SWOT Analysis
* Sales, Revenue, Price and Gross Margin
* Market Share
For product type segment, this report listed main product type of Music Publishing market
* Performance
* Digital
* Synchronization
* Mechanical
* Others
For end use/application segment, this report focuses on the status and outlook for key applications. End users sre also listed.
* Commercial
* Commonweal
* Other
For geography segment, regional supply, application-wise and type-wise demand, major players, price is presented from 2013 to 2023. This report covers following regions:
* North America
* South America
* Asia & Pacific
* Europe
* MEA (Middle East and Africa)
The key countries in each region are taken into consideration as well, such as United States, China, Japan, India, Korea, ASEAN, Germany, France, UK, Italy, Spain, CIS, and Brazil etc.
Reasons to Purchase this Report:
* Analyzing the outlook of the market with the recent trends and SWOT analysis
* Market dynamics scenario, along with growth opportunities of the market in the years to come
* Market segmentation analysis including qualitative and quantitative research incorporating the impact of economic and non-economic aspects
* Regional and country level analysis integrating the demand and supply forces that are influencing the growth of the market.
* Market value (USD Million) and volume (Units Million) data for each segment and sub-segment
* Competitive landscape involving the market share of major players, along with the new projects and strategies adopted by players in the past five years
* Comprehensive company profiles covering the product offerings, key financial information, recent developments, SWOT analysis, and strategies employed by the major market players
* 1-year analyst support, along with the data support in excel format.
We also can offer customized report to fulfill special requirements of our clients. Regional and Countries report can be provided as well.
In 2021, Brazil and Mexico combined accounted for about ********** of Latin America's recorded music revenue, while the other markets across the region accounted for the remaining third. Brazil's recorded music revenue growth rate stood above the Latin American average that year.