According to a survey from 2022 among U.S. Spotify users, Spotify Wrapped was mostly viewed with neutral feelings, while ** percent had a favorable opinion. The format, which is published towards the end of each year, shows users which shows, songs, and artists they have consumed and enjoyed most during the past year. Over the last years, it has become the source of many viral memes and posts.

Analysis of ‘Spotify Recommendation’ provided by Analyst-2 (analyst-2.ai), based on source dataset retrieved from https://www.kaggle.com/bricevergnou/spotify-recommendation on 28 January 2022.

--- Dataset description provided by original source is as follows ---

Spotify Recommandation

( You can check how I used this dataset on my github repository )

I am basically a HUGE fan of music ( mostly French rap though with some exceptions but I love music ). And someday , while browsing stuff on Internet , I found the Spotify's API . I knew I had to use it when I found out you could get information like danceability about your favorite songs just with their id's.

https://user-images.githubusercontent.com/86613710/127216769-745ac143-7456-4464-bbe3-adc53872c133.png" alt="image">

Once I saw that , my machine learning instincts forced me to work on this project.

1. Data Collection

1.1 Playlist creation

I collected 100 liked songs and 95 disliked songs

For those I like , I made a playlist of my favorite 100 songs. It is mainly French Rap , sometimes American rap , rock or electro music.

For those I dislike , I collected songs from various kind of music so the model will have a broader view of what I don't like

There is : - 25 metal songs ( Cannibal Corps ) - 20 " I don't like " rap songs ( PNL ) - 25 classical songs - 25 Disco songs

I didn't include any Pop song because I'm kinda neutral about it

1.2 Getting the ID's

1. From the Spotify's API "Get a playlist's Items" , I turned the playlists into json formatted data which cointains the ID and the name of each track ( ids/yes.py and ids/no.py ). NB : on the website , specify "items(track(id,name))" in the fields format , to avoid being overwhelmed by useless data.

2. With a script ( ids/ids_to_data.py ) , I turned the json data into a long string with each ID separated with a comma.

1.3 Getting the statistics

Now I just had to enter the strings into the Spotify API "Get Audio Features from several tracks" and get my data files ( data/good.json and data/dislike.json )

2. Data features

From Spotify's API documentation :

• acousticness : A confidence measure from 0.0 to 1.0 of whether the track is acoustic. 1.0 represents high confidence the track is acoustic.
• danceability : Danceability describes how suitable a track is for dancing based on a combination of musical elements including tempo, rhythm stability, beat strength, and overall regularity. A value of 0.0 is least danceable and 1.0 is most danceable.
• duration_ms : The duration of the track in milliseconds.
• energy : Energy is a measure from 0.0 to 1.0 and represents a perceptual measure of intensity and activity. Typically, energetic tracks feel fast, loud, and noisy. For example, death metal has high energy, while a Bach prelude scores low on the scale. Perceptual features contributing to this attribute include dynamic range, perceived loudness, timbre, onset rate, and general entropy.
• instrumentalness : Predicts whether a track contains no vocals. “Ooh” and “aah” sounds are treated as instrumental in this context. Rap or spoken word tracks are clearly “vocal”. The closer the instrumentalness value is to 1.0, the greater likelihood the track contains no vocal content. Values above 0.5 are intended to represent instrumental tracks, but confidence is higher as the value approaches 1.0.
• key : The key the track is in. Integers map to pitches using standard Pitch Class notation . E.g. 0 = C, 1 = C♯/D♭, 2 = D, and so on.
• liveness : Detects the presence of an audience in the recording. Higher liveness values represent an increased probability that the track was performed live. A value above 0.8 provides strong likelihood that the track is live.
• loudness : The overall loudness of a track in decibels (dB). Loudness values are averaged across the entire track and are useful for comparing relative loudness of tracks. Loudness is the quality of a sound that is the primary psychological correlate of physical strength (amplitude). Values typical range between -60 and 0 db.
• mode : Mode indicates the modality (major or minor) of a track, the type of scale from which its melodic content is derived. Major is represented by 1 and minor is 0.
• speechiness : Speechiness detects the presence of spoken words in a track. The more exclusively speech-like the recording (e.g. talk show, audio book, poetry), the closer to 1.0 the attribute value. Values above 0.66 describe tracks that are probably made entirely of spoken words. Values between 0.33 and 0.66 describe tracks that may contain both music and speech, either in sections or layered, including such cases as rap music. Values below 0.33 most likely represent music and other non-speech-like tracks.
• tempo : The overall estimated tempo of a track in beats per minute (BPM). In musical terminology, tempo is the speed or pace of a given piece and derives directly from the average beat duration.
• time_signature : An estimated overall time signature of a track. The time signature (meter) is a notational convention to specify how many beats are in each bar (or measure).
• valence : A measure from 0.0 to 1.0 describing the musical positiveness conveyed by a track. Tracks with high valence sound more positive (e.g. happy, cheerful, euphoric), while tracks with low valence sound more negative (e.g. sad, depressed, angry).

And the variable that has to be predicted :

• liked : 1 for liked songs , 0 for disliked songs

--- Original source retains full ownership of the source dataset ---

According to a survey from 2022 among U.S. Spotify users, Spotify Wrapped was posted on social media by ** percent of respondents. However, another ** percent said that they did not look at it at all. Spotify Wrapped is a personalized annual summary of artists, songs, genres, or shows that a person has consumed during the year.

Analysis of ‘Spotify Song Attributes’ provided by Analyst-2 (analyst-2.ai), based on source dataset retrieved from https://www.kaggle.com/geomack/spotifyclassification on 28 January 2022.

--- Dataset description provided by original source is as follows ---

Context

A dataset of 2017 songs with attributes from Spotify's API. Each song is labeled "1" meaning I like it and "0" for songs I don't like. I used this to data to see if I could build a classifier that could predict whether or not I would like a song.

I wrote an article about the project I used this data for. It includes code on how to grab this data from the Spotipy API wrapper and the methods behind my modeling. https://opendatascience.com/blog/a-machine-learning-deep-dive-into-my-spotify-data/

Content

Each row represents a song.

There are 16 columns. 13 of which are song attributes, one column for song name, one for artist, and a column called "target" which is the label for the song.

Here are the 13 track attributes: acousticness, danceability, duration_ms, energy, instrumentalness, key, liveness, loudness, mode, speechiness, tempo, time_signature, valence.

Information on what those traits mean can be found here: https://developer.spotify.com/web-api/get-audio-features/

Acknowledgements

I would like to thank Spotify for providing this readily accessible data.

Inspiration

I'm a music lover who's curious about why I love the music that I love.

--- Original source retains full ownership of the source dataset ---

💁‍♀️Please take a moment to carefully read through this description and metadata to better understand the dataset and its nuances before proceeding to the Suggestions and Discussions section.

Dataset Description:

This dataset provides a comprehensive collection of setlists from Taylor Swift’s official era tours, curated expertly by Spotify. The playlist, available on Spotify under the title "Taylor Swift The Eras Tour Official Setlist," encompasses a diverse range of songs that have been performed live during the tour events of this global artist. Each dataset entry corresponds to a song featured in the playlist.

Taylor Swift, a pivotal figure in both country and pop music scenes, has had a transformative impact on the music industry. Her tours are celebrated not just for their musical variety but also for their theatrical elements, narrative style, and the deep emotional connection they foster with fans worldwide. This dataset aims to provide fans and researchers an insight into the evolution of Swift's musical and performance style through her tours, capturing the essence of what makes her tour unique.

Data Collection and Processing:

Obtaining the Data: The data was obtained directly from the Spotify Web API, specifically focusing on the setlist tracks by the artist. The Spotify API provides detailed information about tracks, artists, and albums through various endpoints.

Data Processing: To process and structure the data, Python scripts were developed using data science libraries such as pandas for data manipulation and spotipy for API interactions, specifically for Spotify data retrieval.

Workflow:

Authentication API Requests Data Cleaning and Transformation Saving the Data

Attribute Descriptions:

• artist_name: the name of the artist (Taylor Swift)
• track_name: the title of the track
• is_explicit: Indicates whether the track contains explicit content
• album_release_date: The date when the track was released
• genres: A list of genres associated with Beyoncé
• danceability: A measure from 0.0 to 1.0 indicating how suitable a track is for - dancing based on a combination of musical elements
• valence: A measure from 0.0 to 1.0 indicating the musical positiveness conveyed by a track
• energy: A measure from 0.0 to 1.0 representing a perceptual measure of intensity and activity
• loudness: The overall loudness of a track in decibels (dB)
• acousticness: A measure from 0.0 to 1.0 whether the track is acoustic
• instrumentalness: Predicts whether a track contains no vocals
• liveness: Detects the presence of an audience in the recordings speechiness: Detects the presence of spoken words in a track
• key: The key the track is in. Integers map to pitches using standard Pitch Class notation
• tempo: The overall estimated tempo of a track in beats per minute (BPM)
• mode: Modality of the track
• duration_ms: The length of the track in milliseconds
• time_signature: An estimated overall time signature of a track
• popularity: A score between 0 and 100, with 100 being the most popular

Note: Popularity score reflects the score recorded on the day that retrieves this dataset. The popularity score could fluctuate daily.

Potential Applications:

• Predictive Analytics: Researchers might use this dataset to predict future setlist choices for tours based on album success, song popularity, and fan feedback.

Disclaimer and Responsible Use:

This dataset, derived from Spotify focusing on Taylor Swift's The Eras Tour setlist data, is intended for educational, research, and analysis purposes only. Users are urged to use this data responsibly, ethically, and within the bounds of legal stipulations.

• Compliance with Terms of Service: Users should adhere to Spotify's Terms of Service and Developer Policies when utilizing this dataset.
• Copyright Notice: The dataset presents music track information including names and artist details for analytical purposes and does not convey any rights to the music itself. Users must ensure that their use does not infringe on the copyright holders' rights. Any analysis, distribution, or derivative work should respect the intellectual property rights of all involved parties and comply with applicable laws.
• No Warranty Disclaimer: The dataset is provided "as is," without warranty, and the creator disclaims any legal liability for its use by others.
• Ethical Use: Users are encouraged to consider the ethical implications of their analyses and the potential impact on artists and the broader community.
• Data Accuracy and Timeliness: The dataset reflects a snapshot in time and may not represent the most current information available. Users are encouraged to verify the data's accuracy and timeliness.
• Source Verification: For the most accurate and up-to-date information, users are encouraged to refer directly to Spotify's official website.
• Independence Declaration: ...

This is a dataset consisting of features for tracks fetched using Spotify's Web API. The tracks are labeled '1' or '0' ('Hit' or 'Flop') depending on some criterias of the author. This dataset can be used to make a classification model that predicts whethere a track would be a 'Hit' or not. (Note: The author does not objectively considers a track inferior, bad or a failure if its labeled 'Flop'. 'Flop' here merely implies that it is a track that probably could not be considered popular in the mainstream.) Here's an implementation of this idea in the form of a website that I made. {http://www.hitpredictor.in/}

Analysis of ‘Spotify Past Decades Songs Attributes’ provided by Analyst-2 (analyst-2.ai), based on source dataset retrieved from https://www.kaggle.com/cnic92/spotify-past-decades-songs-50s10s on 28 January 2022.

--- Dataset description provided by original source is as follows ---

Context

Why do we like some songs more than others? Is there something about a song that pleases out subconscious, making us listening to it on repeat? To understand this I collected various attributes from a selection of songs available in the Spotify's playlist "All out ..s" starting from the 50s up to the newly ended 10s. Can you find the secret sauce to make a song popular?

Content

This data repo contains 7 datasets (.csv files), each representing a Spotify's "All out ..s" type of playlist. Those playlists collect the most popular/iconic songs from the decade. For each song, a set of attributes have been reported in order to perform some data analysis. The attributes have been scraped from this amazing website. In particular, according to the website the attributes are:

• top genre: genre of the song
• year: year of the song (due to re-releases, the year might not correspond to the release year of the original song)
• bpm(beats per minute): beats per minute
• nrgy(energy): energy of a song, the higher the value the more energetic the song is
• dnce(danceability): the higher the value, the easier it is to dance to this song.
• dB(loudness): the higher the value, the louder the song.
• live(liveness): the higher the value, the more likely the song is a live recording.
• val(valence): the higher the value, the more positive mood for the song.
• dur(duration): the duration of the song.
• acous(acousticness): the higher the value the more acoustic the song is.
• spch(speechiness): the higher the value the more spoken word the song contains.
• pop(popularity): the higher the value the more popular the song is.

Acknowledgements

I got inspired by the top-notch work by Leonardo Henrique in this dataset. Thanks to him I discovered this website, from which all the data collected here have been scraped.

--- Original source retains full ownership of the source dataset ---

This statistic illustrates the average mobile data consumption of Spotify users in Italy as of May 2018. According to data tracked by Walletsaver , the average mobile data consumption of mobile users for Spotify increased from *** megabytes (MB) in January 2018 to ** megabites in May.

Analysis of ‘K-Pop Hits Through The Years’ provided by Analyst-2 (analyst-2.ai), based on source dataset retrieved from https://www.kaggle.com/sberj127/kpop-hits-through-the-years on 12 November 2021.

--- Dataset description provided by original source is as follows ---

What is the data?

The datasets contain the top songs from the said era or year accordingly (as presented in the name of each dataset). Note that only the KPopHits90s dataset represents an era (1989-2001). Although there is a lack of easily available and reliable sources to show the actual K-Pop hits per year during the 90s, this era was still included as this time period was when the first generation of K-Pop stars appeared. Each of the other datasets represent a specific year after the 90s.

How was it obtained?

A song is considered to be a K-Pop hit during that era or year if it is included in the annual series of K-Pop Hits playlists, which is created officially by Apple Music. Note that for the dataset that represents the 90s, the playlist 90s K-Pop Essentials was used as the reference.

1. These playlists were transferred into Spotify through the Tune My Music site. After transferring, the site also presented all the missing songs from each Spotify playlist when compared to the original Apple Music playlists.
   • Any data besides the names and artists of the hit songs were not directly obtained from Apple Music since these other details of songs in this music service are only available for those enrolled as members of the Apple Developer Program.
2. The presented missing songs from each playlist was manually searched and, if found, added to the respective Spotify playlist.
   • For the songs that were found, there are three types: (1) the song by the original artist, (2) the instrumental of the original song and (3) a cover of the song. When the first type is not found, the two other types are searched and are compared to each other. The one that sounded the most like the original song (from the Apple Music playlist) is chosen as the substitute in the Spotify playlist.
   • Presented is a link containing all the missing data per playlist (when the initial Spotify playlists were compared to the original Apple Music playlists) and the action done to each one.
3. The necessary identification details and specific audio features of each track were obtained through the use of the Spotipy library and Spotify Web API documentation.

Why did you make this?

As someone who has a particular curiosity to the field of data science and a genuine love for the musicality in the K-Pop scene, this data set was created to make something out of the strong interest I have for these separate subjects.

Acknowledgements

I would like to express my sincere gratitude to Apple Music for creating the annual K-Pop playlists, Spotify for making their API very accessible, Spotipy for making it easier to get the desired data from the Spotify Web API, Tune My Music for automating the process of transferring one's library into another service's library and, of course, all those involved in the making of these songs and artists included in these datasets for creating such high quality music and concepts digestible even for the general public.

--- Original source retains full ownership of the source dataset ---

How many paid subscribers does Spotify have? As of the first quarter of 2025, Spotify had 268 million premium subscribers worldwide, up from 239 million in the corresponding quarter of 2024. Spotify’s subscriber base has increased dramatically in the last few years and has more than doubled since early 2019. Spotify and competitors Spotify is a music streaming service originally founded in 2006 in Sweden. The platform can be used from various devices and allows users to browse through a catalogue of music licensed through multiple record labels, as well as creating and sharing playlists with other users. Additionally, listeners are able to enjoy music for free with advertisements or are also given the option to purchase a subscription to allow for unlimited ad-free music streaming. Spotify’s largest competitors are Pandora, a company that offers a similar service and remains popular in the United States, and Apple Music, which was launched in 2015. While Pandora was once among the highest-grossing music apps in the Apple App Store, recent rankings show that global services like QQ Music, NetEase Cloud Music, and YouTube Music now generate higher monthly revenues.Users are also able to register Spotify accounts using Facebook directly through the website using an app. This enables them to connect with other Facebook friends and explore their music tastes and playlists. Spotify is a popular source for keeping up-to-date with music, and the ability to enjoy Spotify anywhere at any time allows consumers to shape their music consumption around their lifestyles and preferences.

This statistic illustrates the weekly reach of Spotify in the United States as of July 2018, broken down by age group. During the survey, it was found that Spotify reached ** percent of respondents aged 16 to 19 years old, compared to *** percent of those aged 65 or above.

AppMagic recorded a total of around ***** thousand downloads of the Spotify app in New Zealand in January 2025. Spotify had the highest recorded downloads within the measured period in December 2022, at around ** thousand.

What is the data?

The datasets contain the top songs from the said era or year accordingly (as presented in the name of each dataset). Note that only the KPopHits90s dataset represents an era (1989-2001). Although there is a lack of easily available and reliable sources to show the actual K-Pop hits per year during the 90s, this era was still included as this time period was when the first generation of K-Pop stars appeared. Each of the other datasets represent a specific year after the 90s.

How was it obtained?

A song is considered to be a K-Pop hit during that era or year if it is included in the annual series of K-Pop Hits playlists, which is created officially by Apple Music. Note that for the dataset that represents the 90s, the playlist 90s K-Pop Essentials was used as the reference.

1. These playlists were transferred into Spotify through the Tune My Music site. After transferring, the site also presented all the missing songs from each Spotify playlist when compared to the original Apple Music playlists.
   • Any data besides the names and artists of the hit songs were not directly obtained from Apple Music since these other details of songs in this music service are only available for those enrolled as members of the Apple Developer Program.
2. The presented missing songs from each playlist was manually searched and, if found, added to the respective Spotify playlist.
   • For the songs that were found, there are three types: (1) the song by the original artist, (2) the instrumental of the original song and (3) a cover of the song. When the first type is not found, the two other types are searched and are compared to each other. The one that sounded the most like the original song (from the Apple Music playlist) is chosen as the substitute in the Spotify playlist.
   • Presented is a link containing all the missing data per playlist (when the initial Spotify playlists were compared to the original Apple Music playlists) and the action done to each one.
3. The necessary identification details and specific audio features of each track were obtained through the use of the Spotipy library and Spotify Web API documentation.

Why did you make this?

As someone who has a particular curiosity to the field of data science and a genuine love for the musicality in the K-Pop scene, this data set was created to make something out of the strong interest I have for these separate subjects.

Acknowledgements

I would like to express my sincere gratitude to Apple Music for creating the annual K-Pop playlists, Spotify for making their API very accessible, Spotipy for making it easier to get the desired data from the Spotify Web API, Tune My Music for automating the process of transferring one's library into another service's library and, of course, all those involved in the making of these songs and artists included in these datasets for creating such high quality music and concepts digestible even for the general public.

In August 2020, there were 281.5 million unique monthly visitors to music streaming service Spotify worldwide, up from 215.5 million in August 2019. Whilst the number remained relatively stable for some time, 2019 was not as good as year for Spotify when it came to unique web visitors as 2018, with the number dropping below 220 million for several consecutive months. However, by 2020, music lovers all over the world found themselves in lockdown due to the coronavirus, which will likely have contributed to the increased web visits year on year.

Context

A dataset of 2017 songs with attributes from Spotify's API. Each song is labeled "1" meaning I like it and "0" for songs I don't like. I used this to data to see if I could build a classifier that could predict whether or not I would like a song.

I wrote an article about the project I used this data for. It includes code on how to grab this data from the Spotipy API wrapper and the methods behind my modeling. https://opendatascience.com/blog/a-machine-learning-deep-dive-into-my-spotify-data/

Content

Each row represents a song.

There are 16 columns. 13 of which are song attributes, one column for song name, one for artist, and a column called "target" which is the label for the song.

Here are the 13 track attributes: acousticness, danceability, duration_ms, energy, instrumentalness, key, liveness, loudness, mode, speechiness, tempo, time_signature, valence.

Information on what those traits mean can be found here: https://developer.spotify.com/web-api/get-audio-features/

Acknowledgements

I would like to thank Spotify for providing this readily accessible data.

Inspiration

I'm a music lover who's curious about why I love the music that I love.

The dataset is composed by different musial genres and for each kind we have different features that caracterize it. Reference https://developer.spotify.com/documentation/web-api/reference/#endpoint-get-audio-features

• Acousticness: A confidence measure from 0.0 to 1.0 of whether the track is acoustic. 1.0 represents high confidence the track is acoustic.
• Danceability: Danceability describes how suitable a track is for dancing based on a combination of musical elements including tempo, rhythm stability, beat strength, and overall regularity. A value of 0.0 is least danceable and 1.0 is most danceable.
• Duration_ms: The duration of the track in milliseconds.
• Energy: Energy is a measure from 0.0 to 1.0 and represents a perceptual measure of intensity and activity. Typically, energetic tracks feel fast, loud, and noisy. For example, death metal has high energy, while a Bach prelude scores low on the scale. Perceptual features contributing to this attribute include dynamic range, perceived loudness, timbre, onset rate, and general entropy.
• Instrumentalness: Predicts whether a track contains no vocals. “Ooh” and “aah” sounds are treated as instrumental in this context. Rap or spoken word tracks are clearly “vocal”. The closer the instrumentalness value is to 1.0, the greater likelihood the track contains no vocal content. Values above 0.5 are intended to represent instrumental tracks, but confidence is higher as the value approaches 1.0.
• Key: The key the track is in. Integers map to pitches using standard Pitch Class notation. E.g. 0 = C, 1 = C♯/D♭, 2 = D, and so on.
• Liveness: Detects the presence of an audience in the recording. Higher liveness values represent an increased probability that the track was performed live. A value above 0.8 provides strong likelihood that the track is live.
• Loudness: The overall loudness of a track in decibels (dB). Loudness values are averaged across the entire track and are useful for comparing relative loudness of tracks. Loudness is the quality of a sound that is the primary psychological correlate of physical strength (amplitude). Values typical range between -60 and 0 db.
• Mode: Mode indicates the modality (major or minor) of a track, the type of scale from which its melodic content is derived. Major is represented by 1 and minor is 0.
• Popularity: The popularity of the track. The value will be between 0 and 100, with 100 being the most popular. The popularity is calculated by algorithm and is based, in the most part, on the total number of plays the track has had and how recent those plays are. Note: When applying track relinking via the market parameter, it is expected to find relinked tracks with popularities that do not match min_*, max_*and target_* popularities. These relinked tracks are accurate replacements for unplayable tracks with the expected popularity scores. Original, non-relinked tracks are available via the linked_from attribute of the relinked track response.
• Speechiness: Speechiness detects the presence of spoken words in a track. The more exclusively speech-like the recording (e.g. talk show, audio book, poetry), the closer to 1.0 the attribute value. Values above 0.66 describe tracks that are probably made entirely of spoken words. Values between 0.33 and 0.66 describe tracks that may contain both music and speech, either in sections or layered, including such cases as rap music. Values below 0.33 most likely represent music and other non-speech-like tracks.
• Tempo: The overall estimated tempo of a track in beats per minute (BPM). In musical terminology, tempo is the speed or pace of a given piece and derives directly from the average beat duration.
• Valence: A measure from 0.0 to 1.0 describing the musical positiveness conveyed by a track. Tracks with high valence sound more positive (e.g. happy, cheerful, euphoric), while tracks with low valence sound more negative (e.g. sad, depressed, angry).

This statistic shows the share of legal digital content consumers that used Spotify to consume and/or share digital content in the United Kingdom (UK) from 2012 to 2018. As of the most recent survey wave, ending in May 2018, 28 percent of respondents reported using the online service (3 percent increase compared to the previous wave of survey).

Context

This data was compiled as part of our undergrad project that used machine learning to classify songs based on themes or activities songs are associated with. For the project we, four activities were choose.

1. Dinner: Songs that sound good when played in a dinner setting or at a restaurant.
2. Sleep: Songs that promote sleep when they are played.
3. Party: Songs that sound good when played at a party.
4. Workout: Songs that sound good when one is exercising/ working out.

The collection of data started with collecting playlist details form Spotify. Spotify web API was used for the collection of the playlist of each category. Track title, album name and artist names were used to extract low level and high level Audio features like MFCC, Spectral centroid, Spectral Roll-off, Spectral Bandwidth, Tempo, Spectral Contrast and Root Mean Square Energy of the songs. For ease of computation, the mean of the values were calculated and added to the tables.

Data was also curated using Spotify's audio analysis API. A larger set of songs is part of this data set.

Content

The data set has eight tables.

1. Four tables with names playlist_audio_features have the signal processing features like MFCC, spectral centroid etc.
2. Four more tables with names playlist_spotify_features have the data extracted from Spotify's audio feature API. These tables have larger number of features. The data set size is quite large.

Description of the "playlist"_audio_features columns:

1. The first column has the simple integer id if the track. (This id is local to that file).
2. The second column has the name of the track.
3. The third column name mfcc has the mean of the calculated MFCC for that track. 20 MFC coefficients were extracted from one frame of the track.
4. The forth column is named scem: This is the mean of Spectral centroid. Spectral centroid was calculated for each frame.
5. The fifth column is named scom: This is the mean of Spectral contrast. Spectral contrast was calculated for each frame.
6. The sixth column is named srom: This is the mean of Spectral Roll-off. Spectral roll-off was calculated for each frame.
7. The seventh column is named sbwm: This is the mean of Spectral Bandwidth. Spectral Bandwidth was calculated for each frame.
8. The eight column is name tempo: This is the estimated tempo of the track.
9. The ninth column is name rmse: This is the mean of the RSME was calculated for each frame.

Description of the

1. id: This is the Spotify id of the track.
2. name: This is the name of the track.
3. url: This is a Spotify uri of the track.
4. artist: This is a one or more artists who worked on the track. 5-13: Description of each of the column can be found at https://developer.spotify.com/web-api/get-audio-features/

Acknowledgements

We would like to thank Librosa an opensource audio feature extraction library in python for developing a great tool. We would also thank the large research done on music genre classification using audio feature which helped us in developing this data set as well as the classification. A special thanks to Spotify

With music streaming not slowing down on its conquest to revolutionize the way we consume music, is the same to say about the companies that are leading the change? For Spotify, it looks like yes. The Swedish streaming giant has seen an overall increase in quarterly revenue since its foundation by CEO Daniel Ek in 2006. In the fourth quarter of 2024, the company accumulated a revenue of **** billion euros. This number is also reflected in the ever-increasing number of subscribers, rising from *** million premium subscribers in the Q4 of 2023 to *** million in the following year. The annual revenue also reached the highest number so far in 2024, with the company generating a whooping over ** million euros, reflecting the streaming site’s dominance on the music streaming market. Spotify’s record operating income in 2024 Despite its success as a global streaming leader, Spotify had reported significant operating losses for six consecutive quarters starting in late 2021, peaking at a record *** million euros in the second quarter of 2023. These losses were largely attributed to heavy investments in platform development, acquisitions—particularly in the podcast sector—and rising research and development spending, which totaled **** billion euros in 2023. However, the company began to recover in 2024, marking a major financial milestone with a record operating income of **** billion euros for the year, including *** million euros in the second quarter alone. This turnaround was driven by strong revenue growth, cost optimization strategies, and a surge in premium subscriptions. Spotify’s return to profitability was further confirmed by its first-ever annual net profit of **** billion euros in 2024, following net losses of *** million euros in 2023 and *** million euros in 2022. Market competitors In recent years, Spotify has been dominating the market, expanding the distance between itself and other competitors. With a **** percent share of streaming subscribers, the Swedish company is way ahead of other streaming sites such as Apple Music, with a share of **** percent. Nonetheless, newer streaming services are still entering the market: the French streaming site Deezer, for example, decided to go public in the second half of 2022 and generated a gross profit of ***** million euros in 2023. Developments like this show that despite the streaming market being very competitive, there might still lie potential for growth in terms of user penetration but also different streaming services.

In the first quarter of 2025, the music streaming service Spotify reached an all-time high with 678 million active users worldwide. This marked an increase of around ten percent in just one year. What is Spotify? Spotify is a music streaming service that offers digital audio content. Basic audio content can be accessed for free whereas premium user subscriptions enable users to access offline mobile content as well as listen to music without advertising. In the first quarter of 2025, the company reported 268 million paying subscribers. Launched in 2008, Spotify originated in Sweden before expanding to European markets and the United States in 2011. Spotify’s U.S. launch was strongly marketed through Facebook, with the music streaming app profiting from the social listening integration via social media. Part of Spotify’s appeal can be attributed to the user- and brand-curated playlists, which can be shared publicly or between friends. Fans may choose what to listen to based on their current mood or preference, and the ability to share such content provides an element of social connectivity ordinarily reserved for networking sites.