This statistic shows the revenue of the industry “postproduction services and other motion picture and video industries“ in the U.S. by segment from 2012 to 2017, with a forecast to 2024. It is projected that the revenue of postproduction services and other motion picture and video industries in the U.S. will amount to approximately 7.615,6 million U.S. Dollars by 2024.

The industry profile based on type of revenue which includes all members under film, television and video post-production industry (NAICS 512190) for one year of data.

This statistic shows the revenue of the industry “motion picture, video and television programme post-production activities“ in Portugal from 2012 to 2018, with a forecast to 2025. It is projected that the revenue of motion picture, video and television programme post-production activities in Portugal will amount to approximately 38.44 million U.S. Dollars by 2025. This statistic was automatically created using the well-proven Statista forecast algorithm based on similarity parameters to existing analyst forecasts. The basis for the original forecasts is a combination of time series forecasts, driver forecasts (GDP, population etc.) from sources such as World Bank or the International Monetary Fund and business surveys.

The summary statistics by North American Industry Classification System (NAICS) which include: operating revenue (dollars x 1,000,000), operating expenses (dollars x 1,000,000), salaries wages and benefits (dollars x 1,000,000), and operating profit margin (by percent), of motion picture and video production (NAICS 512110), annual, for five years of data.

The operating expenses by North American Industry Classification System (NAICS) which include all members under industry expenditures, for post-production and other motion picture and video industries (NAICS 512190), annual (percent), for five years of data.

The global video and film post-production market is estimated to be valued at millions in 2025, and is projected to grow at a CAGR of XX% over the forecast period of 2025-2033. The growth of this market is attributed to the increasing demand for high-quality video content across various industries, including entertainment, marketing, and education. The rising popularity of streaming services and the proliferation of digital content have further fueled the demand for post-production services. Key market drivers include the increasing adoption of cloud-based post-production tools, advancements in artificial intelligence (AI) and machine learning (ML), and the growing demand for immersive content such as virtual reality (VR) and augmented reality (AR). However, factors such as high production costs, intense competition, and copyright issues are expected to restrain market growth. The market is segmented by application into movies and TV series, advertisements and promotional videos, music videos, and others. By type, it is divided into editing, special effects production, dubbing and subtitles, and others. The report provides a comprehensive analysis of the competitive landscape, including company profiles of major players such as BCT Entertainment, Visual Media, Grupo Secuoya, Digital Domain, Sony, Framestore, ILM, Prime Focus, Method Studios, Shootsta, Yello Digital Marketing, Flatworld Solutions, Carbon, Video-film, and Insight Studios.

This statistic shows the revenue of the industry “motion picture, video and television programme post-production activities“ in Germany from 2012 to 2019, with a forecast to 2025. It is projected that the revenue of motion picture, video and television programme post-production activities in Germany will amount to approximately 393.80 million U.S. Dollars by 2025.

The Video Editing Market Report is Segmented by Deployment Type (On-Premise, and Cloud-Based), End Use (Personal, and Professional), and Geography (North America, Europe, Asia Pacific, Middle East & Africa, and Latin America). The Market Sizes and Forecasts Regarding Value (USD) for all the Above Segments are Provided.

This table contains 56 series, with data for years 2006 - 2011 (not all combinations necessarily have data for all years), and was last released on 2015-07-28. This table contains data described by the following dimensions (Not all combinations are available): Geography (14 items: Canada; Prince Edward Island; Nova Scotia; Newfoundland and Labrador ...), North American Industry Classification System (NAICS) (1 items: Motion picture and video production ...), Summary statistics (4 items: Operating revenue; Operating profit margin; Salaries; wages and benefits; Operating expenses ...).

European post-production studios collaborate with other studios, both in Europe and further afield, to create films, TV shows and other forms of media. The industry has been supported by favourable government tax reliefs for domestic production, using these to encourage US studios to work with European post-production companies for their big-budget films and shows. This collaborative approach allows studios specialising in specific areas, such as special effects, animation, or subtitling, to focus on their strengths. Film and TV studios in Europe have been hit hard by recent strike action in the US. The Writers Guild of America (WGA) and Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA) both went on strike midway through 2023 over disagreements with studios. The strikes froze all productions involving US studios, meaning work opportunities for European post-production companies dried up. However, both disputes have finally been resolved – SAG-AFTRA’s on 27 September and WAG’s on 9 November, so demand should pick back up. The impact of the strike action combined with the disruption caused by the pandemic in 2020 and 2021 (work on most production ground to a halt during the lockdown periods) is expected to drive post-production revenue down at a compound annual rate of 4.4% over the five years through 2024 to €7.6 billion, including an anticipated decline of 3.1% in 2024. Demand for post-production services is closely tied to government policies and subsidies that attract foreign productions. The European Film Agency Directors association reveals that the government funding for the production and promotion of European audiovisual works totals around €3 billion annually. However, the industry has struggled to recover from the pandemic, with lingering lower cinema admissions and increased global inflation squeezing marketing budgets. Going forward, this could lead to a drop in production budgets, negatively affecting spending on special effects and animations. Despite these challenges, competition for big-budget productions is expected to remain high. Overall, revenue is forecast to grow at a compound annual rate of 2.3% over the five years through 2029 to reach €8.5 billion.

The statistic presents the value of the post-production market worldwide in 2016 and 2021. The source estimated that the value of this market would increase from 15.01 billion U.S. dollars in 2016 to 19.75 billion U.S. dollars in 2021.

The Video Production Equipment Market Report is Segmented by Type (Edit Controller, Integrated Production Systems, Master Control Video Production, Video Editing System, Video Production Software, and Video Timecode Equipment) and Geography (North America, Europe, Asia, Australia and New Zealand, Middle East and Africa, and Latin America). The Market Sizes and Forecasts are Provided in Terms of Value (USD) for all the Above Segments.

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Audio And Video Editing Software Market Size 2025-2029

The audio and video editing software market size is forecast to increase by USD 1.8 billion at a CAGR of 6.8% between 2024 and 2029.

The market is experiencing significant growth due to several key trends. The increase in content generation, driven by the rise of over-the-top (OTT) platforms, is fueling the demand for advanced editing tools. Another trend is the shift towards cloud-based delivery models, enabling users to access editing software from anywhere, at any time. Additionally, the use of open-source and free editing software is on the rise, providing cost-effective solutions for content creators. These factors are contributing to the market's growth and are expected to continue shaping the landscape in the coming years.

What will be the Size of the Audio And Video Editing Software Market During the Forecast Period?

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The market in the United States continues to experience strong growth, driven by the increasing demand for multimedia content creation and consumption. Professionals such as audio engineers, mixers, editors, sound designers, and music producers rely on advanced computer applications to edit and produce high-quality audio files. Similarly, video editing software is essential for creating and enhancing video or movie content, including visual effects and filters. The market is expanding beyond traditional desktop applications to include web applications and smartphones, enabling users to edit and produce content on-the-go. Video capture from various sources, including digital cameras and smartphones, is fueling the growth of the market.
The multimedia industry's shift towards streaming platforms like YouTube, Netflix, and Amazon further boosts the demand for audio and video editing software. Hard drives provide ample storage for large media files, while wave editors offer precise control over audio channels and effects. Overall, the market for audio and video editing software is dynamic and evolving, offering numerous opportunities for businesses and individuals alike.

How is this Audio And Video Editing Software Industry segmented and which is the largest segment?

The audio and video editing software industry research report provides comprehensive data (region-wise segment analysis), with forecasts and estimates in 'USD billion' for the period 2025-2029, as well as historical data from 2019-2023 for the following segments.

End-user

  Commercial
  Personal


Device

  Laptop/Desktop
  Mobile


Geography

  North America

    Canada
    US


  Europe

    Germany
    UK
    France
    Italy
    Spain


  APAC

    China
    India
    Japan


  South America



  Middle East and Africa

By End-user Insights

The commercial segment is estimated to witness significant growth during the forecast period.

The market caters to various end-users, with the commercial segment experiencing steady growth. This segment comprises media and entertainment industries, enterprises, digital marketing agencies, and advertisement firms. The expansion of the film industry and OTT video streaming platforms, coupled with the rise in digital marketing agencies and advertising firms, fuels the market's growth. Content creators, such as movie producers and OTT video providers, invest in advanced editing software to generate high-quality content and capture market shares. The increasing competition among filmmakers to produce superior content further propels the demand for audio and video editing software.

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The commercial segment was valued at USD 2.94 billion in 2019 and showed a gradual increase during the forecast period.

Regional Analysis

North America is estimated to contribute 40% to the growth of the global market during the forecast period.

Technavio's analysts have elaborately explained the regional trends and drivers that shape the market during the forecast period.

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The North American market for audio and video editing software holds the largest share due to the significant demand from the media and entertainment industry, particularly in the US. With major film production houses, digital media agencies, and animation studios based in the region, the need for advanced editing tools is high. In 2021, the US and Canada generated over USD 11.80 billion from film production and sold over 1.32 billion tickets. Movies, shows, and documentaries continue to be the primary applications for video editing software, driving market growth during the forecast period. The software enables features like digital video editing, video capture, hard drive integration, Wave editors, music integration, effects, filters, and stereo c

Global film and video market size is expected at $535.34 billion in 2033 at a growth rate of 6.46%

This statistic presents information on the 3D visual effects and animation revenue in the film, television and video post-production industry in Canada from 2013 to 2017. During the survey period, it was found that revenue from 3D effects and animation services amounted to 133.2 million Canadian dollars in 2017, up from 77.8 million in 2013.

European post-production studios collaborate with other studios, both in Europe and further afield, to create films, TV shows and other forms of media. The industry has been supported by favourable government tax reliefs for domestic production, using these to encourage US studios to work with European post-production companies for their big-budget films and shows. This collaborative approach allows studios specialising in specific areas, such as special effects, animation, or subtitling, to focus on their strengths. Film and TV studios in Europe have been hit hard by recent strike action in the US. The Writers Guild of America (WGA) and Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA) both went on strike midway through 2023 over disagreements with studios. The strikes froze all productions involving US studios, meaning work opportunities for European post-production companies dried up. However, both disputes have finally been resolved – SAG-AFTRA’s on 27 September and WAG’s on 9 November, so demand should pick back up. The impact of the strike action combined with the disruption caused by the pandemic in 2020 and 2021 (work on most production ground to a halt during the lockdown periods) is expected to drive post-production revenue down at a compound annual rate of 4.4% over the five years through 2024 to €7.6 billion, including an anticipated decline of 3.1% in 2024. Demand for post-production services is closely tied to government policies and subsidies that attract foreign productions. The European Film Agency Directors association reveals that the government funding for the production and promotion of European audiovisual works totals around €3 billion annually. However, the industry has struggled to recover from the pandemic, with lingering lower cinema admissions and increased global inflation squeezing marketing budgets. Going forward, this could lead to a drop in production budgets, negatively affecting spending on special effects and animations. Despite these challenges, competition for big-budget productions is expected to remain high. Overall, revenue is forecast to grow at a compound annual rate of 2.3% over the five years through 2029 to reach €8.5 billion.

The global video production company services market is experiencing robust growth, driven by the increasing demand for high-quality video content across various sectors. From marketing and advertising to education and entertainment, businesses and individuals alike are leveraging the power of video to connect with their audiences. This market is projected to reach a size of $150 billion in 2025, exhibiting a Compound Annual Growth Rate (CAGR) of 12% from 2025 to 2033. This substantial growth is fueled by several key factors, including the proliferation of digital platforms, rising adoption of video marketing strategies, and advancements in video production technology making it more accessible and affordable. The increasing sophistication of video editing software and the availability of cost-effective equipment empowers both large enterprises and independent creators. The market is segmented by service type (online and offline), application (individual, enterprise, and others), and geographic region. The online service segment is currently leading the growth, benefiting from the expanding reach of internet and social media platforms. Enterprise applications constitute a significant portion of the market, reflecting the importance of video in corporate communications, training, and marketing campaigns. Geographically, North America and Europe currently hold the largest market shares, due to their established media industries and high adoption rates of digital technologies. However, significant growth potential exists in the Asia-Pacific region, driven by the increasing internet penetration and rising disposable incomes. While challenges such as fluctuating production costs and intense competition among service providers exist, the overall market outlook remains positive, promising continued expansion throughout the forecast period.

The production revenue by by type of production, for the film, television and video production industry, (NAICS 512110), for five years of data.

Expert industry market research on the Film, Video & TV Programme Post-Production in the UK (2013-2031). Make better business decisions, faster with IBISWorld's industry market research reports, statistics, analysis, data, trends and forecasts.

This table contains 21 series, with data for years 2007 - 2010 (not all combinations necessarily have data for all years), and was last released on 2015-07-28. This table contains data described by the following dimensions (Not all combinations are available): Geography (1 items: Canada ...), North American Industry Classification System (NAICS) (1 items: Post-production and other motion picture and video industries ...), Industry expenditures (21 items: Total operating expenses; Professional and business services fees; Salaries; wages and benefits; Commissions paid to non-employees ...).