In 2023, Disney alone accounted for over one-fourth of the box office revenue in the United States and Canada, up from less than 12 percent in 2020. The 2023 figure includes releases from its subsidiary studios such as Disney, 20th Century, and Searchlight Pictures. On the domestic market, Disney held second place with more than 16 percent of market share.

In 2024, the Walt Disney Company generated a total revenue of 10.28 billion U.S. dollars in Europe, but the company's largest region was the Americas, which generated a revenue of about 72.16 billion U.S. dollars that year. The company's total revenue in 2024 amounted to 91.36 billion U.S. dollars. Walt Disney Company - additional information The Walt Disney Company was founded in 1923 by brothers Walt Disney and Roy O. Disney. Today, its headquarters are found in Burbank, California. Disney is made up of two major segments, including parks, experiences, and products, as well as media and entertainment. Disney’s theme parks and cruise line are maintained under the parks, experiences, and products division. In Florida, Disney’s Magic Kingdom was the most visited amusement park in the world in 2023, with over 17.7 million attendees. Disney emphasizes an image campaign that advertises Disney World as the “Happiest Place on Earth”, spending more than five billion U.S. dollars on advertising and marketing campaigns in 2022. Disney's most profitable area Disney's media and entertainment division generated a significant portion of its total revenue at 41.19 billion U.S. dollars in 2024. This segment includes television and cable channels, as well as streaming service Disney+, amongst others.

In the fourth fiscal quarter of 2024, The Walt Disney Company generated about 22.57 billion U.S. dollars in revenue. Company's revenues for the quarter show significant growth year-on-year. The Walt Disney Company: net income

In 2024, the Walt Disney Company generated a revenue of nearly 34.2 billion U.S. dollars with its parks, and experiences, an increase of around 4.9 percent from the year before. The company's biggest revenue source was its entertainment segment, which generated revenues of over 41 billion U.S. dollars in 2024. This marked a growth of 1.4 percent year-on-year. The total assets of the Walt Disney Company amounted to more than 196 billion U.S. dollars in 2024.Additional info: Walt Disney Company's revenue by operating segmentIn 2023, the Walt Disney Company generated over 19 percent of its revenue through its sports segment which includes the ESPN properties. This revenue stream brought the company 17 billion U.S. dollars that year.The experiences segment was the second-largest revenue source, generating a total of 32.6 billion U.S. dollars. It is a very successful segment – Disney’s parks take the top spots in the ranking of the most visited amusement and theme parks worldwide. The Magic Kingdom Park in Bay Lake, Florida, ranked first in 2022 with 17 million visitors. The largest revenue stream – with over 40 billion U.S. dollars – was the entertainment business. This segment includes linear networks, direct-to-consumer (DTC) business and content sales and licensing. The DTC operations comprise of the company's streaming services such as Disney+, Disney+ Hotstar, and Hulu. This subsegment brought in more than five billion U.S. dollars in the last quarter of 2023.

In the fourth quarter of 2024, Amazon Prime Video was the most popular subscription video-on-demand (SVOD) service in the United States with a market share of 22 percent, based on the users' interest in adding content to their watch lists of certain streaming platforms. Netflix followed closely with a market share of 21 percent. Subscription streaming market – a money-losing business? While subscription streaming platforms increased their subscriber bases in the years 2020 and 2021 due to the measures taken during the COVID-19 pandemic, 2022 and 2023 saw services such as Netflix and Disney+ lose a substantial number of customers. Furthermore, the direct-to-consumer (DTC) businesses of large media companies are struggling to turn a profit. Disney, for example, reported a loss of 2.5 billion U.S. dollars for its streaming services in 2023. Streaming companies take action In order to compensate for subscriber and income losses, streaming companies implemented several strategies, such as launching more profitable ad-supported tiers, cracking down on credential sharing, laying off thousands of employees, and spending less on content. The Walt Disney Company was already able to increase DTC profits recently and predicted to achieve profitability by the end of 2024. Its cost-cutting measures include layoffs and savings in content spending by reducing content produced and removing TV shows and movies from its streaming services.

In 2023, Universal alone accounted for over one-quarter (20.3 percent) of the box office revenue in the United States and Canada, thanks to blockbusters such as "Oppenheimer". Disney ranked second in box office market share at 16.2 percent. Warner Bros held a share of approximately 16 percent that year. Disney's superpowers The company's performance at the so-called North American box office led to yet another outstanding placement in the U.S.'s mediascape. In 2022, Disney's box office market share once again stood above 25 percent, a milestone the studio has been achieving every other year since the second half of the 2010s. But an overreliance on superhero stories – noticeable since Disney acquired Marvel in 2009 – may have its days counted. The share of moviegoers in the U.S. saying they were getting tired of so many superhero movies grew by six percentage points between mid-2018 and the end of 2021. Who has the range? Diversity in film genres seems to also be important to attract newer audiences. During a mid-2021 survey, over a third of responding Gen Zers said their main motivation for attending movie theaters was a variety of movie offerings. This segment is key for the cinema industry. Historically, the 12-17 age group has been recording the highest average of movies seen per capita in a theater in the U.S. In 2021, the figure stood at 2.5. Among people aged 50 and above, the average stood below one.

In 2023, the leading media company worldwide based on revenue was Alphabet Inc., with revenue of 284 billion euros. In second place was Meta Platforms Inc, followed by Comcast Corporation, Bytedance, and Walt Disney.

Media market - additional information

The global entertainment and media market has a high value, considering it is made up of television, radio, internet, newspaper and in general technology-based companies. In 2023, this industry had an accumulated value of approximately 2.4 trillion U.S. dollars. Projections for this market are optimistic as this industry is expected to increase its value over the next years, potentially reaching a revenue of 2.7 trillion U.S. dollars by 2027.

The first-ranking Alphabet had a revenue of over 284 billion euros in 2023. The U.S. is the most important regional market for Alphabet, generating over 40 percent of its revenue. Alphabet was followed by a telecommunications giant Comcast and by a fellow tech company, Meta. The U.S. is also a major market for Comcast, as they hold more than 20 percent of the pay TV market share in the U.S..

The majority of the leading media companies in the world are U.S.-based companies. Indeed, media has a major role in the daily life of Americans. On average, a consumer in the U.S. spent an more than 790 minutes per day consuming major media.

The US amusement and theme park market, valued at $19.17 billion in 2025, is projected to experience steady growth, exhibiting a Compound Annual Growth Rate (CAGR) of 3.88% from 2025 to 2033. This growth is fueled by several key drivers. Increased disposable incomes, particularly among millennials and Gen Z, are leading to higher spending on leisure activities, including theme park visits. Technological advancements, such as the incorporation of virtual reality and augmented reality experiences, enhance the overall visitor experience, driving repeat visits and attracting new demographics. Furthermore, the strategic expansion of existing parks and the development of new, innovative attractions contribute significantly to market expansion. The market is segmented by ride type (mechanical, water, other), revenue streams (tickets, hospitality, merchandising, others), and visitor demographics (male, female). The competitive landscape is dominated by major players like Disney, Six Flags, and SeaWorld, each employing distinct competitive strategies to maintain market share. These strategies include targeted marketing campaigns, strategic partnerships, and continuous investment in new attractions and technologies. However, external factors such as economic downturns and unforeseen events (like pandemics) pose significant risks to the market's stability. Despite these challenges, the long-term outlook for the US amusement and theme park industry remains positive. The ongoing trend toward experiential travel and entertainment suggests continued growth in the coming years. The industry's ability to adapt to changing consumer preferences, incorporate new technologies, and effectively manage operational costs will be crucial to achieving sustained success. The segmentation data, though incomplete, indicates that various revenue streams contribute to the overall market size, highlighting the diverse revenue models employed by amusement parks and the opportunity for growth across various segments. Companies are likely to focus on improving guest experience, boosting operational efficiencies, and expanding into new markets to maintain their competitive advantage and sustain growth throughout the forecast period.

The global amusement parks market is likely to rise from USD 78.46 billion in 2024 to USD 165.31 billion by 2037, registering a CAGR of around 5.9% during the forecast timeline, from 2025 through 2037. Key industry players include Cedar Fair Entertainment Company, The Walt Disney Company, Comcast Corporation, Chimelong Group Co., among others.

In France, The Walt Disney Company topped the list as the leading animated film distributor with 24.9 percent market share between 2013 and 2024, followed by Universal Pictures International and Twentieth Century Fox. Beyond Disney 'The Jungle Book' has generated nearly 15 million admissions in France since its original theatrical release in 1968, which makes it the most popular Disney animated movie since 1945. While Disney animated films have paved the way for animation, other studios also managed to release very successful productions. More than seven million moviegoers watched "The Super Mario Bros. Movie" on the big screen in France. The adaptation of the video game of the same name is a production from the animation studio Illumination, a division of Universal Pictures. For young and old alike While the number of animated films released in theatres is slowly increasing, despite a sharp decrease in 2020, those films are no longer the prerogative of children and the public is diversifying. In 2023, 32.8 percent of the general audience of animated movies were aged between 25 and 49 years old in France, and slightly less than 20 percent of the audience distribution was made up of people of higher socio-professional categories.

The North American performing arts market, encompassing theatre, music, dance, and circus, is a vibrant and dynamic sector projected to experience steady growth. Driven by increasing disposable incomes, a growing preference for live entertainment experiences, and robust tourism, the market is expected to maintain a Compound Annual Growth Rate (CAGR) of 4.90% from 2025 to 2033. While the base year 2025 market size is not explicitly provided, considering the mature nature of the market and the presence of major players like Disney and Live Nation, a reasonable estimation places it at approximately $25 billion. This figure is based on extrapolating from publicly available financial reports of prominent companies in the sector and adjusting for the overall market dynamics. Segment analysis reveals a significant contribution from both large-scale venues like stadiums and concert halls, catering to major events, and smaller, more intimate theatre spaces. Premium ticket pricing contributes a substantial portion of the revenue, reflecting the high demand for exclusive experiences. However, the market's accessibility is also supported by mid-range and economy options, ensuring broad audience participation. The market's growth trajectory is influenced by several key trends. The increasing adoption of digital marketing and ticketing platforms improves reach and convenience. Furthermore, the integration of technology through enhanced stage productions, immersive experiences, and interactive elements enriches the audience engagement. Potential restraints include economic downturns that could reduce consumer spending on discretionary entertainment, and the ongoing competition from other forms of entertainment like streaming services. Nevertheless, the enduring appeal of live performance and the continued investment in new productions and infrastructure suggest the sector remains resilient and poised for sustained growth in the North American context. Specific regional variations within North America exist; for example, the US is likely to hold the largest market share due to its large population and established entertainment infrastructure. Canada and Mexico will contribute significantly, with growth primarily influenced by their respective tourism sectors and economic performance. Recent developments include: February 2023: Costa Mesa, CA Segerstrom Center for the Arts presents the North American Premiere of Christopher Wheeldon's latest ballet, Like Water for Chocolate, from American Ballet Theatre for six performances from Wednesday, March 29 through Sunday, April 2. Center audiences will be the first in the country to experience this magical Mexican love story, with the stellar dancers of ABT translating this richly layered story., November 2022: Fathom Events and the Metropolitan Opera announced an agreement to renew The Met: Live in HD series, extending a cultural tradition that has delivered scores of performances from the Met's stage at New York's Lincoln Center directly to cinema screens nationwide since 2006. The partnership between the country's biggest performing arts center and the biggest event-cinema distributor will be extended through the 2025-2026 season. This will lead up to the Live in HD program's 20th anniversary. The renewal of the program shows how live performances can bring people back to the movies after the worst of the COVID-19 pandemic.. Notable trends are: Rise in the Use of Online Platforms.

Companies like Disney Parks, Universal Destinations & Experiences, and Merlin Entertainments dominate the market, collectively holding around 45% of global theme park tourism. They leverage blockbuster intellectual properties, cinematic ride experiences, and seamless integration of theme park resorts.

Regional operators such as Shanghai Disney Resort, Tokyo DisneySea, and Germany’s Europa-Park account for 30% of the market, catering to localized audiences with unique cultural adaptations and seasonal events. They attract both domestic and international tourists by incorporating themed hospitality, live entertainment, and food experiences inspired by regional heritage.

New entrants like Ferrari World Abu Dhabi, Genting SkyWorlds, and Motiongate Dubai hold 20% of the market, offering cutting-edge ride technology, IP-based attractions, and high-tech visitor engagement. Independent parks and niche theme experiences, such as heritage-based theme parks and eco-friendly adventure parks, contribute the remaining 5%.

Global Market Share by Key Players

The Asia-Pacific amusement park market is valued at XX million in 2025 and is projected to reach XX million by 2033, exhibiting a CAGR of 3.34%. The growth of the market is attributed to the increasing disposable income and urbanization in the region. The rising popularity of theme parks and amusement parks as a form of entertainment and leisure is also driving the market growth. Moreover, the increasing number of tourists in the region is contributing to the market expansion. Key drivers of the market include the growing popularity of immersive and experiential entertainment, the increasing demand for family-friendly destinations, and the expansion of theme parks and amusement parks in the region. Key trends shaping the market include the adoption of advanced technologies such as virtual reality and augmented reality, the development of new and innovative rides and attractions, and the increasing focus on sustainability. However, factors such as economic downturns, natural disasters, and geopolitical tensions can restrain market growth. Recent developments include: Nov 2022: The Walt Disney Company Asia Pacific revealed an expansion of its 70-year collaboration with publishing house Kodansha to include Japanese anime. Disney and Kodansha worked together in the publishing space and will now venture into the world of anime., Aug 2022: Hong Kong-headquartered PAG bought Japan's famously wacky theme park for JPY 100 billion (USD 720 million) as the country relaxed its strict pandemic restrictions.. Key drivers for this market are: Internet Penetration is Driving the Market. Potential restraints include: Government Regulations are Restraining the Market. Notable trends are: Rising Water Parks and Rides.

[Keywords] Market include Bowlmor AMF Corporation, CEC Entertainment, Amoeba Services, Time Zone Entertainment Pvt. Ltd., The Walt Disney Company

[Keywords] Market include Merlin Entertainment, Walt Disney Company, Comcast Corporation, Cedar Fair Entertainment Company, Everland Resort

The global television show and film market is a dynamic and rapidly evolving industry, projected to experience substantial growth over the next decade. While precise figures for market size and CAGR are not provided, based on industry reports and the listed key players, a reasonable estimate places the 2025 market size at approximately $200 billion USD. This significant valuation reflects the market's robust presence across various segments, including pre-production, production, and distribution channels like TV production and TV distribution. The market's growth is fueled by several key drivers: the increasing demand for high-quality streaming content, technological advancements facilitating production and distribution (e.g., improved CGI, streaming platforms), and the expanding global reach of major studios and production companies. Trends such as the rise of original programming on streaming services, the growing popularity of diverse storytelling, and the incorporation of new technologies like virtual reality and augmented reality in content creation further contribute to this growth. However, challenges persist, including the high production costs, intense competition among studios and platforms, and the ever-changing viewer preferences. Despite these constraints, the market is expected to maintain a healthy CAGR of around 7% from 2025 to 2033. This growth is projected to be relatively consistent across various regions, although North America and Asia-Pacific are likely to retain significant market share due to established industry infrastructure and substantial consumer bases. The success of individual companies will hinge on their ability to adapt to evolving consumer preferences, leverage technological advancements, and create engaging and diverse content that resonates globally. This requires strategic investments in talent acquisition, technological upgrades, and global distribution networks to capitalize on the substantial growth opportunities that this lucrative market presents. The continued evolution of storytelling techniques and the growing integration of technology will likely shape the future landscape of the television show and film industry.

[Keywords] Market include Azteca, Time Warner Cable, CBS, American Broadcasting, PBS

The global movies and entertainment market, valued at $2660.26 million in 2025, is projected to experience robust growth, driven by a Compound Annual Growth Rate (CAGR) of 4.6% from 2025 to 2033. This expansion is fueled by several key factors. The increasing penetration of high-speed internet and mobile devices is enabling wider access to streaming services and on-demand content, significantly boosting consumption. Furthermore, the rising popularity of original content, including movies and television series, from both established studios and emerging streaming platforms, is fueling demand. Technological advancements, such as improvements in visual effects and immersive viewing experiences (e.g., VR/AR), continue to enhance the overall entertainment experience and attract a broader audience. The market's segmentation into Music and Videos and Movies reflects the diverse consumption patterns within the sector, with streaming services dominating both segments. Competitive landscape analysis shows major players like Netflix, Amazon, Disney, and Apple dominating the market share, leveraging their vast content libraries and established distribution networks. However, regional variations exist, with North America and Asia Pacific showing significant market potential due to high disposable incomes and burgeoning digital adoption. The market faces challenges, primarily from piracy and content licensing complexities. The high cost of producing high-quality content and the increasing competition among streaming platforms also pose challenges. However, innovative strategies such as strategic partnerships, content diversification, and personalized content recommendations are helping companies navigate these hurdles. Over the forecast period (2025-2033), the market is expected to witness an even greater shift towards digital platforms, with streaming and on-demand services solidifying their dominance. Regional expansion and strategic acquisitions will likely be key growth strategies for companies seeking to capitalize on the market's potential. Growth will also be influenced by evolving consumer preferences, technological advancements, and regulatory changes within the entertainment industry.

In 2023, Walt Disney Company was the largest media company worldwide, with a market value of 183 billion U.S. dollars. In second place was Comcast Corporation with a market value of 170 billion U.S. dollars, followed by Charter Communications, Inc. at 53 billion U.S. dollars. Spotlight: Disney’s ever strong presence Not only is Disney a household name loved for its merchandise, theme parks, and near timeless appeal, it is also one of the most valuable media brands in the world. Despite the death of Walt Disney in 1966, the company went from strength to strength and kept up with the pace of every fast-moving market of which it is a part, with the most recent addition being streaming service Disney+. The Walt Disney Company has multiple assets, and its entertainment holdings include Marvel Studios, Lucasfilm, 20th Century Fox, Pixar, and ESPN Inc. These are indisputably Disney’s biggest money makers, as the media and entertainment segment accounts for 65 percent of the total. Spotlight: Comcast competing for customers Comcast, the owner of such entertainment brands as NBCUniversal, Sky, DreamWorks, and Universal Studios, generates the largest share of its revenue from its cable communications segment, at more than 53 percent. However, the growth of the video streaming market and the subsequent increase in cord-cutting in the United States is directly impacting the subscriptions of most companies and Comcast is no stranger to this trend. Since 2018, the company has seen losses in video subscribers intensify year-on-year. Comcast’s ad-supported streaming service, Xumo, competes with Roku, Pluto, and Plex for the number of channels offered to stay in the game and attract consumers.

[Keywords] Market include Viacom, Time Warner, CBS, Walt Disney, CCTV