In 2020, the segment dedicated to the production of music videos, commercials, and other audiovisual materials in Mexico generated about 750 million Mexican pesos in revenue, down from 1.41 billion pesos a year earlier – a decline of almost 47 percent amidst the COVID-19 outbreak. Similarly, the revenue of movie distributors in Mexico decreased by 50 percent in 2020.
After peaking at **** thousand in 2019, the number of people working in the music video, commercial, and other audiovisual material production industry in Mexico stood at *** in 2020 – an annual decline of ** percent amidst the COVID-19 outbreak.
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The performance of the Film, Video and TV Programme Post-Production industry is influenced by demand from key markets, technological developments and competition. Over the five years through 2024-25, industry revenue has grown at a projected compound annual rate of 0.6% to £1.6 billion. Demand for visual effects and the provision of tax credits by the government to the broader film sector has supported post-production studios' performance over the period 2024-25, but the faltering performance of downstream markets like Hollywood films, streaming platforms and TV advertising. Since post-production studios heavily rely on demand from motion pictures and TV production, revenue tanked in 2020-21 amid the pandemic-induced nationwide lockdowns, which included the closures of cinemas across the UK and delayed media productions. Revenue had started to rally back in 2021-22 as the economy reopened and pandemic restrictions eased, but growth was halted as film and TV studios were curbed by dropping consumer spending in the wake of the cost-of-living crisis. With box office revenues stumbling and traditional advertisers shrinking down, two major markets for post-production have faltered. In 2024-25, revenue is projected to expand by 2.5% while profit will reach 6.2%. Over the five years through 2029-30, industry revenue is in line to expand at a compound annual rate of 1.8% to reach £1.7 billion. Funding from Creative Europe has ceased now that the UK has left the EU, to the detriment of the wider film sector. Furthermore, the UK's points-based immigration system will apply pressure to the labour market; a potential skills shortage for post-production firms could inflate wage costs, limiting profit in the industry. Nevertheless, the UK remains a popular location for international film and TV producers, which will continue to prop up the market. Continued technology advancements will create opportunities for new entrants, encouraging new companies to enter this post-production industry.
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The transition to digital content continues to diminish content distributors as studios increasingly undertake distribution activities in-house. Many distributors have instead turned to acquiring content from production houses. Federal support for video production has been robust, especially with the 2017 Creative Canada initiatives, which increased funding for production studios. Netflix's arrival into the Canadian market also bolstered production, as they were given tax incentives in exchange for spending $500.0 million on domestic content creation. While the pandemic hindered revenue significantly, as health and safety regulations lifted, production skyrocketed as studios had a backlog of projects they were ready to work on. Growth in foreign and domestic Canadian television production propelled the industry to exceed previous pandemic highs in 2021. This momentum was sustained in the following years as demand heightened and revenue hikes persisted. A continued injection of government funding and resources implemented during the pandemic has further boosted the industry. This has enabled the industry to remain durable despite recent spates of inflationary pressure. Revenue is expected to incline at a CAGR of 5.8%, reaching $15.1 billion in 2024, including a 1.6% gain in 2024 as production thrives. Even so, profit took a massive dip amid the pandemic and has yet to fully recover. The ubiquity of digital content has presented opportunities and challenges for content distributors. Streaming platforms can provide a wide variety of content, offering new growth opportunities, especially as these outlets become increasingly popular among consumers. Although the cord-cutting trend has hurt revenue for TV broadcasters, a significant content market, production companies have benefited from the ensuing competition for viewers. Amid the proliferation of video options for consumers, networks have been pressured to strengthen their investment in content that will attract viewers through websites, streaming services or on-demand video. This has ultimately boosted revenue for production companies in an otherwise challenging market. Production growth toward the end of the period is set to carry over as more production companies enter the mix. Production companies will benefit from online streaming services, as these platforms boost the negotiating power of small companies by enabling them to bypass broadcasters, which traditionally had significant leverage over content producers. Revenue is poised to climb at a CAGR of 1.7% to $16.3 billion in 2029.
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Global Film And Video market size is expected to reach $417.99 billion by 2029 at 6.2%, segmented as by type, film and video production, film and video distribution, post-production services, film and video theatres, other film and video industries
In 2024, China's move industry produced *** movies, down from *** titles in the previous year. Since 2020, the COVID-19 pandemic has significantly impacted the film production in the country, coupled with the increasing popularity of video streaming and micro short TV dramas.
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Number of Businesses statistics on the Movie & Video Production industry in the US
The market size of the video content business in Japan amounted to *** billion Japanese yen in fiscal year 2023. It was forecast to grow to *** billion yen in fiscal 2024. Among other things, the forecast was based on the expectation that the number of video editing software users would increase and that new commercial players, such as recruitment businesses, would enter the video production services market.
Digital Video Content Market Size 2025-2029
The digital video content market size is forecast to increase by USD 890.2 billion, at a CAGR of 19.6% between 2024 and 2029.
The market is experiencing significant growth and transformation, driven by an increasing number of partnerships and acquisitions in the Video on Demand (VOD) sector. These collaborations are expanding content offerings and enhancing user experiences across multiple platforms. However, the market faces a substantial challenge with the availability of pirated video content on online platforms. This issue poses a threat to content creators and distributors, requiring robust anti-piracy measures and strategic partnerships to mitigate losses.
Companies seeking to capitalize on market opportunities must focus on content innovation, user experience, and effective piracy prevention strategies to maintain a competitive edge. The dynamic market landscape necessitates agility and continuous adaptation to emerging trends and challenges.
What will be the Size of the Digital Video Content Market during the forecast period?
Explore in-depth regional segment analysis with market size data - historical 2019-2023 and forecasts 2025-2029 - in the full report.
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The market continues to evolve, with new trends and applications emerging across various sectors. Audience engagement remains a key focus, with team collaboration tools enabling more efficient video production. Royalty-free music and video editing techniques enhance content quality, while accessibility features cater to diverse viewer needs. Encoding formats and metadata tagging facilitate video search, enabling users to discover content more easily. Video compression and video quality are ongoing concerns, as is sound design and video hosting. Click-through rates (CTR) and live streaming are shaping monetization strategies, with subscription models and advertising revenue becoming increasingly popular. Visual effects (VFX) and interactive video add value, while video analytics provide insights into viewer behavior.
Frame rate, 360-degree video, color grading, closed captions, and video editing software are essential components of the production workflow. Content calendar, audio mixing, project management, and monetization strategies ensure seamless video delivery. Video scriptwriting and music licensing are crucial for creating engaging content, with stock footage and motion graphics adding visual appeal. Target audience preferences and streaming platforms influence production decisions, while conversion rates and social media integration offer opportunities for growth.
How is this Digital Video Content Industry segmented?
The digital video content industry research report provides comprehensive data (region-wise segment analysis), with forecasts and estimates in 'USD billion' for the period 2025-2029, as well as historical data from 2019-2023 for the following segments.
Deployment
Pay TV
OTT
Application
Smart phones
Desktop and laptop
Smart TV
Others
Business Segment
Subscription
Advertising
Download-to-own (DTO)
Others
Geography
North America
US
Canada
Europe
France
Germany
Italy
UK
APAC
China
India
Japan
South Korea
Rest of World (ROW)
By Deployment Insights
The pay tv segment is estimated to witness significant growth during the forecast period.
The market is experiencing significant growth, driven by the increasing popularity of IPTV and the demand for immersive and harmonious viewing experiences. IPTV, a type of content delivery method that uses the Internet to provide live or on-demand TV programs, is propelling the market forward. While often confused with Over-The-Top (OTT) content, which is delivered via the public Internet, IPTV is differentiated by its delivery over a service provider's infrastructure. Team collaboration and audience engagement are essential components of modern video production. Royalty-free music and video editing techniques enable creators to produce high-quality content efficiently. Video conferencing facilitates remote collaboration, while accessibility features ensure inclusivity.
Encoding formats, metadata tagging, and video compression enable seamless content delivery and search. Video quality, sound design, and visual effects (VFX) are critical factors in engaging viewers. Interactive video, video analytics, and frame rate enhance viewer experience. 360-degree video and color grading offer immersive viewing options. Closed captions and video editing software enable accessibility and content customization. Monetization strategies, such as subscription models and advertising revenue, are essential for content creators. Video marketing and video production workflows are streamlined through project management tools and content calendars. Social media integ
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Music Video Production Market size was valued at USD 11.20 Billion in 2024 and is projected to reach USD 20.39 Billion by 2032, growing at a CAGR of 7.8% from 2026 to 2032. Global Music Video Production Market OverviewIn developing countries, with the spread of internet connectivity, video streaming has increased. The new music video station offers a free, 24-hour live stream of popular music videos and other music content, including exclusive video premieres, curated music video blocks, live shows, fan events, chart countdowns and guest appearances. Online video is growing more popular by the day. Video advertising is promotional content that plays before, during or after streaming content.
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Graph and download economic data for Average Weekly Hours of Production Employees: Information: Motion Picture and Video Industries in California (SMU06000005051210007A) from 2001 to 2020 about video, audio-visual, information, hours, CA, production, employment, industry, and USA.
This statistic shows data on the film industry revenue in Germany from 2003 to 2015, and a projection for 2016 to 2020. In 2017, the German film market was forecast to generate a revenue of * billion euros.
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Greenhouse films are available in various thicknesses, resin types, and applications. Common film thicknesses range from 100 to 250 microns. Resin types include LDPE, LLDPE, and PVC, each with unique properties and suitability for specific applications. Greenhouse films are used to cultivate a wide range of crops, including vegetables, fruits, and ornamentals. Recent developments include: June 2017:Ginegar Plastic Products Ltd, a manufacturer of P.E. sheets and mesh for a variety of applications in agriculture, announced that it had acquired Flextech, a manufacturer of plastic films for processing the agriculture, wind power, automobile, manufacturing plants, shipbuilding, and packaging industries, for $7.8 million., July 2019: Plastika Kritis has developed a new EVO AC film. These EVO AC films have 8 nanomaterial-based layers for maximum water resistance. This film should be better than other films whose additives settle and weaken within 1-2 years., On March 28th, 2020, VSC supplied over a thousand square meters of clear PE film to Siriraj Hospital so as to protect medical equipment and ambulances from the COVID-19 pandemic., In February 2020, Puma released an album made from recycled plastics through First Mile, a waste management and recycling company based in the UK. The reason behind unleashing such products is to cut down the greenhouse gas emissions through the application of recycled plastics.. Notable trends are: Growing need for nursery-cultivated crops is driving the market growth.
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According to Cognitive Market Research, the global short form video market size will be USD 1628.2 million in 2024. It will expand at a compound annual growth rate (CAGR) of 10.60% from 2024 to 2031.
North America held the major market share for more than 40% of the global revenue with a market size of USD 651.28 million in 2024 and will grow at a compound annual growth rate (CAGR) of 8.8% from 2024 to 2031.
Europe accounted for a market share of over 30% of the global revenue with a market size of USD 488.46 million.
Asia Pacific held a market share of around 23% of the global revenue with a market size of USD 374.49 million in 2024 and will grow at a compound annual growth rate (CAGR) of 12.6% from 2024 to 2031.
Latin America had a market share of more than 5% of the global revenue with a market size of USD 81.41 million in 2024 and will grow at a compound annual growth rate (CAGR) of 10.0% from 2024 to 2031.
Middle East and Africa had a market share of around 2% of the global revenue and was estimated at a market size of USD 32.56 million in 2024 and will grow at a compound annual growth rate (CAGR) of 10.3% from 2024 to 2031.
The social media platforms category is the fastest growing segment of the short form video industry
Market Dynamics of Short Form Video Market
Key Drivers for Short Form Video Market
Technological Advancements in Video Editing Tools to Boost Market Growth
Technological advancements in video editing tools have significantly boosted the short form video market. AI-driven features like automated editing, motion tracking, and real-time effects simplify content creation, allowing users to produce high-quality videos quickly. Cloud-based platforms enable seamless collaboration and accessibility, while mobile apps offer drag-and-drop interfaces and one-tap effects for non-professional users. These innovations empower creators to focus on storytelling, boosting content production speed and quality. As editing tools become more accessible and intuitive, they drive the rapid expansion of short-form video content globally. For instance, in December 2020, Google LLC invested in two Indian short-video platforms, Roposo, owned by Glance, and Josh, owned by Dailyhunt. With this investment, Google LLC seeks to improve its AI expertise across Josh and Roposo, expand its technology staff, and provide services on the platforms.
Growth of Social Media Platforms to Drive Market Growth
The growth of social media platforms has fueled the rapid expansion of the short form video market. Platforms like TikTok, Instagram Reels, and YouTube Shorts have made brief, engaging videos a popular content format, appealing to users' limited attention spans. This surge is driven by high smartphone penetration, faster internet, and users' preference for bite-sized, easily consumable content. The market benefits from strong engagement, viral trends, and creator-driven content. As social media platforms continue to innovate, short form videos are becoming essential for both personal expression and digital marketing.
Restraint Factor for the Short Form Video Market
Legal Challenges Related to the Use of Copyrighted Material Will Limit Market Growth
In the short-form video market, legal challenges surrounding the use of copyrighted material pose significant hurdles. Creators often use music, video clips, and images without proper licensing, leading to copyright infringement claims. Platforms like TikTok and Instagram Reels face constant pressure to enforce stringent copyright laws, which can result in content takedowns, restricted usage, or demonetization. This impacts both creators and platforms, as balancing creativity with legal compliance becomes crucial. To navigate this, some platforms have secured music licensing deals, but challenges persist with other types of copyrighted content.
Content Moderation and Platform Safety Issues
The rapid expansion of short-form video platforms has resulted in difficulties in managing inappropriate or harmful content. The swift uploading of videos, live streaming capabilities, and a worldwide audience heighten the risk of disseminating misinformation, hate speech, or offensive content. There is an increasing level of regulatory scrutiny and public concern, as governments across the globe urge platforms to enhance their moderation practices. Neglecting to tackle these challenges may result ...
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The movie and video production industry is grappling with challenges and opportunities in a rapidly evolving landscape. COVID-19 pandemic and industry strikes rattled movie production. Production companies have benefited from a steady demand for entertainment but have been hindered by the expansion of online streaming service providers producing their own content. The prevalence of streaming platforms and digital distribution channels has disrupted traditional cinema, altering how audiences consume content. Since domestic box office sales have fallen, the industry's business model has shifted to more dependent on blockbusters and foreign distribution. As a result, film studios prioritize legacy intellectual properties and diversify their distribution strategies to include digital platforms. Overall, revenue for the Movie and Video Production industry is estimated to have fallen at a CAGR of 14.0% to $38.8 billion through the end of 2025. While revenue for the year 2025 is expected to have risen 3.1%, overall, the industry has yet to recover from its plummet in 2020 and reach the revenue totals it achieved pre-pandemic. Slow box office receipts amid this recovery have made the industry more risk-averse in recent years. Production companies have relied more on large-scale projects with wide appeal, especially those based on existing creative properties, such as sequels and reboots. Studios also place bigger bets on action movies, which fare best with domestic and foreign moviegoers. Still, this business strategy will make studios more vulnerable to profit losses in the future, given the fast-changing nature of consumer tastes. Major studios caught on to the rapidly expanding digital distribution market, with many investing in their own streaming platforms. Leading streaming services like Disney+, Netflix and Amazon Prime Video have rapidly expanded their libraries of original content, intensifying competition. As streaming platforms intensified competition, traditional studios saw their dominance challenged, prompting them to consolidate or forge partnerships to stay afloat. Meanwhile, state film and TV production tax incentives and credits have spurred localized production hubs in states like Georgia and New Mexico, creating robust, film industry-friendly environments outside Hollywood. Over the next five years, movie and video producers will find growth opportunities in digital distribution and television licensing. The box office will return to growth as studios entice viewers with unique cinematic experiences not found on online streaming platforms. Streaming will remain dominant, with simultaneous and staggered releases across platforms becoming the norm. Increased disposable income and higher corporate expenditures will provide a financial boost, fostering more diverse and innovative projects. Revenue is poised to incline at a CAGR of 2.8% through the end of 2030 to reach an estimated $44.7 billion.
This annual release provides information on the creative industries’ tax reliefs for film, high-end television (HETV), animation, video games, children’s television, theatre, orchestra, and museums and galleries exhibitions.
Statistics are provided on the number of productions claiming tax relief, the amounts of expenditure, the number of tax relief claims and amounts claimed, and amount of claims by size of claim. This publication reports on years up to 31 March 2020.
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License information was derived automatically
China Government Expenditure: Fund: National Film Industry Development Fund data was reported at 1,445.000 RMB mn in 2021. This records an increase from the previous number of 1,106.000 RMB mn for 2020. China Government Expenditure: Fund: National Film Industry Development Fund data is updated yearly, averaging 1,520.500 RMB mn from Dec 2010 (Median) to 2021, with 12 observations. The data reached an all-time high of 2,754.000 RMB mn in 2019 and a record low of 219.000 RMB mn in 2011. China Government Expenditure: Fund: National Film Industry Development Fund data remains active status in CEIC and is reported by Ministry of Finance. The data is categorized under China Premium Database’s Government and Public Finance – Table CN.FA: Government Revenue and Expenditure: Fund.
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Global Video Conferencing market is expected to grow above a CAGR of 11.45% and is anticipated to reach over USD 9.2 Billion by 2026. The rising globalization of businesses across the globe has led to an increased demand for video conferencing solutions in major companies.
Throughout 2022, domestic licensing of rights to television programs was the leading source of revenue for the motion picture and video production and distribution industry in the United States, generating ***** billion U.S. dollars. Domestic licensing to motion pictures and contract production of audiovisual works followed, accounting for ***** billion and **** billion dollars of the sector's total turnover. A record-high and a changing trend The overall revenue of the U.S. motion picture and video production and distribution sector reached an all-time high in 2021, increasing by over ** percent and surpassing ** billion dollars. That same year, motion pictures' domestic licensing to TV shows amassed twice as much as licensing to other films. The consecutive prevalence of TV over movies in this subsegment started in 2016. In the first half of the 2010s, only once licensing to programs generated revenue higher than licensing to other films. Higher expenses and cinemas' struggle The expenses of the film and video industries in the U.S. – including production and distribution, as well as exhibition, postproduction, and other related services – increased by ** percent in 2021. The figure surpassed ** billion dollars for the first time since 2013. The exhibition segment, however, continued to deliver results below pre-pandemic standards. In 2021, the cinema industry's leading revenue sources, ticket and concession sales, generated only ** and ** percent of the revenues recorded in 2019.
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The pet films market research report estimates the market size to be 1.57 mn MT in 2020-2024. The incremental growth and the accelerate growth momentum present a positive outlook for the market. This will encourage established as well as new vendors to make investments and strengthen their position in the pet films market.
The pet films market research report offers several other key information including:
CAGR of the market during the forecast period 2020-2024
Detailed information on factors that will drive pet films market growth during the next five years
Precise estimation of the pet films market size and its contribution to the parent market
Accurate predictions on upcoming trends and changes in consumer behavior
The growth of the pet films market industry across APAC, North America, Europe, South America, and MEA
A thorough analysis of the market’s competitive landscape and detailed information on vendors
Comprehensive details of factors that will challenge the growth of pet films market vendors
In 2020, the segment dedicated to the production of music videos, commercials, and other audiovisual materials in Mexico generated about 750 million Mexican pesos in revenue, down from 1.41 billion pesos a year earlier – a decline of almost 47 percent amidst the COVID-19 outbreak. Similarly, the revenue of movie distributors in Mexico decreased by 50 percent in 2020.